401 Royalty-Free Audio Tracks for "Feedback"

Working with my spring reverb.

A sample i made in cubase. A man saying get me out heavily reverberated. W/ added feedback that i pitch shifted and reverberated. And lots of whispering voices in different pitches.

Heavily processed vst synth sound using various reverbs, phasers and distortion.

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

A nice arpeggio in em (70 bpm) clipped and limited at -6db, enjoy!.

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

Taken from a smartphone lav test i did a while back. Includes a few seconds of buzz and a very sarcastic "uh-oh" while distortion was still present in the recording.

I made this after listening to the first track listen on this page:. Http://www. Redbullmusicacademy. Com/magazine/psychoacoustics-introduction-feature. Mr. Stockhausen has produces some amazingly real sounds back in the times when no computers were out there to do any dsp for him. Synthesized with zynaddsubfx within lmms.

Chorus, flanger, phaser in feedback playing 1 note.

No, it's not beautiful but its a generative feedback patch.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

A feedback loop involving a contact mic and surface transducer!.

Pattern 1 with spring reverb feedback. Simple graphic score. Fun. Compare with https://freesound. Org/people/gis_sweden/sounds/435826/.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

Concert feed back, recorded with a tascam d-40 live sound in a concert.

Speaker buzz from audio feedback. Cable was plugged in only half way, which is what generated the buzz.

A digital noise sound. Synthesized using a free vsti instrument. Can be used for horror/sci-fi movies and other media.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Descending clicks echo into high pitched ringy pulsations.

A compilation of effects from this site merged together with effects added. Noisy, nasty and quite cool.

Why does everything i upload sound like people screaming and/or chainsaws!?. Sound source is a contact mic producing feedback into various fx. The main fx used for the clip are a sirkut electronics gnarler, boss metal zone, dod grunge, and finally, a danelectro french fries auto wah. Recorded direct-to-sound card as usual. This is a sample taken from a longer piece.

A sound i made for picking up an item in a computer game. Made in fl studio using a vst synth plugin.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

Trying to restrict feedback. . .

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.

Snarey clappy filtered flanger feedback thing.

Snarey clappy flanger feedback thing.

I tried to create a feedback loop with my delay. It'a a simple analog stomp box delay.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

Accidental feedback loop turned very eerie electronic effect. Recorded twice at random and then panned hard left and right. Sounds cool in stereo, or you can split up the two files.

It has a start and an ending. . . Feedback. If you like noise. . .

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

Feedback loop drone created using make noise phonogene + make noise echophone eurorack modules. Good for some kind of force field.

This can be a good sound to use as an intro to something dark. There is a lot of distortion, feedback, noise and instruments such as drum and piano.

This sound was from a live video feed on a social media broadcast. At some point the audio just got caught into a feedback loop that lasted for a bit. I thought it sounded interesting and saved it. Has kind of a laser or phaser cannon kind of thing going on. Perhaps an alert sound of some sort. Probably many possibilities for usage.

Yeah #300.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

Frozen reverb without a certain ear-piercing whine.

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

I recorded this quick improvisation with my built-in laptop microphone and track monitoring on in reaper, which resulted in it sounding washed-out, warped, and screechy in the high end. At the beginning you hear the distorted wail of a left click initiating the recording. Somebody walks into the living room at the end and we share an exchange. I didn't add any effects or edit this audio in any way, it's just a fun experiment. Let me know if you use this for something!!!!!.

Feedback texture created using soundtoys echoboy delay unit.

Accidentally created some feedback when recording my phonecall into protools. . .

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Atonal modular synth melody.