45 Royalty-Free Audio Tracks for "Subtract"

Preset 24 dimensional sawtooth, lead sample of alphatron oscillion, a polyphonic subtractive synthesizer in vst, vst3 and audio unit plugin format for windows and mac.

Source material used for subtractive work.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Same as interference 1, but opposite.

Disrepaired mini-moog on its last legs.

Synthetic stereo wind made using synfactory software.

A song from The Remains of Tom Lehrer

Format: wav - 24 bit, 48khzdescription:a generative music piece with changing key signatures. Features a subtractive synth type sound with added reverb. Made with january. Cc - the interactive flash app by disasterpiece. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

These are some synths i tuned in reason. I've included them as an octave long run of notes so you can use them in your own productions. I hope you find them useful :].

Abstract, ascending "tone"- one oscillator frequency modulated by a sample and hold module- done using synfactory/studiofactory software.

Finally, another normal loop. Nothing much again, but the difference is significant.

This sound was modified for study subtracting the high notes, i was making a domestika course of sound design at the time. Original creator : https://freesound. Org/people/rokzroom/sounds/564246/.

Bass drum created by subtractive synthesizer beating to the classic 4/4 time monotone pattern at 140bpm.

Look at my page https://skibka-music. Blogspot. Com/.

A robot tank takes aim and fires. 3 synthesizers used, subtractive synthesis and a graintable synth for the shot. Mastertrack edited with an eq.

The bass melody was produced by applying a modulation to the frequency of the bass. Not much has changed from 003.

Look at my page https://skibka-music. Blogspot. Com/.

Look at my page https://skibka-music. Blogspot. Com/.

A kind of pad or drone, texture. . . I don't know. . . . Close your eyes and travel through space!. 4 synthesizers used. . . Subtractive synthesis, fm synthesis, some effects. . . .

Look at my page https://skibka-music. Blogspot. Com/.

This is a variation of the loop: 005 from the mitosis pack. The odd bass sound (or melody) is the result of tweaking too much with the modulation.

Lots of strong bass on this set. The bass sound was produced by lowering the frequency to about 20 on reaktor - arobic. Amazingly, it sounds fun.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

Maybe this is a bit too loud. The overdrive and the crazy percussion instruments adds a bit too much on this loop. I think it needs to be refined.

Back to normal. Nothing really special here excepting the unusual tom sound that seems out of pitch.

This one has an extremely thick bass that pulsates crazily. At the same time, it sounds like a low tom sound.

Same as thrumbeat-volume re-leveled and length trimmed for a better loopambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

This is a rather simple one, compared with 002, the sounds are more subtle and less punchy. The bass drum is much significant compared to 001.

An evolving bass/pad i patched using subtractive synthesis. Convolution reverb added as well as some subtle distortion and post synth filtering. Please give me a mention if you use this :-).

The mitosis pack contains several loops with melodies. I removed the modulation and let the bass run without changing a pitch for this loop. See also loops 005 and 6.

Back to a normal loop. This loop contains more noise. . . Though they sound like a rough shaker in the background. The bassdrum is slightly not prevalent.

A drone sound i created using a dsi mopho, recorded in logic. I didn't use any fx. It's a filter sweep with some resonance and lfo 1 is modulating pan position.

Water glass struck by chopstick. Notes were created by adding and subtracting water. Recorded on avatone cv-12 into garageband; compression, eq and reverb added.

I changed the synthesizer's ranges and played a bit with reaktor's structures until i realized i was playing with the frequency range. The result is a radically different sound that sounds more like a machine.

Designed with malstroem and basic 64. Malstroem. Graintable synthesis with "random" lfos and a freeware synth called basic 64, that is often used for the reproduction of c64 sounds. But here, the patch sounds like tools. It's a different synthesis, similar to the subtractive synthesis, but not as easy to handle as e. G. A minimoog synth or a prophet 5.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

The mitosis pack is a pack generally founded on just 1 beat pattern, the most common dance drum pattern found in techno music and trance. This pack uses the single pattern and expands upon it through various sounds that make the pattern sound different. 001 is the basis of all. Reaktor - arobic was used to mainly create this loop.

The loop was created with one of reaktor 5's instruments which was modified to create 4-second loops that sounds something like techno or general electronica. The drums are all created using a subtractive synthesizer, most of them sine waves and were modified several times.

Electronic minute no 145 - pattern 2 with some wave shapingpattern 2 with some wave shaping. Simple graphic score. Fun. Well this pattern and patch wasnt that interesting. More to come. The pattern is here: https://www. Instagram. Com/p/bms6mpeg4n8/?taken-by=gis_sweden.

Created using tracktion waveform-10. I used 3 instances of the builtin synth subtractive, 1 was for the body of the snare the other 2 were the noise to try and replicate the wires of the snare, finally i used zynaddsubfx to create the transient. There was some eq applied to boost key frequencies in around 200hz and mastermix plugin to compress the audio.

Residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus residual model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 02.

Five minutes of rain, artificially created. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal done. Recorded some basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. Convolution reverb was added for a fairly realistic set-it-and-forget-it option. I've uploaded a dry version as well.

Five minutes of rain, artificially created. Same mix as my other "five minutes of rain" upload, but without the reverb in case you want to add your own. Process:. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal applied. Recorded basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. .

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.