1,081 Royalty-Free Audio Tracks for "Echo"

Create engine 0, use cpolcyn's sound "hummingbird chirps. Flac". Audacity stereo channel:- cut section 17. 490s to 17. 724s. - effect→normailize. . . ✓remove dc offset✓normailze maximum amplitude to: –3. 0✓normalize stereo channels independently. - select section: 0. 139s to 0. 235s. - effect→noise reductionget noise profile. - select all. - effect→noise reductionnoise reduction (db): 12sensitivity: 6frequency smoothing (bands): 3. - remove section after 0. 150s. - select section: 0. 100s to 0. 150s. - effect→fade out. - generate→silence… (start at 0. 150s)duration: 00h 00m 10. 000s. - select all. - effect→echo…delay time: 0. 08decay factor: 1.

Just me screaming in pain! (it's cool, i wasn't actually hurt, i just needed a good old-fashioned yell. ). For those who are interested, it was recorded hastily on a blue yeti and edited in audacity. I recorded it in kind of a hurry because my parents ran to the store, and i wanted to get it all taken care of before they pulled in the drive so they didn't think i was getting murdered or whatever. This was just recorded in my living room, so sorry about that slight echo!.

A fascinating recording of a warm, humid mid august day in the midwest. This recording was made on sunday august 11th, 2019 near a popular dog park in a small southern illinois town. In addition to the gentle droning of the insects, and occassional birds, you will hear some dogs barking at various times toward the end of the piece. I personally love the tremendous echo on this recording. Equipment used: sounddevices mixpre-6. Microphones: left channel, sennheiser mkh416right channel, rode ntg-2.

Near where i do many of my favorite nature recordings there are train tracks which can ocassionally be very busy -- and yes, sometimes they have interfered with some of my nature recordings. But, recently i recorded the sound of the approaching train carrying loads of coal. It was around dusk and breezy -- melancholy combination. . . . I really love the echo of the whistle. . . . And as i listened i could not help but think about 100 years ago when trains were more common, amazing how things change. Well, here it is. Kvgarlic.

Two tone siren that is used by all emergency service vehicles, including police, ambulance and fire department (in 2012) in the netherlands. This is not a recording of an actual siren, but generated by a synthesizer at the exact two frequencies that the siren consists of. For a realistic result it is suggested that you mix this with other background sounds and add your own doppler, echo, panning and other effects to suit your needs.

Here is the sound of a 50-caliber barrett rifle being fired. You'll first hear the sound of the bolt being pulled back. Really cool sound if you can listen on some nice big speakers. Recorded with my handy zoom h4n using a rode ntg-2 shotgun microphone. I was standing about 20 feet from the rifle, and i still have the input gain turned way down to about 30, just to make sure the circuitry was not overloaded. Also, since this was in a big, wide-open field, you get a nice echo.

This is another spoopy long background music type thing i've thrown together with pitch shift and time stretch and echo. This one is a bit long to sit through and feels to me like it often needs more space in it, but i have no idea what i'm doing so i'm stuck with what i've got. For background creepy mood stuff there are definitely some good 30ish second stretches in there that are different enough from each other to suit somebody somewhere though, i'm sure.

This is a recording of myself sleeping, beginning ~ 1:00 am local time (~ 3hrs after going to bed) on january 10th, 2020 (which i later discovered was a full moon). I was in the midst of experimenting with recording myself all night long out of curiosity, using a laptop placed near the head of my bed. This particular recording was the only anomalous one (the rest consisting mostly of just breathing or snoring with occasional sleep-talking). This ~2 hour recording has several interesting properties, which make it hard for me to believe that these sounds were actually going on while i was sleeping. On the other hand, i don't have a memory of editing this file if i did. Either way, i find it unsettling. I found the file in oct 2021 while organizing my samples. As far as i can remember, this is the original raw recording. On further inspection, i discovered that it has some additional peculiar properties that make it even harder to believe i could have made it without remembering doing so. The audio spans almost exactly 118min (7080s). There’s a frequency sweep with a cycle-length of 6480ms that repeats throughout the entire recording. Dividing the 118min by 6. 48min (60 cycles) results in 18 parts containing exactly 60 cycles and a remainder of 12 cycles. If you think you know the source of the strange sounds or if you've ever heard anything similar, please let me know in the comments or email me at storyofthelie@protonmail. Com. I collected the most interesting bits into this pack:https://freesound. Org/people/storyofthelie/packs/33653/. Approximate times of weird stuff:. 25min - stretched cough41min - voice & sounds45min - metal hit & voice47min - call response55min - door latch1hr 3min - portal1hr 7min - more portal1hr 11min - open portal1hr 20min - echo voice1hr 23min - echo voice, tones, portal1hr 36min - stomp into breathing1hr 51min - echo voice1hr 53min - cycle tone change into crazy.

24/48 mono recording of the sound of a fnx. 45 acp being shot slowly in a gun range 9 times. During the recording there are a couple shell casing that can be heard hitting the floor. There is a long break after the final shot before the target is recalled on the automatic rail system. There is a slightly echo-y natural reverberation to the gun range. Other than that the recording is very quiet in-between shots and each shot sound was allowed to dissipate before another round was fired.

This is the final piece for our final project of sound creation laboratory. We have made changes in several ways: erasing redundant information (such as spoken words), filtered a section of the piece in order to make a sense of outside the club or inside the club. We also introduced an echo effect to make the effect of a drunk state. Furthermore, a bed sound has been placed at the final of the piece. This is a good improvement related with the final impression the piece gives to the audience. It's a recreation of tired atmosphere and also of the desire of sleeping.

Bi-drum finale. This sound provides an impact point, an action conclusion suggestion. I combined two drum sound samples, one of the impact with a deep echo, and one a hollow wood tube strike against a hard object to a certain rhythm. The sound is somewhat like the primal drum sounds used in survivor. I used magix music maker, magix software gmbh (www. Magix. Com) with two object plug-ins; solar wood 6_ogg_001. Hdp, and right huge impact_ogg_001. Hdp. Enjoy. C gillespie sound library.

An m4 carbine being fired in short bursts, great for supressive fire. Created in audacity by taking a. 223 gunshot (recorded on a private firing range), adding more bass and amplifying the sound, and then adding shells dropping by adding in the sound of rattling silverware, and finally adding a bit of echo to finish it off. Features that heavy bass thump of a powerful assault rifle with shells ejecting and falling to the ground. I couldn't find any other sound quite like this so i created one. Enjoy!.

A scary tune i made in garageband for a thing called victors crypt. It's basically like the "sick and twisted" but without that drumbeat. But i kept some drums and made a lot of reverb to them and some echo. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscibe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

*short, synthesized evolving looping ambient teaser sequence with deep reverb on distant kickdrum. Fades in and fades out. A hint of a dreamy, chilling out atmosphere. An aural echo of days of gentle hippiedom. An accidental discovery as a result of feeding ni massive through flstudio's effector vst. An x-y controller is attached to effector with asychronous ramping of the x and y gains via two control tracks. Strangely produces phantom instrument sounds, almost like guitar and organ. Created in flstudio 11 with ni massive, flstudio effector, reverb, compression and eq. The note track is made by me for no good reason - i just thought it sounded pretty. *there is, now, a longer version on my harddrive.

A dog sitting in front of a berlin supermarket, waiting for its owner. Lucky for me it misbehaves a little, i believe it thinks to hear dogs and afterwards probably reacts to its own echo. Unfortunately the owner storms out soon to discipline the cute doggie. Oh well, i got what i stayed at the supermarket entrance five minutes longer for. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Sound recording of a two tier mini waterfall into my small fish pond. Recorded with a tascam dr-07 mk ii. 24 bit, 44. 1 khz, stereo. First 10 seconds is the raw recording. Note the 60 hz hum due to the water pump being just under the water fall splash area. The last 20 seconds is the processed audio using ableton live 8 affects rack and the following affects. 1. Notch filter – 60 hz applied two times. 2. Lp filter –knee at 1 khz3. Hp filter-knee at about 3. 2 khz4. Granular delay – bubbling sound5. Chorus audio effect-snap, crackly sound. 6. Reverb-cave echo affect-high wet/dry7. Utility- for stereo width.

This recording was taken from the balcony of an apartment in johor bahru malaysia on september 30th 2022 at about 1:30pm. It was monsoon season but not raining and the weather was hazy and muggy. The recording features the drone of a busy city punctuated by a whippersnipper, a building site, birds, a light aeroplane and car horns. At around the 4:30 mark there's two loud motorcycles that race each other and echo around the city in a most glorious way. The recording was made with the inbuilt stereo microphones of a zoom h5 portable recorder.

Some creepy music i made in garageband for an intro for something called victors crypt!. It's basically a synth-melody played with a lot of reverb and some echo. And just some fx wailing guitar and voice in the back. Reminds me a bit of some 80's horror theme or something. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A scary music bit i made in garageband for a thing called victors crypt. I added a lot of room, reverb and echo to make this as eerie as possible. It's basically based on a melody with a lot of room. Then i added small background noises for extra dark pleasure. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be col, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

As already stated, he term, "pyew!" does not refer to a funky smell. Think of it as the sound bernadette (from big bang theory) makes when she's playing video games and trying to phonetically approximate the single shot of a ray gun or laser weapon. This file contains a whopping 17 different individual sounds each separated by 3 seconds of silence, and each with a different lengths and sonic qualities. Everything you need to go totally pyew-wild!. *all sounds by realtheremin are genuine theremin recordings; they are provided dry, without effects of any kind, allowing you to add reverb, echo, pitch shifts, phlanging, etc. , and edit them in any way you choose. Every effort has been made to eliminate/reduce hum and distortion (unless intentionally noted).

Sharpening knife : sharp sound. The sound was post-processed to make the sound of the knife seem more scary. Afiando faca : som afiado. O som foi pós-processado para fazer o som da faca parecer mais assustador. Dragging a knife : shaky sound of a knife being dragged on an irregular surface. Arrastando uma faca: som trêmulo de uma faca sendo arrastada em uma superfície irregular. Girl yelling : high pitched sound. The sound was post-processed to seem like the sound happened in a room full of echo. Garota gritando : som agudo. O som foi pós-processado para parecer que o som aconteceu em uma sala cheia de eco. Gravados com um microfone shotgun shure vp89 e uma placa de som behringer u-phoria umc404 hd. Gravado no estúdio da escola ort no rio de janeiro, em fevereiro de 2022.

Some spooky music i made in garageband for a thing called victors crypt!. It's a wailing electric guitar with some organs in the back creating a scary sound. It's a lot of reverb, echo and delay on it. I think of a creepy crypt with blood on floor and walls. Like something really bad just happens. . . . I believe it would fit anything creepy, scary, haunted. Fantasy, horror, terrifying, dystopia or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This underwater breathing was created in audacity. To create this sound i generated 2 tracks rhythms on 2 different mono tracks. For the breathing i created a rhythm "click noise" and added the effect "paulstrech". I deleted some moments of silences. I tried to simulate a heartbeat. I generated a rhythm tracks "noise click" and added the effect "echo". I selected in the track a sound wich looks like to a beat, cut the remain and add the repeated effect on the selected moment. I added bass to make the son more organic and reduced the gain. ---. Typologie/morphologie de shaeffer. Ce son est un mélange de continu complexe (x) et d'itération complexe (x''). Masse :son cannelé. Mélange de sons complexes avec des hauteurs. Grain : a la fois rugueux (la respiration) mais aussi lisse (les battements de cœur). Dynamique :l'attaque est plus ou moins violente avec des variations. Profil mélodique :variation scalaire.

murder scene is a short piece of thrilling music i made in garageband for a thing called victors crypt. It's made mainly on a synth with no drums and a lot of echo to make it spooky and diabolic. I kept it simple with a bit of a creepy atmosphere. Hope you'll enjoy it. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Here it is! my first ever submission on freesound! i decided to start this all out with a bang, and post something really cool that i'm proud of making. I'm not sure exactly what this creature was supposed to be. I'll leave that up to your imaginations. How it was made:. Software: fl studio 20. Plugin(s): serum, valhallaroom, ott, fruity parametric eq 2, and fruity delay 2. This was made completely with synthesizers. I used serum for the main synth, made copies of it, and modified each of them to sound unique from the other. I'd try to explain how the synth was made, but there's a lot of stuff. To process it, i used ott to make it sound more powerful and clear, eq to get the frequencies and texture right, delay with a low pass filter to get that outdoors echo feel, and valhalla room for the reverb. I had fun making these. Enjoy!.

Pistol fired outdoors with ricochet. Single shot, fairly close, with fast fadeout. Narrow stereo image, no panning, almost monophonic. Wholly synthesized. No weapon was fired in the making of this sound. It's an emulated sound effect of a sidearm gunshot with a cliche ricochet sound, like in the vintage western movies and ww2 films that they showed on tv when i was a kid. Can be used in a game, perhaps, or a none-too-serious vidclip. The sound of the pistol cartridge explosion is default flstudio kick, clap and snare slowed right down. A single tap of delay is added to lend an impression of echo off a middle distance hard surface. The ricochet noise was made with sytrus running as a vsti inside flstudio. It took an entire day of head scratching, oscillator tweaking and envelope mangling to get something that reasonably resembles a sound that i recall from the old movies. I think i'll shoot myself before i try something like this again. :). Plus the usual flstudio compressors, eq, reverb and delay - nothing tricky, just standard stuff.

A nice wet-themed ambiance of early spring in a small midwestern town in the us. The spring peepers dominate, always in the background. The american toads trill off and on (:38----1:04, 2:09-----2:31, 5:50----6:07, 6:25----6:40)there is also a distant dog bark, with echo at 3:31. Distant car horn at 3:57. Since this was recorded on a busy weeknight at 7pm, a lot of distant car doors and people picking up and dropping off kiddos for basketball practice, choir practice and other ancient extracurricular activities. There is a particularly good door open and slam and muted conversations at 6:43 to 6:56 and again at 7:17stereo recording made on thursday night march 29th, 2018 using a sound devices 702 and an audiotechnica bp4025 stereo microphone. The original was recorded at the very high sample rate of 196hz. Enjoy a town winding down and internalizing on a cold, drippy wet night in either very late winter, or very early spring.

**please rate if you like this sound. I appreciate it so much!!**. This is an effect i created with my voice to create a demon growl in audacity using my audio technica microphone. I wanted to create a sound that could be creepy but not too scary for kids or children's stories originally. Then i added the paulstretch effect in audacity to create a more ominous, creepy, scary, evil, sound for a more horror like ambience. I am uploading the original as well without paulstretch and maybe another version with echo and/or reverb. I download from this site often and want to give back by uploading my own sounds! please contact for any requests. You may use this sound for free but please credit me using either tiffany marz or voices of marz. Thank you!! enjoy :). Demon monster ghoul ghost troll ogre creepy scary spooky growl roar evil-ambiance scary-ambiance halloween halloween-ambiance cave scream genii jin jinni jinn evil-genie genie-roar genie-growl annoyed mad genie spooky-ambiance creepy-ambiance scary-background-noise warlock zombie devil hellish hell demons zombies ghosts horror monsters alien creature slow paulstretch sci-fi strange voice ominous original effect mystery fiction fantasy ghostly ghoulish fairy-tale villain villainous.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.