401 Royalty-Free Audio Tracks for "Feedback"

Sounds of a blade clanging against metal. This sound was made by scraping a kitchen knife against a pan. Recorded with: ipod touch 5th generation. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

[select_granted_02. Wav]. [door_code_access_granted. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_granted_04. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

2nd sound today! in spite of short time by the synth. . . . Anyway here in using a feedback loop on the quadra envelope generatorstrange effect with long pausesi use quantizer on thisnoise from jupiter storm. Evaluation of patch/soundone cycle is - about 17 sec - goodonly short sounds - no and yes, good this timeamplitude variation - yep goodpitch variation - yep, enough, goodtimbre variation - could say somusical value - i should consider this musicalentertaining - hmm. . . Interesting.

[select_denied_02. Wav]. [access_denied. Wav]. Select denied!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

An edited version of freesound #162268 by eneaszthe intervals between the dog running are removed. It came out surprisingly well. No skipping or clipping or any of that whatsoever. As this is the very second sound effect i've ever uploaded, i could benefit from feedback. I encourage people to rate and comment, and if you use this sound effect for something, don't be afraid to link it in the comments. I'd love to see what people use this for.

This standup bass was sampled using a direct pickup as well as stereo overhead mics for some room ambience. Articulations include a normal pizzicato, or finger plucked note; a stopped note as performed with the finger; a stopped note performed bartok style; and some miscellaneous sound effects: a slide by the hand down the strings, a slap on the strings, and a knock on the wooden body of the bass. Do enjoy; feedback is welcome!.

I've been working on a plugin for unity to allow users to create short loops from arrangements of other loops. Seems to be working pretty well, pretty much like a low-tech version of acid. Anyways, this was a little arrangement i made as a test, and i kinda like it so i thought i'd post it here for feedback and such. Feel free to use this loop for any project in any way, credit is not required.

[select_granted_05. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_denied_01. Wav]. Select denied!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_granted_06. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_granted_01. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_denied_03. Wav]. Select denied!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[select_denied_04. Wav]. Select denied!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

After this i'm going to be making different kinds of music, learning about sampling and making soulful music along with this. Like always this is made in fl studio. Drum kits: doublebeats hard trap kit part two and creativity drum kit. Vst - gladiator, nexus, direct wave. Please leave a comment, feedback is helpful! 9/24/14 4:51am.

An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . This features various latch/locks being used for opening/closing. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, late 1800s wooden trunk. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

An impact followed by a vibration that slowly trails off. This sound was made by twanging a dish in a dishwasher partly full of dishes. Recorded with: ipod touch 5th generation. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

Early morning field recording of the waterfall next to the old mill in pigeon forge, tennessee. The gristmill water wheel was also in use while the recorder was approximately thirty feet from the fall. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

This is the synthesized sound of a walkie-talkie beginning to transmit. I once had a walkie-talkie that made this sound as a feedback; this is the same sound, made with audacity. Generating:file > newgenerate > noise (type: white, amplitude: 0. 4, duration: 0. 05s)effects > low-pass filter (rolloff: 36 db, cutoff: 4000)select from 0. 0s to 0. 02seffects > cross fade-inselect from 0. 03s to 0. 05seffects > cross fade-outcursor at 0. 05sgenerate > silence (duration: 0. 5s).

[select_granted_03. Wav]. Select granted!. This sound can for example be used as feedback, for example triggered when the user selects/chooses an interface/menu button - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[shotgun_shot_02. Wav]. Shotgun shot!. . If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ appreciate the weapon wholesaler company sako sweden for letting me use the beretta 687 eell diamond pigeon picture! appreciate superfreq for providing useful critique/feedback that led to the creation of this sound in the first place!. Enjoy!/matrixxx.

[shotgun_shot_03. Wav]. Shotgun shot!. . If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ appreciate the weapon wholesaler company sako sweden for letting me use the beretta 687 eell diamond pigeon picture! appreciate superfreq for providing useful critique/feedback that led to the creation of this sound in the first place!. Enjoy!/matrixxx.

An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . This features the opening of the trunk and various latch/locks being used for opening/closing. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, late 1800s wooden trunk. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

I was standing in the middle of the newport southbank bridge facing the daniel carter beard bridge. You can hear cincinnati on the left and newport on the right while traffic pans from left and right in the stereo image. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

This is a completely custom kick i made from scratch using a drum synthesizer and also mixed and edited with a waves puigtech eq modeled after the famous pultec eq and a waves puigchild compressor modeled after the famous $30,000 fairchild compressor. The sample rate is 24 bit/48k and a headroom of -6 or 3db i cant quite remember but nonetheless more than under clipping. Give me some feedback and let me know if its good and i'll upload more for you guys. Peace.

A sample from our new electrifying library, available in full at www. Pureaudioninja. Com. If you like our sounds, or have any feedback, please leave a comment!it would be great to know how we can make improvements!. If you use our sounds in your production, it would be cool to hear what you used it for, and if you want some karma points, you may credit us as 'pure audio ninja' in your productions.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Minigun firing for approximately 8 seconds and then stops firing. . . You then hear the rotating barrels quickly spin to a stop! i mixed this sound effect for our upcoming film and i thought i would post it here in case other people could use this sound! edit it any way you want to make it shoot at the length of time that you need! if you download this sound effect, let me know what you think of it, i love getting feedback! thanks! enjoy!!.

Let me just say, this is way more popular than i anticipated it being. I'd like to thank everyone contacting me to use it in their films and what not and also apologize to them, since my freesound account was connected to an email that i no longer use. That's been fixed now. For anyone in the future, it's totally a-ok to use this as long as you tell me as much and maybe credit me however you want (my name's jillian bean). Thanks for the positive feedback!.

Squealing sound that switches between the left and the right speaker channels, making an eerie, metallic, and slightly distant effect. This sound is a modification from the sound "creaking metal desk". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

This stereo recording was made on november 23, 2014 in brady, washington. The clip contains a union pacific freight train rolling at moderate speed through a rail crossing. As the train passes a crossing bell can be heard abruptly shutting off. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind. .

Cell phone vibrating on a hard surface, recorded from within. I put a htc wildfire smartphone on top of a turned-over plastic ikea bin and a zoom h2 under it. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Recorded with a sennheiser mhk 416 through the zoom f8 in victoria, australia by benni knop. Benni knop is a re-recording mixer based in melbourne, australia. If you are a sound designer or editor working on a film, documentary or tv show and need a 5. 1, stereo or theatrical final mix, check out benniknop. Com and get in contact. I'd love to hear about the projects you use my sounds on. Send me some feedback.

A hostage, a lightbulb, a camera. A hard conversation and a lot of uncomforable silences. This sound is part of the weird roomtones and silences soundpack - a compilation of synthetic ambiences and silences meant to enhance a neutral atmosphere in the desired direction. The filenames usually describe an imaginary situation that i imagine would need the particular roomtone, often influenced by movies i've watched. >>>> you can use the soundpack as you wish, but i'd be happy to hear your feedback. In particular - how did you use the sound (for example, what kind of scene) and what can be improved. <<<<thank you in advance!.

A diesel flatbed tow truck idles for two minutes, moves the truck into position,backup warning beeps, moves the car back, adjusts the position of the truck once more, extends the rollback tilt-tray, connects the car, winches the car up, retracts the rollback tilt-tray, secures chains to the car, then drives off. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.

So i got bored and decided to create a mock rwt. This is just me rambling on about it. Don't worry, i'll include the links i said i would in the description of the mock rwt. Also, this sound will not be included in the noaa weather radio pack. I appologize if this upsets you, but i figured it's not exactly nwr content. The mock rwt will be included, though, as it is somewhat related to nwr. But, i do thank everyone for your support, and be sure to follow me and comment on these sounds! i'd appreciate the feedback! oh, this was recorded using my aph bookport plus, and the midland wr100 weather radio was used in this recording.

A selection of crispy spring onion sounds, suitable for sound effects. Recorded with a sennheiser mkh60 microphone. Sample rate is 96khz, bit depth is 24. Visit our website: www. Pureaudioninja. Com. If you like our sounds, or have any feedback, please leave a comment!it would be great to know how we can make improvements!. If you use our sounds in your production, it would be cool to hear what you used it for, and if you want some karma points, you may credit us as 'pure audio ninja' in your productions.

A nice little sample i had at the end of a vinyl only mix i did, no sounds wasted obviously=) i like to use everything i can and use a lot of these sounds in my deep house productions. Add some reverb in build ups for great effect, i have sliced it to loop 128bpm but is formatted aiff so will change tempo in logic pro=)enjoy!danwraysounddesignhttp://www. Dancemidisamples. Com/choose-label/dan-wray-sound-design. Htmlfor more soundsets, samples and sounds;-)dont forget to pleaase comment!i put a lot of effort into providing every sample, and your free to use my sounds in any way! ur feedback is all i ask in return. Cheers.

The sound of a construction worker operating a concrete road saw on a rainy day is heard in this recording. The recording begins with the saw already in operation, then is shut off and shortly restarted. He makes a couple of passes on the section of road he is working on and turns the machine off. A nearby siren is also heard at the end, so the shutdown at the head can be used as an alternative. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Incorrect rendered and untreated noisy stereo loop, unintentionally done with an amiga emulator (uae for windows). Extremely dirty and distorted sound. The unrecognizable source was the title song of "speedball 2: brutal deluxe" (developed by "the bitmap brothers", music by "nation 12"). The error was was most likely either caused by wrong sound emulation settings or buffer underruns. Left channel is mostly white noise, while the right one is more like a hard industrial beat. This sound is licensed under "creative commons 0" to get you out of trouble, but i still would appreciate if you mention my name in the credits and give me a feedback, where the sound has been used! thank you very much in advance! ;-).

This is a recording of a metal desk creaking with very little movement. I recorded this sound, amplified it, and removed the white noise. That's the only processing this sound has gone through. I'm sure this sound can be modified in many different ways and put to countless uses. Be sure to check out the variations of this sounds from the "creaking metal pack". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

This stereo recording was made on november 23, 2014 in grays harbor washington during a rare thunderstorm. The clip contains rain falling on a wooden deck and recurring peals of thunder both near and far. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6 to remove a few artifacts. Total run time for this wav file is: 8:29. This is my first upload. I am hearing impaired and new to field audio recording. I am fascinated by this art form and hearing sounds that i haven’t been able to hear in twenty years. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

This is my attempt to emulate the sound of the harmony 64 chimes that can be heard on some ice cream trucks. I used a single note from a low-quality recording from a demo of the chimes for the base synth then cleaned up the audio using audacity and set the starting pitch to "c". (in particular, i used the first note of the "can-can" chime from http://www. Microminiatures. Com/tunes. Html). I then composed a short variation of a well-known song (bicycle built for two in this case). This loop can be used in games or other projects as long as you put a link to this sound's page in the game description. I hope you enjoy and any feedback is welcome!.

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

[game_over_01_remastered. Wav]. Game over. I searched and dug for some time - until i found this useful sound:. * "horrorsting. Mp3" by shelbyshark (licensed under the creative commons 0 license!) [2020-06-30]. - links: https://freesound. Org/people/shelbyshark/sounds/512517/https://creativecommons. Org/publicdomain/zero/1. 0/. I downloaded this, made lots of improvements - and finally remastered this. Then i used one of my matrixxx-game over sounds and placed it on top of this one!. I could've made lots of more changes, and made it even more dramatic, however, i wanted to leave the rest up to the listener's fantasy. It was much about planning, knowing what sounds to use, and how to use the different sounds, timing, and creating shock and tension!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ s/o to superfreq for providing useful critique/feedback that led to the creation of this sound in the first place! ⭐. Enjoy!/matrixxx.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.