103 Royalty-Free Audio Tracks for "Extreme"

A crescendo demo of the registers Violin, Viola and Horn, with modulation and sustain. You will hear random akkords with extreme rhytmic crescendo demo. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register. Trumpet sounds much brighter. If the button Horn is pressed, you may release the button Trumpet, without any change in sound. Horn means French horn. The Trumpet or Horn register offer the effects of the brass section in an orchestra. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Playing with vcv-rack. Extreme random techno. Extreme handling in audacity. . .

Blew out a candle. Extreme talent.

Extreme crunching while eating.

A minimal drone. Might need some eq-ing. The frequency analysis reveals an extreme graph. A both extreme and minimal sound. Will anybody download it?.

Panting after a long run. This thirteen-second recording shows extreme exhaustion.

Ott creaks from washing machine door, extended. Em172s.

A stylised door slam i made for a stage play processed through an extreme reverb.

This is a free kick sent through an lfo delay that feeds back into itself. Makes quite an extreme ending!.

A tonal bass note with extreme highs, made using eq filter on an original recording.

This is my recording of an infrared thermomitor beeping three times. Recorded at cheer extreme allstars richmond in 10087 whitesel rd, ashland, va.

This is my recording of an infrared thermomitor beeping three times. Recorded at cheer extreme allstars richmond in 10087 whitesel rd, ashland, va.

Sound of some kind of digital sonic fiery destruction. Imagin the end of the world through a nuclear explosion. Made using extreme settings on some filters. For the earthwaterfirewind contest.

Cartoon-style bomb launch and distant explosion. Doppler shifting whistle starts at centre and pans to extreme right with fadeout. A muted detonation follows at extreme right - a non-realistic and short explosion. Created with ni fm8 running as a vsti inside flstudio 11 with a touch of fl reverb2. The "projectile" whistle is a soft square wave lightly modulated by a sinewave at 6x the frequency of the square wave fundamental to give it a touch of metallic ringing.

A sequence i made with csound. The goal was to make a hi-hat. There is extreme panning in the sequence and different central frequencies for each of these drum-like sounds.

Used in warsim: the realm of aslona's arena when a combatant is killed and pushed into significant negative hp.

My, rather extreme, attempt at creating a super-square sound on the d50. Only single notes played and, as always, no external effects and direct recording without overdubs (stereo 16 bit, 44. 1 khz).

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

Recorded in stereo on iphone 12 with zoom x/y 120 degree separation in a raquetball court with closed door having extreme reverb.

A extreme close up recording of a passenger train pass by. Stereo setup with not much processing done to the file just some slight eq and compression.

This began as a short sample of brown noise created on audacity. I boosted the bass and stretched it out a little with paul's extreme sound stretcher. All very easy but i quite like the result.

Very high-quality recording of rain falling on a wood deck. This recording is part of burya - a free rain library which can be downloaded here: https://www. Deepformaudio. Com/burya.

Recorded a thunderstorm in rural ontario in summer. Heavy rain, wind, rain. Storm subsides after a while. Recorded using an h2n zoom recorder using the m/s raw setting.

A composite alarmsample. Loop this sample on a huge stereo with decent volume and report back :) the sample is optimized for dynamics, so it's not overcompressed. This sample also contains a firealarm bell which is absent in the other sample in this pack.

My cat, misha, purrs for a while. Recorded with a zoom h5 right next to his nose hence the extreme stereo wideness. Apologies for the noises, sometimes it's just the recorder bouncing on the chair or me petting the cat so he keeps purring.

Sur une plage par un jour de grand vent j'ai enregistré le son d'une porte métallique qui était balayée par le vent. On the beach by an extreme wind day i recorded the sound of this metal curtain. Recorded with a zoom h6wav 44100 24 bits.

A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.

July 2013, rcording from setup pc in greenhouse. Extreme rain changing to hail (25 mm diamter)for a couple of minutes, then rain again. Last bit of recording is sound from pc fan. Did not cut it off, wanted to let listeners understand that i made a temporary installation in the greenhouse for capturing the immense noise.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Combination of:http://www. Freesound. Org/samplesviewsingle. Php?id=104124with high-pass filterhttp://www. Freesound. Org/samplesviewsingle. Php?id=16694with high-pass filter and reverb. Didgeridoorecorded with rode nt-5 matched pairstretched with paul's extreme sound stretch (http://hypermammut. Sourceforge. Net/paulstretch/)notch filters and variable high-pass filter. .

Very bass harmonics for kick (to be played in parallel) and at lower volume for snare and tom bass harmonics. It was created by filtering a 60 hz sine wave (remove all the high frequencies but also the extreme low).

This is my recording of a giant double glass door refrigerator's close up giant wind, compressor or fan blowing. Recorded inside the building of cheer extreme allstars richmond in 10087 whitesel rd, ashland, va.

Ambisonic 32bit float recording from a blacksmith shop. Nb! extreme dynamic range!!. You hear the mechanical bellow in the background. The blacksmith takes a glowing piece of iron, placing it on his anvil, and start hammering it. Done with a sennheiser ambeo vr ambisonic microphone, and a zoom f6 field recorder.

Small fireworks. Happy new year 2018!. Small fireworks echoing in the neighborhood. Firework recordings are a tradition on freesound. This is my take. First recording with this device. Will lower recording level to next year. . . I wonder how "auto" works on fireworks?extreme transients. . .

Recreating the pitch shift used by pink floyd in echos. Inspired by taking the now retro echophonto its extreme flange edge and tweaking. . . Rendered in reaper with markers at 48 khz 32 bit fp for the beloved morphagene fans out there. Go back in time and enjoy!.

This only happend to me once in my life and it hurt(i went to the hospital after this attack). I used a device that can give me almost the clearest possible sound of my heart beat. Also i gave the very tiny parts where my heart was beating at 400-600 an extreme amplification because those parts are very quite.

This is my sound recording of a large industrial fan blowing (it can be also used for a giant wind blowing for fantasy, horror and sci fi, generously). It is recorded at cheer extreme richmond.

Purring of cat: this sound is extremely distinct. It is an up-close recording of the vibrations emitted by a cat when they are happy. It is an accurate representation because an actual cat was used to record this sound. Recorded with the zoom h6, rode ntg. This is a great sound if you are looking for an extreme specific purr unaccompanied by other noises.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Opening a sliding door to a lot of chatty morning birds. You can hear a some fire truck sirens far in the background. After a few minutes, door is closed, i let you hear the difference, and we’re done. Recorded with a tascam dr-05 at about 5 am. Converted to mp3 with command “lame --preset extreme” since it’s rather huge. Not normalized; lame reports a playback gain of +21 db.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

This was created with paul's extreme sound stretch program, my voice, and audacity. I whispered a couple of times into the microphone and slowed it down a good bit in paul's stretch program. I think the result is pretty creepy! leave a comment and let me know if you plan on using this!. Edit -- 8/23/10 -- whoa, did not know that the file size was so big. Sorry about the huge file size, i'll try not to have them that big in my future sounds.

This is the sound made by the needle crossing the linen cloth during my wife's embroidery sessions. The fabric is under extreme tension in a special wooden frame, it's like a tambourine skin. So when she stitches, the needle goes through the fabric (linen) and therefrom comes the main noise (like a door w/o grease). A second noise is a kind of dry "pop". It's when the thread finishes to run across the fabric, a tiny loop is stuck and the relased, making the fabric jump like a drum skin once again. Sound taken the 15th of march 2021, in brittany, france, using a xiao redmi smartphone.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.