56 Royalty-Free Audio Tracks for "Convoluted"

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

These are taken from my modded behringer bg412s from 2004. I know this is one of the most hated cabs in the world but i gave it 2 celestion vintage 30s. The top speakers are in an angle to the outside. . . So you get something different. It really is a awesome heavy plywood cab. . . No chipwood crap. The irs are mix ready and should deliver a brutal sound. Even: mix ready universal full sound sm57balls: a bit more whoosh sm57brutal: a bit more scooped sm57bruzl: evil black metal shred pyle pdmic75. Have fun!.

Testing csound's cross-synthesis opcodes on some field recordings. Orch:. Sr =44100kr = 4410ksmps = 10nchnls = 2. Zakinit 2, 2. Instr 1. A1, a2 soundin "drags. Wav"a3, a4 soundin "listerine. Wav". Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2. Zaw aconv1, 1zaw aconv2, 2. Outs aconv1*(p4), aconv2*(p4). Endin. Instr 2. A1, a2 soundin "crush. Wav"a3 zar 1a4 zar 2. Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2outs aconv1, aconv2. Endin. Score:. ;gaussian windowf99 0 4096 20 6 1. I1 0 34 1i1 34 34 0i2 34 34. E.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.