119 Royalty-Free Audio Tracks for "Claude Debussy"

1st release date: 1916

Debussy, "Dr Gradus" from Childrens Corner, bars 36-43

Debussy, "General lavine" - excentric, bars 11-18

Debussy, "Dr Gradus" from Childrens Corner, bars 1-3

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

La Cathedrale engloutie bars 1-2

La serenade interrompu, bars 76-86

Debussy "La cathedrale engloutie", bars 22-28

Debussy, from Hommage a Rameau

Debussy, la Damoiselle Elue, Fig 30

Debussy Quartet 2nd movement, bars 140-7

Debussy; Beau Soir,Giuseppe De Luca, Victor 64934

Debussy la Fille aux cheveux de lin, bars 1-4

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Prelude a l'apres midi bars 35-40

Parallel fourths evoking organum in Debussy's "The Sunken Cathedral" opening

Des pas sur la neige, bars 1-7

Debussy Reflets dans l'Eau opening 2 bars

Debussy Reflets dans l'Eau varied recapitulation of the opening

Debussy, from 'General Lavine - eccentric'

Debussy, the Snow is Dancing, Bars 34-38

Debussy Gymnopedie 1, arrangement of Satie’s Gymnopedie 3.

Claude Debussy String Quartet (1893) second movement opening.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Debussy la Fille aux cheveux de lin, opening bars

Debussy, La Fille aux cheveux de lin, bars 26-29

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Diatonic planing from Feuilles mortes ("Dead Leaves") by Claude Debussy.

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Clair de Lune performed by the Wright Brass of the United States Air Force Band of Flight. Track 14 from Blue Skies (1993).

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.