104 Royalty-Free Audio Tracks for "Extreme"

Cartoon-style bomb launch and distant explosion. Doppler shifting whistle starts at centre and pans to extreme right with fadeout. A muted detonation follows at extreme right - a non-realistic and short explosion. Created with ni fm8 running as a vsti inside flstudio 11 with a touch of fl reverb2. The "projectile" whistle is a soft square wave lightly modulated by a sinewave at 6x the frequency of the square wave fundamental to give it a touch of metallic ringing.

A sequence i made with csound. The goal was to make a hi-hat. There is extreme panning in the sequence and different central frequencies for each of these drum-like sounds.

Used in warsim: the realm of aslona's arena when a combatant is killed and pushed into significant negative hp.

My, rather extreme, attempt at creating a super-square sound on the d50. Only single notes played and, as always, no external effects and direct recording without overdubs (stereo 16 bit, 44. 1 khz).

Recorded in stereo on iphone 12 with zoom x/y 120 degree separation in a raquetball court with closed door having extreme reverb.

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

A extreme close up recording of a passenger train pass by. Stereo setup with not much processing done to the file just some slight eq and compression.

This began as a short sample of brown noise created on audacity. I boosted the bass and stretched it out a little with paul's extreme sound stretcher. All very easy but i quite like the result.

I made this gabber-esque kick in my free time, spent a lot of time adjusting it to make it the heaviest as possible. Download wav file for higher quality.

Here is the full sound of any growing concern.

Happy accident: recorded a finger snap on a asus t100's internal laptop as a test sound, applied (heavy leveller, normalization)*10 and this came out. Sounds like a fine punch/damage sound on speakers, maybe for a 8-bit game.

My cat, misha, purrs for a while. Recorded with a zoom h5 right next to his nose hence the extreme stereo wideness. Apologies for the noises, sometimes it's just the recorder bouncing on the chair or me petting the cat so he keeps purring.

Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

This is my recording of a giant double glass door refrigerator's close up giant wind, compressor or fan blowing. Recorded inside the building of cheer extreme allstars richmond in 10087 whitesel rd, ashland, va.

Ambisonic 32bit float recording from a blacksmith shop. Nb! extreme dynamic range!!. You hear the mechanical bellow in the background. The blacksmith takes a glowing piece of iron, placing it on his anvil, and start hammering it. Done with a sennheiser ambeo vr ambisonic microphone, and a zoom f6 field recorder.

Very bass harmonics for kick (to be played in parallel) and at lower volume for snare and tom bass harmonics. It was created by filtering a 60 hz sine wave (remove all the high frequencies but also the extreme low).

**pleace, be carefull and reduce volume. **. This is original sound of a razorblade scratching the surface of glas. This noise was created to make a painfull noise. Headphones recommended. Recorded with zoom h2n - slightly filtered and cut of useless frequencys below 2k.

July 2013, rcording from setup pc in greenhouse. Extreme rain changing to hail (25 mm diamter)for a couple of minutes, then rain again. Last bit of recording is sound from pc fan. Did not cut it off, wanted to let listeners understand that i made a temporary installation in the greenhouse for capturing the immense noise.

Sur une plage par un jour de grand vent j'ai enregistré le son d'une porte métallique qui était balayée par le vent. On the beach by an extreme wind day i recorded the sound of this metal curtain. Recorded with a zoom h6wav 44100 24 bits.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Combination of:http://www. Freesound. Org/samplesviewsingle. Php?id=104124with high-pass filterhttp://www. Freesound. Org/samplesviewsingle. Php?id=16694with high-pass filter and reverb. Didgeridoorecorded with rode nt-5 matched pairstretched with paul's extreme sound stretch (http://hypermammut. Sourceforge. Net/paulstretch/)notch filters and variable high-pass filter. .

A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.

Recreating the pitch shift used by pink floyd in echos. Inspired by taking the now retro echophonto its extreme flange edge and tweaking. . . Rendered in reaper with markers at 48 khz 32 bit fp for the beloved morphagene fans out there. Go back in time and enjoy!.

Small fireworks. Happy new year 2018!. Small fireworks echoing in the neighborhood. Firework recordings are a tradition on freesound. This is my take. First recording with this device. Will lower recording level to next year. . . I wonder how "auto" works on fireworks?extreme transients. . .

Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .

This is my sound recording of a large industrial fan blowing (it can be also used for a giant wind blowing for fantasy, horror and sci fi, generously). It is recorded at cheer extreme richmond.

This only happend to me once in my life and it hurt(i went to the hospital after this attack). I used a device that can give me almost the clearest possible sound of my heart beat. Also i gave the very tiny parts where my heart was beating at 400-600 an extreme amplification because those parts are very quite.

Purring of cat: this sound is extremely distinct. It is an up-close recording of the vibrations emitted by a cat when they are happy. It is an accurate representation because an actual cat was used to record this sound. Recorded with the zoom h6, rode ntg. This is a great sound if you are looking for an extreme specific purr unaccompanied by other noises.

Epic logo for you project. Hello!. If you write music then you can download my projects here: https://evaluationrecords. Com/shop/ (there are free projects). Onlyambientmusic@gmail. Com (if you have any questions, please ask). Also you can support me: (https://paypal. Me/officialandrewkn). Thank you!.

Epic logo for you project. Hello!. If you write music then you can download my projects here: https://evaluationrecords. Com/shop/ (there are free projects). Onlyambientmusic@gmail. Com (if you have any questions, please ask). Also you can support me: (https://paypal. Me/officialandrewkn). Thank you!.

This pack is rather lq, background noise and other mistakes are present. Get brand new, high resolution bmx sounds here:https://www. Asoundeffect. Com/sound-library/bmx-trick-192-khz/***. Gear used: analog tape recorder nagra iv + sennheiser me 66 microphone. Recorded for the projection student movie, 2014, zlin, cz. Https://www. Youtube. Com/watch?v=it7pc5ycwqy.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.

Sick beats from the block -sliced and processed breaks beats and sick rythms for idm glitch and downtempo tracks breakbeat and electronica. Made with battery and a slicer and a load of vst's. Tempos from 90 - 185 bpm totally loopable! break those rythms down girls! (and boys!) oh i love the acid jazz and the drunks. They rule!.

Opening a sliding door to a lot of chatty morning birds. You can hear a some fire truck sirens far in the background. After a few minutes, door is closed, i let you hear the difference, and we’re done. Recorded with a tascam dr-05 at about 5 am. Converted to mp3 with command “lame --preset extreme” since it’s rather huge. Not normalized; lame reports a playback gain of +21 db.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

Five years ago, freesound user unfa uploaded his gift to the world --- the worlds best quality silence, a free 10 minute sample stolen from the infinite void of existential truth. Here is a edited copy of his sample, normalized to 0. 0dbfs. Because what's the point of such a recording if you don't use all the available bits?. Please see https://freesound. Org/people/unfa/sounds/231965/.

This was created with paul's extreme sound stretch program, my voice, and audacity. I whispered a couple of times into the microphone and slowed it down a good bit in paul's stretch program. I think the result is pretty creepy! leave a comment and let me know if you plan on using this!. Edit -- 8/23/10 -- whoa, did not know that the file size was so big. Sorry about the huge file size, i'll try not to have them that big in my future sounds.

This is the sound made by the needle crossing the linen cloth during my wife's embroidery sessions. The fabric is under extreme tension in a special wooden frame, it's like a tambourine skin. So when she stitches, the needle goes through the fabric (linen) and therefrom comes the main noise (like a door w/o grease). A second noise is a kind of dry "pop". It's when the thread finishes to run across the fabric, a tiny loop is stuck and the relased, making the fabric jump like a drum skin once again. Sound taken the 15th of march 2021, in brittany, france, using a xiao redmi smartphone.

Intense rain drops against window pane recorded with a zoom h1 xy-microphone. Perfect as the sound of raindrops falling against the front shield of a car. You are free to use the sound wherever you want. If you want to credit me, that's nice. But you don't have to. I would be even more happy, if you let me know where you used the sound and maybe even post a link to your work down in the comments. Wanna see my works? http://www. Bastian-worrmann. Dehttp://www. Facebook. Com/bastipictureshttp://www. Youtube. Com/bastipictures.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

A crescendo demo of the registers Violin, Viola and Horn, with modulation and sustain. You will hear random akkords with extreme rhytmic crescendo demo. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register. Trumpet sounds much brighter. If the button Horn is pressed, you may release the button Trumpet, without any change in sound. Horn means French horn. The Trumpet or Horn register offer the effects of the brass section in an orchestra. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Original file name: abstract hip hop beat 1 - 28 september 2012specs: 140 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: an abstract hip hop beat loop programmed into propellerhead's reason redrum. Used the 'abstract hip hop kit' samples that come with reason's soundbank. First part of loop is dry with no effects except eq, second part is more processed. Sample pattern: a1 x2 | a2 x2effects: equalized all the samples. First half is dry in that no extra effects apart from eq are used; second part of the loop is actually two copies of the same loop with one of them containing extreme compression after some unison (detuning) and ~30ms delay. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166029). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.