17,988 Royalty-Free Audio Tracks for "File"

Mozart - Requiem (Krips) - IV. Tuba mirum

Blast beat drum pattern.

La Concheperla - flauta y tambor -

Freisinn - Op. 25, No. 2 Robert Schumann

It is a cut version of this audio file:. Https://www. Freesound. Org/people/joyohjoy/sounds/165347/.

Parsley's Clock, using the sound of recorders instead of viols

Recording of music written by Frederic Chopin

Si dolce non sono

Moteto Vos qui admiramini

Anthem of Karachay-Cherkessia

Canto a la Bandera (Corta)

The subject of Fugue No. 1 in C Major, BWV 846, by Johann Sebastian Bach

Himno Nacional Mexicano en lengua tenek

Recording of Meditation on the Saint Wenceslas Chorale, Op. 35a

1st release date: 1916

Tune for Twinkle Twinkle Little Star

West Point Band's Jazz Knights

modern half moon tambourine

The Tunisian national anthem played by the United States Navy Band instrumentally circa 2003. Hymne national de la République tunisienne joué par l'orchestre de l'United States Navy العربية: النشيد الوطني للجمهورية التونسية معزوفا من قبل الفرقة الموسيقية للبحرية الأمريكية

Song bird chirping in an urban backyard, distant cars bus passes. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Sound effects from my access virus. I had trouble uploading the individual wav files, so i had to export all as one continuous clip in mp3 format. Open it in your audio editor and chop it up into individual samples. Please leave feedback if you download or use this file. Thank you.

This is like the other file almost the same name, it is the same silly announcement that warns you about the end of an escalator or conveyor and is used in asda. This version as rather more background noise suppression, with the usual trade-off! choose your weapon between the two files that i have uploaded! enjoy!.

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

Wesendonck Lieder n°5 (Träume) composé par Richard Wagner, interprété en 1911 par Ernestine Schumann-Heink (1861–1936)

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 50/12150:1:9

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64

*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

Sveriges Radios folkmusikinspelningar. Drillar på spilåpipa Dokumentatör: Sven Jerring, Torsten Ahlberg Instrument: Spilåpipa Radiotjänsts ursprungliga produktionsnummer: L.B. 4.454

*Neutral seventh on C = B. Equal-tempered: 21050/1200=21/24:1 = 1050 cents. MIDI pitch bend: 0,80 Preceded by:

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Delay send track

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Carol of the Bells performed by the Concert Band of the United States Air Force Band of the Rockies. Track 1 from Christmas from the Rockies (1993).

Vi ravviso, o luoghi ameni, extrait de l'opéra La sonnambula de Vincenzo Bellini (1801 - 1835) interprété par Fédor Chaliapine (1873-1938) en 1912.

Brazil National Anthem (Introduce lyric and abridged corus) - Brazilian Army Choir Português: Hino Nacional Brasileiro com Introdução (abreviado coral) - Coral do Exército brasileiro

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 50/12150:1:11

Sveriges Radios folkmusikinspelningar. Drillar på spilåpipa Dokumentatör: Sven Jerring, Torsten Ahlberg Instrument: Spilåpipa Radiotjänsts ursprungliga produktionsnummer: L.B. 4.454

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Reverb send track.

La Danza performed by the Strolling Strings of the United States Air Force Band. Track 17 from Air Force Strolling Strings 40th Anniversary (1994).

Sveriges Radios folkmusikinspelningar. Elever från Staplebacke folkskola Dokumentatör: Radiotjänst Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L-B 3.665

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

Interpret: Mario Chamlee Titel: Serenade Komponist: Riccardo Eugenio Drigo Erstveröffentlichung: 24. Juli 1924

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

It is free for use in your productions file - guitar solo and riff. Hey - this is just a one file , you may be interested in lots of these great guitar sounds here. : http://bit. Ly/2p3nt1t. - it is sonoiz marketplace wiht my sounds.

Traditional Egyptian song performed by Munira al-Mahdiyya. Baidaphon record n° 23045. Matrix n° 2345 [1].