780 Royalty-Free Audio Tracks for "Done"

A hillside above the croatian coastal town of brela, in the afternoon, featuring crickets, some quiet background traffic, and nothing much more. These recordings were done during my recent vacation in brela, croatia, with a zoom h2 set at 90° diffusion. They are also available as surround recordings (4ch) with the rear channels set to 120° diffusion. Just send me a message if you want them, they're just as free as the stereo ones.

A recording of anything i could do with two empty 1,5 l plastic bottles. A lot of sounds you can squeeze from a plastic bottles. Just no sounds of opening and closing a s i didn't have the caps. Recorded with a zoom h2, rear mics. The recording was done in a small room with a thinc carpet, there is soem natural short reverb but not too bad. Very little background noise. Converted to flac using audacity.

A writer types various text sequences and vintage music plays in background. All set to have been done in 1967. A collection of short clips so no copyright infringements on the music titles. Last sequence is writer stopping pulling out the paper and throwing it away. Ein schreiber tippt verschiedene texte, im hintergrund läuft musik aus dem jahre 1967. Sammlung kurzer tonschnippsel daher keine urheberrechtsverletzung wegen der musikstücke. Letztes tonsegment ist der schreiber der sein blatt aus der maschine nimmt, zerknüllt und wegwirft.

This is a recording of me, walking on the sidewalk of a road during heavy rain and wind. The cars passing me is driving through the water. I am using a røde blimp with deadcat in my hand, containing a sennheiser mkh 416 and a ambient ate 308 emesser in a ms-stereo setup. The recorder that i use is a zoom f6, but the ms-stereo decoding is done in pro tools in post. 32bit float 48khz.

Composed in musescore, synths added with lmms, additional sound done with audactiy. Starts out with bass drums, progresses to synths held on one note, then snares. Double bass creates rising tension. For bone-clicking sound effects, i just shook a handful of pencils. Cymbals at the end for final climax of the sound. Sound design originally for use by twoallnighters comic dub studio on youtube. Released to general public with permission of its creator.

I've had this saved for a while, and haven't really done anything with it (yet). How it was made: i took an old music box i got for christmas a few years ago, recorded it (obviously), slowed it down a little bit (it originally plays in g, now it plays in g-flat), and added reverb. The reverb plugin i use is called ambience. (it's really frickin' good. ).

I've had this saved for a while, and haven't really done anything with it (yet). How it was made: i took an old music box i got for christmas a few years ago, recorded it (obviously), slowed it down a little bit (it originally plays in g, now it plays in g-flat), and added reverb. The reverb plugin i use is called ambience. (it's really frickin' good. ).

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

This is a recording made from the balcony of my apartment in italy in the province of rieti, the other evening during the two-hour new year's barrels. From 11 they gradually begin to increase gradually until midnight when they get really strong, then gradually decrease gradually until ten to one, when you hear all silence. This recording was done with my iphone 11 connected to the shure mv88 plus digital stereo microphone.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

Warning very loud. Recorded around 1 pm in stockholm, sweden. After several days of unusually high temperatures (around 30 celsius) a thunderstorm rolled in without warning. After recording 10 minutes of standard thunderstorm sounds, i thought i'd give it a rest. But you know, just a few more minutes. This is a raw recording. No editing or has been done whatsoever. It is loud and it is distorted. Recorded on roland r-0524/44. 1.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This recording was made by me on monday, october 20th, at approximately 7:30pm. It was done in my house in montgomery county, pa, with a rode ixy mic (the 30 pin version), attached to an iphone 4s. The iphone, with the mic, was placed on the sink, approximately 6 to 8 inches away from the toilet. The sound was recorded using rode's iphone recording software, then uploaded via their file transfer site, downloaded, and then imported to adobe audition cs6 being run on a mac book pro, and normalized.

Front channels of a 4ch-surround field recording of the interior of a german local commuter train, completely without human voices, heading from the towns of naumburg to weissenfels. The train is in full motion at the beginning of the recording, then stops, with squealing brakes and all, then starts up again and reaches full velocity. The recording was done with a zoom h2, the microphones (front) set to 90° dispersion.

I recorded this sound with the microphone from the logitech quickcam for notebooks pro. I know, the webcam is really old but i happened to find it from my brothers room and used it for a microphone replacement. You may say it distorts a lot, but that's just because the original setting of level is 50+ db. Now onto the topic. I spinned the usb cord around the end, and tried to do it fast enough to create this sound. This is a modified sound from its original. Spectral editing in audacity has been done.

Some more of that couple next door. They're not as loud as they're use to but they haven't stop doing what they do. There will be more noises of them to share. For this one, the sex parts are from 0:00-5:30. The rest are just some extra of them talking after they were done enjoying their pleasure. Some parts of the woman was very soft. You can hear the guy in a few parts. This audio along with the other ones were shorten and edit with audacity and other software.

I produced this strangely satisfying sound by dropping a watermelon-shaped canning tomato into a dishpan full of water. Have to get that just about right to get this result. For my purposes i needed to repeat it, but you can do that. It's unlikely that two objects tossed into liquid will sound exactly the same, but it's possible to modify one of the two "ploops" by changing amplification, pitch and even to shorten the waveform to make them sound different. If you need that done let me know.

A raw, unedited, 5-minute field recording of various people (kids and adults) done at a school lobby (a therapy center to be exact), somewhere in my hometown. This is perfect for small to medium-sized crowds and the like. ~. You're free to modify the sound effect and/or use it for any project(s) you're doing whether it's animation, video/online games, audiobooks, soundscapes, or whatever tickles your fancy, be it commercial or noncommercial. Attribution isn't necessary, but will be appriciated. :-).

From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different soundscapes. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aemyn__journey-to-the-interweb. Mp3.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

Ambient music is often very relaxing and beautiful. The sound i offer you here may not give me a singel star, but it doesn't matter, because i think it's one of the best i have ever done. I have tested the sound on some friends, and allof them said it ought to be used by anyone who is tired, upset, worried or have minor psycho problems. So here it is enjoy. I have yet another one under test, but will not give it to you until i'm 100% satisfied.

It is a recording made with the following instrument´s: 1. Tuperware plastic and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

Here is a recording done during the fireworks of san juan at the beachof barcelona, spain. I was standing in front of the mapfre building, between the building and the sea to be exact. Fireworks were being launched behind me from the beach and their sound was reflected off of the building in front of me. The effect you hear are thereflections of the building. The building is shaped to visually reflect the city back onto the beach. Hence each floor has mirrors in a 45 angle downwards, all around the building (look it up on google for details). The sound must be coming from different points each located further away, creating a kind of discrete doppler effect, i suppose, although i am not yet 100% sure what exactly causes this. I am holding the microphone sideways, so you hear the explosions on your right ear and the reflection traveling to the left. In reality, you hear the explosion behind you and the reflection traveling up along the building. If you are ever in barcelona end of june during "san juan", you should check this out!. Recording done with my zoom h2n and its internal microphones. Hope you enjoy.

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different soundscapes. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aemyn__crashing_starship. Flac.

Recording of traditional sneaker with hard rubber sole stepping down on glasses on hardwood floor. Moderate room tone present. First takes are extremely near to glasses on floor, then followed by takes done about a meter away and at waist height. Glasses used were a pair of old metal framed earhook with polymer type prescription lens and an all plastic frame "blue light reducing" pair with plastic lens. Recorded on a tascam dr-05 linear pcm recorder around 11pm on 5/20/17.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

This is a piece i put together using maestro for android. It took me about 90 minutes to do. If you haven't heard of this app, you need to take a look at it if you are a musician. The voices are pretty good in the free version (which i used for this), but i've read that the premium voices are better. Still, some of the free ones are really good. Use this piece as you want, but i would appreciate credit for it if you're going to post the work you do. Please leave comments on anything i've done here.

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus residual model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 02.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Mid range field recording of the area in front of the new york times building in new york, taken from opposite the building on the corner of 8th ave and west 40th st. Cars can be heard driving by, horns are honked, brakes are trodden etc. A sweeper vehicle features sometimes. People can rarely be heard, as the recording was done at about 6 am on a saturday morning in march 2012. Recorded with a zoom h2, mics set to 90° dispersion.

Sound description: hundreds of crows squawking on a breezy afternoon. In nature you have a "gaggle" of geese or a "pod" of whales, but a "flock" of birds, if they happen to be crows is actually called "a murder of crows". An appropriate name if you happen to be standing underneath hundreds of them in the trees. They emit a murderous ;) squawk and screech for hours. This was a digital audio recording, done at 48 mhz at a group of trees a mile from a country freeway. You can still hear the ambient sounds of the distant cars.

This audio is not a sound effect itself, however it can be used with an impulse response plugin to recreate the acoustics of a particular environment. This particular file is designed to replicate the acoustics of distant muffled club or rave. This was done using the "profiler stereo lsp plugin" and placing the microphones on the opposite corner of the speaker in a highly reverberous house forcing the audio to reverberate around a corner. After this, a low frequency boost was applied in post along with other general cleanup of the audio.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Cenozoic beasts _ animated size comparison. Mp3.