806 Royalty-Free Audio Tracks for "Crack"

80's crack. Some of the most recognizable blip bleeps and blurps ever to reach human ears, all made rythmatical by the amazing paul slocum's synthcart! find more info on this crazy atari synth @ www. Qotile. Neti've got the synth, so if you've got a bpm in mind let me know and i can get it up to the speed you need it, or maybe closer to the sounds you are looking for. I will be adding more soon. (basslines, samples, cuts, etc. ).

A wonderful slice of small town life. Recorded august 27 2022 at a small town baseball game in southern illinois. Not a huge crowd, but you hear the murmur of parents, kids and of course the crack of the steel bat against the baseball. Especially good with headphones on, as i recorded this in stereo. Equipment: zoom f3. Microphones: em clippy 272 omni-directional microphones on microphone stands located 38 inches apart. Enjoy this timeless summer soundscape representing all that is good. (to paraphrase james earl jones! ).

Thousands of cicadas occur in endless cycles for roughly one minute, at least where i was in my backyard in san antonio, texas. At the beginning of the cycle, they truly sound like a jet with engines idling on a runway, growing louder as it maneuvers into a take-off position. After several more seconds, the soft whirring grows louder and louder for about ten seconds or so, and at the closing of the cycle crescendos into a a sustained cacophony like crickets on crack.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

Inspired by amliebsch's "voice from hell" sound, i decided to take a crack at making something similar. This was made with my own voice. If you want to know what it's saying, it's:. To invoke the hive-mind representing chaos. Invoking the feeling of chaos. With out order. The nezperdian hive-mind of chaos. Zalgo. He who waits behind the wall. Zalgo!. Just slowed and pitched down immensely and then with some added reverb to give it the creepy effects that i wanted to. I think it would make a really great ambiance to a creepy horror scene in some creepy abandoned. . . . Wherever you would expect to hear these kinds of sounds. Credits to amliebsch for giving me the idea!.