30 Royalty-Free Audio Tracks for "Compmusic"

No turkeys legs ha ha.

Dha sound of a tabla stroke.

This is a fragment from the actual kandimpu gamaka sound by vignesh ishwar uploaded by gopala krishna koduri. This is used for asssigment 7 and 8 of theaudio signal processing for music applications course by professor xavier serra.

This is one of the several gamakas (http://en. Wikipedia. Org/wiki/gamaka_%28music%29), called jaru, which literally means a slide. In this short recording, done at iit madras in india, an artist performs few upward and downward glides.

Dha sound of a tabla stroke.

From indian music school , kerala. Recited by mr. Mohanan.

This excerpt contain few examples of alankars in hindustani music. Detailed description along with the time stamps of these different alankars is coming soon. .

Recorded with zoom h1.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

This short excerpt illustrates a characteristic melodic movement in raga bhimpalasi.

This short excerpt illustrates a characteristic melodic movement in raga bhimpalasi.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

A short on the fly rhythmic improvisation on ghatam and morsing. It starts out on a duple meter and slowly moves to a triple meter.

This is a very short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. A synthesized melody sound and a monotonized version of that sound will be soon linked here in the description.

A short theka in khanda nade (pentuple meter) on the mridangam.

This is a short theka played on the morsing, which is a jaw harp used as a percussion accompaniment in carnatic music.

A short theka, jathi and muktaayam in tishra nade (triple meter), adi taala (8 beats in a cycle) on a mridangam. (amateur playing).

A short theka followed by a muktaayam on morsing in adi taala, a rhythmic cycle of 8 beats with four notes/strokes in each beat. (amateur playing).

This excerpt demonstrates a kind of gamaka (sphuritam) in carnatic music. Description-sphuritam: starting on a svara higher than its own position and quickly descending to its position which is repeated. This particular instance is sphuritam gamaka on m svara in raaga arabhi. Sung by: vignesh ishwar.

This is a synthesized melodic contour of a short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. The original excerpt from where the pitch was extracted and the monotonized version of this sound will be soon linked here in the description.

This sound is a synthesized sound where the loudness and the timbre (weights) of the harmonics are derived from a short excerpt of carnatic music. The original sound from where these parameters are derived will be soon linked here in the description.

An oral rendition (konnakol) of mridangam solkattu. Comprises of a short theka in khanda nade (pentuple meter).

A short example of a short theka in adi taala (a cycle of 8 beats) on mridangam and konnakol (oral percussion). The mridangam strokes are played along with the corresponding solkattu (onomatopoeic syllables of the mridangam strokes) said aloud.