129 Royalty-Free Audio Tracks for "Envelope"

Generated by this program. Https://github. Com/ryukau/padsynth_kde/blob/master/padsynth. Py. Gain envelope was added with audacity after rendering.

Mary had a little lamp in trumpet sound with adsr envelope.

This sound was generated from pink noise only, using granular synthesis, filters, envelope shapers, delay and reverb.

Short, low resolution, white noise with volume and filter envelope. 8-bit atari game explosion.

A cheesy laser gun sound. Generated using ableton live's operator using a pitch envelope and a variety of filtering and lfos.

Used sounds:. 20131202_scratching over heater_zoomh2nxy. Wav by marlin nöthig, martin tege, david nacke. 20131118_spoon hits trash can_zoomh2nxy. Wav by malte niepel. Processing:. - tuning- eq- amplitude envelope shaping- compression.

Add envelope, eq, reeverb and delay etc and you're good to go!.

I randomly selected presets from an old korg wavedrum, i think it is the world music edition, i recorded it into the mg and made the cuts with the envelope follower.

Metallic sea. I generated this sound with an effect wahwah, i also played with the level envelope and reverberation. The final is thought of as a metallic sea.

A breaking glass sound. Originally created as a sfx sample for a song. A combination of snippets from two separate public domain breaking glass recordings, plus envelope shape manipulation in audacity.

Kick from my first sample session with my fresh eurorack:- envelope generator: make noise maths- oscillator: doepfer a-110-1 vco- filter: doepfer a-124 vcf5 wasp.

Sorting change, bills. . . Cramming them into an envelope. . . Manipulating the money. . . Handling money. . . 44. 1khz 16 bit stereo recorded with sony mini-disc recorder 2009.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

I created a sound by playing with its envelope then i cut it and repeated. Then half the time i insert a linear sinusoid noise at 440 hz and 0. 8 amplitude.

Various exclamations and electronic speech patterns, improvised using wavetable synthesis and envelope modifcations, with random pitch shifts and vowel/consonant/exclamatory sounds coming through the droid speak.

An 80bpm bass and drum loop, my fender precision thru an envelope filter and a simple drum program tweaked to death with filters. . Get down with your bad self.

Acoustic guitar chime using echo effect, envelope control, fade and noise reduction. Recorded with conexant smart audio on at2020 mic, processed with audacity.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

The different creation steps. - creation of a sinusoidal sound of 3s with a frequency of 440hz (la)- creation of an other sinusoidal sound of 1s at the end of the first one, with a frequency of 493,9hz (si)- fade-out effect to gradually decrease the sound volume between 3,80 and 4,00s- modification of the envelope at the end of the sound- wahwah effect with the following parameters :lfo frequency - 1,5hzstart-up phase - 0 degdepth - 30%resonance - 4. 0wha frequency lag - 30%- modification of the sound's envelope to obtain a crescendo effect.

I created a sinusoidal sound of frequency 200 hz and amplitude 0. 4. I played with the sound envelope on the sides and the middle then i repeated it to create a radioactive sound.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

A subbass sine wave with a slow throb volume envelope and some panning action, designed to work well as a loop or a sample. Created with ableton and audacity.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

A kick drum did to my psytrance project called sonicmancer. I use u-he bazzile, filter resonate envelope in a sine wave. Hope u enjoy. Send me the track u did using this. . . I wanna listen =).

A typical "lasergun" sound effect. Basically a sharp envelope applied to the pitch modulation. It was made in native intruments massive. If you like this sound, you could also check out my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy.

Me unwrapping a candy bar and enjoying it! effects: noise reduction, vol. Envelope, and pitch bend reduction. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Just a mixture of multiple samples i created over time. Layering a swish noise which was basically a white noise sample with an eq envelope, lowpassed snare, and a not-so-highpassed clap, compressed and saturated. Enjoy!.

In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.

Generate a sinusoid at 150hz and a whistle repeat once which is inverted. Modification of the envelope to create a fade in and fade out. Between the 2 whistle, modification to have no jump. Then generate a tone and placed it like the gradation with the whistle.

I've taken a spectrogram of the keyboard trying to create a similar timbre in supercollider. For each part of the spectrogram, i've created a randomly generated envelope. However, due to the fact that sc capabilities are limited and the spectrogram is discrete, i've got a funny unusual sound.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Distinct sounds of opening a paper envelope, pulling out a letter and moving the paper around in different ways. This was originally recorded for a theatre play with a pantomime sequence of handling a letter. Recorded with a matched pait of rode nt 5 microphones.

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

A simple bell sound created with additive synthesis. A combination of eleven oscillator, each one with a different envelope. The resulting udible tone is more or less a b. The sound itself is mixed with a simple piano b note, just to aid tone recognition.

An explosion, blowing very close a "vocal mic: sennheiser md 431", wavelab octavic harmonics, multiband eq to cut all except low-mids, clean comp-wavelab, reverb, reshaping envelope via wavelab button "v".

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Edited this clap in ableton to make it sound more like a snare: https://freesound. Org/people/rhythmpeople/sounds/165210/transposed up, trimmed, adjusted volume envelope, added reverb and eqoriginal clap is public domain and so is this sample, feel free to use for any purpose without attribution.

Motorcycle in the distance. I generated this sound by a gazouillis effect, played with the level envelope, the wahwah effect with 43% depth, i modified the height and the tempo to bring a more serious tone. The whole set to hear a motorcycle in the distance.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) make noise function samples from 25hz bipolar lfo (doepfer a-147-2)2) make noise function samples from 25hz looping envelope (intellijel quadra)3) make noise function samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Tram recorded in students' hostel, through the window, from the side of the street. 2004. Single generic mic, behringer vmx 100 as a preamp, computer with sound blaster card as a recorder. Mono recording, converted to stereo using panorama envelope and reverb. 44. 1khz, 16bit.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

The different creation steps. - creation of a square sound of 3s, with a frequency of 261,6hz- phaser effect with the following parameters :phases - 3original/modified - 130lfo frequency - 0,5hzstartup phase - 0 degdepth - 100return - 30%- fade-in effect between 0 and 0,40s- fade-out between 2,40 and 3,00s- modification of the sound's envelope to have a resonant effect.

Some c0 16. 35hz sine drawed in audacity with mouse hand free with no correction of the irregularities, looping, an envelope drawed manually as well, like for the original graphical pixel art obscur principles, except some slight eq filtering.

Sounds expressing tension - hence the name. All makenoise / soundhack modules. Rene 2 sequencing telharmonic h output. Into mimeophon output into optomix. Maths envelope triggered by gate from rene 2. Maths lfo provides flange in mimeophon. Recorded using reaper. Rendering 48khz 32 bit stereo. Thanks to all from makenoise. A real source of inspiration.

After recording someone making a sound like "trrrrrrrrrrrr", i've applied the following effects :1)generate noise (red)2)i've modified the envelope of the noise in order to have it thin, then thick, thin-thick-thin-thick-. . . 3) i've put down the volume of the noise, and put the voice louder. 4) add a few effect with atom splitter audio : distroyr. 5)mix the tracks together.