401 Royalty-Free Audio Tracks for "Feedback"

Simulated two-way radio noise feedback by pressing the talk button, created with the draw tool in audacity.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

A bell.

Was walking around and i heard this strange sound so i recorded it with my i phone.

Series of interesting descending bleeps made by circuit-bent yamaha rx17 drum machine feeding lexicon mpx 100 fx unit with feedback loop.

Pedal-based noise created from an internal feedback loop. Wah, distortion, flanger, sirkut gnarler, and other pedals. Near the middle the flanger (dod fx75b) and gnarler in combination made a really weird noise like a fast, looped recording of a zummarah or some other wind instrument. . .

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

Feel free to use. No worries ;).

Noise created using a digital delay (alesis midiverb ii) in a feedback loop. Eq adjustments are continuously made during the recording. Caution: the file contains some loud high frequencies (of about 15 khz).

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Micdrop!! mixed together from these sounds (both under cc0):. Https://freesound. Org/people/clurky/sounds/426260/https://freesound. Org/people/breviceps/sounds/489566/.

My take on this minimalistic tape music piecerepeated 3 times, sent through 6 reverbs. The last repeat is the 6th reverb alone.

The sample is a short blast from the last couple of seconds of a noise track i just completed. . . A lot of neat, varried textures and such. . . The very end is me screaming while rapidly turning a distortion on and off.

Absurd electronic feedback.

Just the feedback from my tenson-amplifier.

A recording of some laptop mic feedback.

Use propellerheads mälstrom.

Feedback recorded from an amp with a guitar. Makes an eerie hum and can be taken strangely out of context. One of several different recordings.

Some kind of weird rumbling feedback from modifying the korg monotribe's bass drum decay time.

Is this thing on?.

Loud! this is a short sample from a bit of noise i recorded. Some feedback and screaming. . .

This is some feedback that was recorded in the studio after we had finished recording some songs, it was just something to do, the effect pedal used in this is a 'electro-harmonix polychorus'. Some interesting sounds in there.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

Feedbacks recorded with contact microphones on metal objects + plenty of distortion (boss super overdrive sd-1 pedal)!.

A small feedback patch.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Electric guitar feedback. The signal is being routed from one amp into a small miniamp.

A small kick with reverb and a lot of delay feedback.

Some more guitar feedback for ya using my pedals to create the sounds.

Multitracked bass played through a guitar pedal/hardware mixer based feedback loop.

While recording with paw 120 digital recorder the autogain started to earohones caused a feedback sound.

Electric guitar with distortion effect. Chopped up in to small pieces, randomly re arranged, faded in and out and then put through a stereo echo effect.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

The little speaker that could!.

Series of bass hits and crackle generated from a no-input mixer.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

Me and a mate just er, decided to smash 2 cheap guitars to bits, something to do at the time.

Rising swell that sounds like processed strings: but is not. It also has a delayed tail that goes off into the distance.

This is a pack of effects for user-interaction such as selection or clicks. It has a sci-fi/electronic theme.

-----albeit concept seems to refer back to you- still stuck in the air; less of a concrete form - finality seems to please you.

Feedback noise on a pcm80.

Bass-heavy feedback of some sort.

Harsh microphone feedback. (sounds different after download).

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

Another piece of feedback recorded using a mobile phone, thats why the quality aint all that, pedal used is a electroharmonix polychorus.