403 Royalty-Free Audio Tracks for "Feedback"

Voice band filtered "ar" sample remix with multiple feedback.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

Playing with a delay and a verb feedback.

Single light saber swing. Made using mic feedback.

Voice band filtered "ash" sample remix with feedback.

Simple frequency modulation with one carrier, changing basic feedback parameters.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): feedbacknote: c#3midi note: 49.

Yeah #300.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

This is something i came up on ableton. . . Looking for feedback, so leave a comment!!! enjoy!!.

A drumloop from the past. . . In your present time !with chorus feedback !.

Female voice band filtered "a" sample remix cut into percussion feedback.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

All sounds made using following equipment:. -roland m-cube gx-xlr cable-ibanez grg170dx electric guitar.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

Sizzeling, feedback reminding, softly beeping sound with multiple layers.

Recording of someone reading john 3:16 on an old radio. Lots of static and feedback.

Recording of someone reading psalm 118:1 on an old radio. Lots of static and feedback.

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

Heavily processed vst synth sound using various reverbs, phasers and distortion.

A looping sequence on notes. Created with a thor synthesizer using one oscillator with lots of fm feedback.

Just made on ableton !!! we love to see some feedback!! new synth mix.

Recording of boat engine - twisted in reason 3 with scream distortion etc. . .

This sound is made in reason 4. 0 in estonia. It is perfect sound to complete a test or accomplishment in positive way.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

Advanced analog hardware snippet. Recorded feedback of a reverb tail.

Series of bass hits and crackle generated from a no-input mixer.

A generic sound effect used to convey positive feedback when a player confirms something in a video game menu.

Here is another on of my effects using a doepfer dark energy mk1. Feel free to use any way you want ;).

Sad sound effect for an incorrect answer. Played on yamaha pss-270, recorded with an iphone 3gs, edited with audacity.

Happy chime for a correct answer. Played on yamaha pss-270 keyboard, recorded with an iphone 3gs, edited with audacity.

Simple buzzing and hums, it came from a simon-says, actually. Apparently makes for a good backround ;). Kinda dark.

Frozen reverb without a certain ear-piercing whine.

A nice arpeggio in em (70 bpm) clipped and limited at -6db, enjoy!.

The sound of a dropped mic without a lot of the unpleasant sounds that come with dropping a mic (such as feedback) - it's not exact foley.

Frozen reverb with an ear-piercing whine.

Mixing chaos, feedback and odd sounds in this. . . Whatever it is.

Atonal modular synth melody.

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

Me and a mate just er, decided to smash 2 cheap guitars to bits, something to do at the time.

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Analog delay on fender strat through fender blues deluxe in bm.

I believe this is recorded from an roland edirol; it is a high pitched hiss from a busted amp i have, but could be used for various stuff.

Ritual electronics, miasma with transistor fuzz processed through ableton with d16 group devistor and ecco boy from sound toys.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.