403 Royalty-Free Audio Tracks for "Feedback"

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

A sample i made in cubase. A man saying get me out heavily reverberated. W/ added feedback that i pitch shifted and reverberated. And lots of whispering voices in different pitches.

A sample of water trickling processed with delay and reverb.

Simple frequency modulation with one carrier, changing basic feedback parameters.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Sizzeling, feedback reminding, softly beeping sound with multiple layers.

Playing with a delay and a verb feedback.

Female voice band filtered "a" sample remix cut into percussion feedback.

This sound was from a live video feed on a social media broadcast. At some point the audio just got caught into a feedback loop that lasted for a bit. I thought it sounded interesting and saved it. Has kind of a laser or phaser cannon kind of thing going on. Perhaps an alert sound of some sort. Probably many possibilities for usage.

A drumloop from the past. . . In your present time !with chorus feedback !.

Yeah #300.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Just made on ableton !!! we love to see some feedback!! new synth mix.

Recording of boat engine - twisted in reason 3 with scream distortion etc. . .

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

Heavily processed vst synth sound using various reverbs, phasers and distortion.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

Atonal modular synth melody.

This is something i came up on ableton. . . Looking for feedback, so leave a comment!!! enjoy!!.

Frozen reverb without a certain ear-piercing whine.

Recording of someone reading psalm 118:1 on an old radio. Lots of static and feedback.

Advanced analog hardware snippet. Recorded feedback of a reverb tail.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

Recording of someone reading john 3:16 on an old radio. Lots of static and feedback.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

Descending clicks echo into high pitched ringy pulsations.

Frozen reverb with an ear-piercing whine.

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Analog delay on fender strat through fender blues deluxe in bm.

Sad sound effect for an incorrect answer. Played on yamaha pss-270, recorded with an iphone 3gs, edited with audacity.

Happy chime for a correct answer. Played on yamaha pss-270 keyboard, recorded with an iphone 3gs, edited with audacity.

Typing text on smartphone with haptic feedback sound.

A generic sound effect used to convey positive feedback when a player confirms something in a video game menu.

A nice arpeggio in em (70 bpm) clipped and limited at -6db, enjoy!.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Here is another on of my effects using a doepfer dark energy mk1. Feel free to use any way you want ;).

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Series of bass hits and crackle generated from a no-input mixer.

A looping sequence on notes. Created with a thor synthesizer using one oscillator with lots of fm feedback.

Light saber ignition, swings and idle. Made using mic scrape on desk, human voice, mic feedback and digitally generated/manipulated hum.

Screebly kinda noise - abrupt random panning version.

Ritual electronics, miasma with transistor fuzz processed through ableton with d16 group devistor and ecco boy from sound toys.