42 Royalty-Free Audio Tracks for "Cutoff"

Thick snare drum notch-filtered for mid frequencies.

Made for:http://www. Freesound. Org/forum/sample-requests/36321/.

A filtered drumloop, clean, pitched down 1 octave, delayed, phaser & vocoded.

A kick created with my korg monologue (analogic synth); i've played with no oscillator, just with cuoff and resonance.

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

Thick, juicy kick drum sample with its highs taken out.

Wobble loop 70bpmdubstep wobble bass lfo cutoff filter loop.

Sliced and hp cutoff, you can endlessly loop it. Taken from my track https://soundcloud. Com/leaving-february/sumuun.

A 2 note sequence i recorded from behringers crave (sequence is programmed on the crave) inot logic. I played with the filter cutoff manually while recording. Just recorded not edited.

A wobble created with ableton live native instruments and effects.

Edited sound of https://freesound. Org/people/destructo20/sounds/669643/ with no filter cutoff automation.

Just a square wave with some resonance and cutoff.

A repeating synth line with recorded cutoff and effects changes.

Handplayed bass sounds on a korg polysix. Last note on hold with modulised cutoff.

Handplayed bass sounds on a korg polysix. Fast and short played with cutoff and resonance variables.

Filtering cutoff and messing with reverb parameters on an airy massive patch.

Designed in serum using lfo and cutoff manipulation24bit 44. 1khz wav. This variation includes a reverb tail.

Designed in serum using lfo and cutoff manipulation24bit 44. 1khz wav. No reverb, i have uploaded a variation with reverb.

Low pitch bass drum. I've recorded some cutoff and resonance on a basic sine wave kick drum patch i created with strobe2 synth. You don't have to provide attribution or anything, but please let me know how you like my sounds here or via twitter @tailorvj.

Noise heavily processed with chorus and delay. Slight lfo to lp filter cutoff. Recorded at 130bpm.

Es e synth in logic, used a low cutoff point with a fast lfo to create the effect of a helicopter flying in the distance.

Synthesized sawtooth sound with increasing pitch. An initial click and noise are added. The sound is low-pass filtered using a cutoff frequency that increase during the sound.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.

Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.

Another drone sound i created on the microfreak. I used the superwave oscillator and modulated the filter cutoff. Recorded to logic via a yamaha mixer and the ur22 mk1.

Dripping from downpipes. Recorded with sony experia go (a phone i do not recomend - at all). Recorded with the app sound recorder. Original file format mp4 converted to wav. Applied high pass filter cutoff freq 2000hz.

Frying mushroom sound fron a fan. Recorded with sony experia go (a phone i do not recomend - at all). Recorded with the app sound recorder. Original file format mp4 converted to wav. Applied high pass filter cutoff freq 1000hz.

A tic tack toe game. Recorded with sony experia go (a phone i do not recomend - at all). Recorded with the app sound recorder. Original file format mp4 converted to wav. Applied high pass filter cutoff freq 1000hz.

Pouring from a recently boiled kettle (complete with click from cutoff switch as the kettle is tipped) into a small mug with coffee in the bottom. Recorded using a zoom h1 with the built in stereo microphones.

A wind sound created with a white noise generator and a low pass filter on my console. I played with the cutoff frequency and a few eq peaks to vary the sound. Recorded at 44. 1k 16bit in stereo.

This is a pack of 20 synthesized snare sounds with different "variables" for varieties. Wave forms slightly differ as well as the cutoff frequencies, resonance, and noise lengths are all slightly different from each other.

I was trying to make a subtle beat in the background of a song and turned up the cutoff and got this. It sounds like a robot frog to me, and i figured i might as well post it in case someone gets any use out of it. Changes pitch every four bars. 100 bpm.

This is the synthesized sound of a walkie-talkie beginning to transmit. I once had a walkie-talkie that made this sound as a feedback; this is the same sound, made with audacity. Generating:file > newgenerate > noise (type: white, amplitude: 0. 4, duration: 0. 05s)effects > low-pass filter (rolloff: 36 db, cutoff: 4000)select from 0. 0s to 0. 02seffects > cross fade-inselect from 0. 03s to 0. 05seffects > cross fade-outcursor at 0. 05sgenerate > silence (duration: 0. 5s).

Sound synthesis made from chuck programming language. The model is a connection from an impulse generator to 40 digital filters to 40 delay linesand set feedback between each delay lines. Each delay lines's delay time and cutoff frequency is random. But there was an error in the calculation and the output value overflows. And this create a chaotic behavior in this sample. - - -. This one is a smooth rising soundwith alternating digital aliasing resonances at the end.

Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.

Faucet in a metal sink turned on and off. Hands are run through the water to simulate hand washing. Recorded in a tokyo apartment with a coincidental mic pair placed at a 90 degree angles it's basically a raw recording, but i ran an ssl hpf with the cutoff set at about 28 hz to take out the rumble of the train passing by. . . Since the apartment was near the station, the train sound was unavoidable. But if this is used in a larger mix, it probably won't be noticeable.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".