862 Royalty-Free Audio Tracks for "Example"

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

An example of a blast beats played in tempos of 120, 160, 200 and 240 BPM. Made with Cubase and Drumkit From Hell. Przykład blast beatów granych odpowiednio w tempach 124, 160, 200 i 240 BPM. Wykonano przy pomocy programu Cubase i syntezatora perkusyjnego Drumkit From Hell. Exemples de blast beats joués aux tempos de 120, 160, 200 et 240 BPM. Crées avec Cubase et Drumkit From Hell.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

A (to short) example of a universal global language.

This is an example of what i want my voice tag to sound like.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

Microkit short nifty.

Microkit shorter nifty.

Additive synthesis example.

Microkit extremely short nifty.

Example piano phrase, performed by me.

Example of distortion pedal in clean audio.

Intro for dnb, electro. . . For example.

This is an in-use example of the saw lead to give you an example of what my saw effect is supposed sound like (yours might sound better).

Fast example of material being ripped or torn.

Example of a dissonance in a major riff.

Use this pack https://freesound. Org/people/josefpres/packs/27731/and create your own disco bass loopcut and glue :-)subscribe to my facebook page https://www. Facebook. Com/simplesamplesweb.

Example sounds generated with coopsyn, a custom made reaktor 4 synthesizer.

Wooden sticks, like for example, a drummer playing with sticks.

Made with pure data, start by example of farnell.

An example of the eas.

Melody for a menu or, for example, a marine theme.

Sound when quickly turning over a group of papers. For example a flipbook.

It is a short sound of a useful tool for cutting things. Example, papers.

This sound comes from mixing water with another additive, for example when making a sauce.

This is an example of a flutter echo after a hand clap.

Example of unnecessary qrs-qrq jumping. Receiving station is evidently "delighted".

[chair_movement_02. Wav]. Chair movement. This sound can for example be used in games, for example when the player moves objects made out of wood, for example chairs and tables - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[chair_movement_01. Wav]. Chair movement. This sound can for example be used in games, for example when the player moves objects made out of wood, for example chairs and tables - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Example from zdf filters - tuned bandpass filters are excited.

A big fight sequence music, good for a boss fight for example.

A realistic, old opening door sound, for example rpg, fps games. (mp3).

Use this for car games (for example with realistic car controller) to make quad/atvs.

This is the base sample used to exemplify the data augmentation prcoess.

Some sketchy playing to demo the sound of an on-going amp sim project.

Another example of me messing around in audacity and making myself sound like a demon. Enjoy!.

Sample about 8bits games nostalgia. For example a select player? idk use it free!.