549 Royalty-Free Audio Tracks for "Eurorack"

Samples fromhttps://freesound. Org/people/flcellogrl/sounds/195273/https://freesound. Org/people/joangilbardaji/sounds/237536/https://freesound. Org/people/carloscarty/sounds/463713/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

Samples fromhttps://freesound. Org/people/skjor1/sounds/321731/https://freesound. Org/people/kyster/sounds/81737/https://freesound. Org/people/lorenzosu/sounds/49435/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Basicly the same patch ashttps://www. Freesound. Org/people/gis_sweden/sounds/395016/. I let it play for a while then i start "doing things". . . It's not beautiful but its what it sounds like when you playwith a modular synth. Think i'm done with this patch. Unpatching time.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. This is a special. I tok 5 seconds from https://freesound. Org/people/gis_sweden/sounds/546076/ treated a little and got this drone.

Various horror/suspense effects created by the eurorack module monsoon. Warning: contains high-pitched sounds, don't play them too loud!. All my sounds are fully free to use, but please consider leaving a comment to let me know how you'll be using them. Just curious! :).

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Diy gate connector techno. My home made gate connector is fun to use for more then modular gate signals. Here we have a beat-ish in stereo. I use the gate connector as a poor mans stereo mixer. The sound is straight out from the modular.

Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.

Modular diary 2018-11-13. Struggled with an idea i had. I wanted random chords. Outcome. Just boring. Involved many patch cables. Mixed the sound with radio noise and"a creek in a forest" by nikeranhttps://freesound. Org/people/nikeran/sounds/321471/.

Electronic minute no 145 - pattern 2 with some wave shapingpattern 2 with some wave shaping. Simple graphic score. Fun. Well this pattern and patch wasnt that interesting. More to come. The pattern is here: https://www. Instagram. Com/p/bms6mpeg4n8/?taken-by=gis_sweden.

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a reverb fx (particle reverb) in zoom ms-70-cdr. Admit i added some noise too.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

Korg monotribe processed by a doepfer a-100. (bbd and a-199 spring reverb)the clock source is semi-randomized by an lfo and korg sq-1. Recorded with a zoom h-5 and transcoded with ocenaudio.

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

Decided to do an exercise from "the book of bad ideas c 2. 0". This is exercise 1. 3 just intonation. Nice. Then i start to turn knobs and get modular mayhem. . .

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

Modular made space (?) sound. Made a patch that generated some typicalmodular space sounds. Recorded. And now are you listening. Tip: take a part of the sound that seems to be quiet. Open it in yoursound editor. Amplify. . . Space is everywhere. Now slow down the speedof your sample. . . Space is deeeep and have multiple dimensions :-).

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Another patch on vcv rack. Sick! why am i doing this when i have the real thing :-) well it's fun and convenient. I can test modules and patch ideas. If i have three square waves i will do this one at home too. I have done similar patches before on my eurorack. . . . ((. . . And i can do it at work. . . )).

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.