940 Royalty-Free Audio Tracks for "Composer"

The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen.

Claude Debussy's Syrinx (1913), for solo flute, originally composed as incidental music for the incomplete play Psyché by Gabriel Mourey. Performed by Sarah Bassingthwaite using a Muramatsu silver flute, a = 442, at Brechmin Auditorium, University of Washington, October 2006. Recorded by Stephen Bangs.

Melody composed in 1909 by Ivan Karadzhov based off of the poem Radetzky by famous Bulgarian poet Ivan Vazov. It was played by his high school brass band. Български: Мелодия композирана в 1909г. от Иван Караджов, с лирика от поезията на Иван Вазов — Радецки. Тя бе свирена в неговата училищна банда.

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

For use at your leisure. I make most of them at 140 bpm so hopefully one day they make their way into dubstep. If you wish to have anything specific composed just let me know. Chop/splice/dice/herbs and spice them, best served piping hot, enjoy. Fondest regards,. Recorded with logic pro 9 using the exs24 sampler of the steinway piano (logic pro default) with a touch of reverb to thicken out the sound.

A melody i made on piano in garageband for something called victors crypt. I think it would be perfect for something scary and mystic. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 4th Movement (Conclusion): Allegro - Presto Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

La Morocha, tango composed by Ángel Villoldo (lyrics) and Pedro Saborido (music) in 1905. This record is from 1909. The singer is Lola Membrives, the pianist Antonio Reynoso. "La Morocha", tango compuesto por Ángel Villoldo (letra) y Pedro Saborido (musica) en 1905. Esta grabación es de 1909. La cantante es Lola Membrives, el pianista es Antonio Reynoso.

The Israeli/Jewish national anthem played by the U.S. Navy Band. Hymne national de l'État d'Israël joué par l'orchestre de l'United States Navy ਪੰਜਾਬੀ: ਇਜ਼ਰਾਇਲ ਦਾ ਰਾਸ਼ਟਰੀ ਗੀਤ ਅਮਰੀਕੀ ਨੇਵੀ ਬੈਂਡ ਦੁਆਰਾ ਵਜਾਇਆ ਗਿਆ

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

「君が代」。林廣守作曲、フランツ・エッケルト編曲。旧日本海軍軍楽隊が演奏していた、テンポ4分音符60個毎分(終り部分リタルダンド)で作成したもの。 // National anthem of Japan: Kimi Ga Yo. Composed by HAYASHI Hiromori, arrangemented by Franz von Eckert. 60 BPM.

Title Christian Mass, Postlude, closing Hymn Artist stephan Original mp3 data Length:4:17 minutes (3.93 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags Christianity, Church, ecumenical, Exit, Hymn, Mass, Music, Organ play, Postlude, Religion Type Single Subject, Natural PDSounds record number 285 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany.

Von der Orgel in de:w:St. Mathilde (Quedlinburg gespielt das Lied: „Freu dich du Himmelskönigin“ (Gotteslob 576). An der Orgel: Andreas Werner. Aufnahme Ostermontag 2013.Playing the "Freu dich du Himmelskönigin" by Andreas Werner at organ in St. Mathilde / Quedlinburg / Germany.

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Beherzigung Content: Ach, was soll der Mensch verlangen?

Title Christian Mass, Organ play and singing Artist stephan Original mp3 data Length:1:30 minutes (1.73 MB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Christianity, Church, ecumenical, Mass, Music, Organ play, Parish, People, Religion, singing Type Single Subject, Natural PDSounds record number 289 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany.

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

Instrumental version of "Maamme", the national anthem of Finland, composed by Fredrik Pacius (1809–1891), performed by the United States Navy Band Suomi: Yhdysvaltain laivaston soittokunnan esittämä instrumentaaliversio Fredrik Paciuksen (1809–1891) säveltämästä Maamme-laulusta Instrumentalversion av Finlands nationalsång Vårt land framförd av United States Navy Band.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

The melody is made for my game and an inspiration of polar light( aurora),. I use it in my game:http://www. Newgrounds. Com/portal/view/650628. The lyric is:. When you stand, you understand, you shouldn't be afraid. All the wind and all the pain, won't stop your steps and faith. While the sprite turns green or red, we dance for what we gain. Fa-lala~ la-la lalalalala la lala lalala~. Composing by finale 2002editing by audacitytransfering midi to. Wav by format factory.

Composed in musescore, synths added with lmms, additional sound done with audactiy. Starts out with bass drums, progresses to synths held on one note, then snares. Double bass creates rising tension. For bone-clicking sound effects, i just shook a handful of pencils. Cymbals at the end for final climax of the sound. Sound design originally for use by twoallnighters comic dub studio on youtube. Released to general public with permission of its creator.

Historically significant 1911 recording by duo Arthur Collins and Byron G. Harlan of "Alexander's Ragtime Band" (1911), originally composed by Irving Berlin. Recorded for Victor Records (#16908-B), this particular comedic duet of the song became a smash hit due to its farcical emphasis.

Imagine this track when a character tries to focus, meditate, or explore his new power or skills and enters into deep meditation. You can try this on your trailer type videos or cinematic short film. I composed a track with synth pads from kontakt 5 factory selection library, clocks from wavesfactory, and ozone imager, and built-in reverbs from fl studio. Then, after rendering the track, i set them all in reverse, and turn the pitch down and inserted a new tsar-1 reverb from softube.

A short chord that would suit perfect for something strange, eerie, spooky and mysterious. Did it in garageband for something called victors crypt. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).

Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

Sound recorded of an automatic door closing. Typologie (p. Schaeffer):x' :impulsion complexe. Morphologie:*masse: son seul principal accompagné d'un léger spectre musical composé de deux notes aigües correspondant chacune aux deux étapes de pré-fermeture de la porte. *allure: son final très sec quand les deux notes précédentes sont assez aériennes. *dynamique:entrée en matière très douce qui débouche très rapidement sur un crescendo brutal.

A tune i made in garageband. I did the mail melody on flute and i get a bit of a fantasy/saga vibe. Hope you'll like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Part 1): Allegro con brio Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Title Christian Mass, singing Hallelujah Artist stephan Original mp3 data Length:0:19 minutes (376.57 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Christianity, Church, ecumenical, Hallelujah, Mass, Organ play, Parish, People, Religion, singing Type Single Subject, Natural, Human PDSounds record number 294 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. The parishioners sing "Hallelujah" with organ play.

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

I'm a character designer and a soundtrack composer , kojiro miura is a name of one of my favorite heroes manga character i have created before. . As a beginner and as a fan of adventures stories , i decided to enter the music making field to make my own music , which is closed to manga and anime and game style. Nt: your encouragement and criticism interest me in self development. Thanks.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.