95 Royalty-Free Audio Tracks for "Flanger"

Slowed down frequences vith flanger effect and some manipulations. Enjoy !.

Big ole vocal flanger.

Mid-pitched electronic snare processed with fast delay and flanger.

Phaser and flanger used. Created by running finger over bench.

Static with a long reverb. Flanger and phaser were applied somewhere while making this.

Pedal-based noise created from an internal feedback loop. Wah, distortion, flanger, sirkut gnarler, and other pedals. Near the middle the flanger (dod fx75b) and gnarler in combination made a really weird noise like a fast, looped recording of a zummarah or some other wind instrument. . .

Low-pitched electronic snare processed with fast delay and flanger.

Hi-pitched electronic snare processed with fast delay and flanger.

I put a flanger effect on a bird sound effect and it made me incredibly nauseated.

A snare created on fl studio using "delay 2" and "flanger" presets.

This is a short bit of my 12-string guitar processed with flanger, paulstretch, and compressor.

A glitchy hi-hat line at 140 bpm with open/closed hi hateffects:open hat: delayclosed hat: flanger.

Just an arpeggiator i made once. There's a flanger on it which is automated to give it some movement.

A single voice note held and then added a lot of re-verb. Mild flanger produced a sound like a blow horn.

Created by putting a flanger and high pass filter on a synth bass and then washing that out with reverb and delay.

Steps on icy snow, very crunchy. Sounds also very interesting using a flanger :).

This was made days in sunvox. I used a lfo, flanger and used a filter to make it sound muffles. Made in 10/25/20.

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

Fl studio 12vsti: 3x osc-a4tone: a4tempo: 100maximus: warmness 1f reeverb 2: chatedralf flanger: movingvocodex: 4 drums24 bits256 khz.

Amplification at -28,1 to diminish sound. The sound has an effect which turn; a rounded up effect. Retro flanger has an average stall (8,02 ms) and flange frequency (1,58 hz).

Sound of an object spinning or like a whirl. Recorded a person whistling, using a condenser mic. Then, in pro tools, added a flanger, phaser and reverb effects.

White noise sweep, put through a flanger and phaser. It starts at the centre of the stereo field, then pans out wide.

Loop of a simple repeating guitar lick. The touch of flanger delay reverb and compressor makes it a bit ominous, that's what i like about it. Take care tedski.

Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.

Multibandcomp-mastering 6db. Nova67p-drum. Waveshaper-quick sat. Flanger-electric guitar 8. Ambience-papen snare room 02. Kick+hat+clap. Tempo120.

Brown noise generated in goldwave, then i applied the flanger effect to this sound about three times (or maybe two, i don't remember. ) it is useful for machines or whatever you like. Loopable.

This sound effect was created using beeping effects and then used a audio flanger to create the effect, 200 mili seconds variable delay, 0. 200 hz and a fixed delay of 100 mili seconds.

Inspired by 'thatjeffcarter' and his angel breath 4. Wav, i did my own remix of "ocean giant breathing" by 'satoration'. Time stretched, reversed, some band pass lfo, phaser, then some chorus flanger.

These bottle caps were hurled rapid-fire at a leaning tower of jugs in my kitchen. I recorded this using an akg condenser mic, and an m-box interface. These sounds were effected in protools with flanger, delay, and reverb.

I tried to remake this sound:. Https://freesound. Org/s/135110/. This time in caustic using modular synth, hpf of course, phaser & flanger. I'll probably try to make it again in 8 years. Very different but still similar.

I took a gunshot, put a little bit of flanger on it and then rolled off the highs of an explosion and layered that underneath. I also added a few other effects to give it that fluttery sound in the end.

A low-pitched ringing sound made via a high-pitched asian bell with a clear ringing tone, struck with a wooden dowel, the audio then subjected to a sequence of pitch-changes downward, each combined with a flanger-type effect at various settings for rate, depth and regeneration.

A remix of this sound:. Http://www. Freesound. Org/people/gmtechb/sounds/49175/. Just put some effects, if i remember correctly, hpf lfo, phaser, flanger, delay and reverb. All modulated a certain way. Please enjoy, and remix some of my sounds ; ).

Recording of live kick drum that was gently hand-tapped with a plastic club. Recording was then reversed and processed through compressor, eq, flanger, gentle distortion and slight reverbation, to produce something almost but not quite entirely unlike an approximation of the beating of a human heart.

File recorded in goldwave, buzzer portion generated by formula, don't even ask me. . . Speech synthesizer used was innoetics john. File might be useful as part of a project or in a game, or audio production. Light flanger applied to speech. Slight reverb applied to entire project.

Buzzing drone made with indie guitar played through ehx super ego, poly phase & chorus, filtered with ehx flanger hoax, recorded on ehx 2880.

A driving 303 loop i programmed in caustic 2. 1 for a caustic track. Will fit nice with a breakbeat. Slight ping-pong delay, foldback distortion and flanger. If you would like this loop without ping-pong delay then please message me and i will upload as soon as. Caustic 2. 1, best music creation app on android!.

There is a man in besiktas ferry port. He sits and plays trumpet between üsküdar port and kadıköy port. I saw him there couple times. So he belongs that place in a sense. I added flanger at two point just for my taste :) recorded by zoom h6 with internal xy mic on last quarter of 2019.

A production sound created for a film project where the character is looking into the void of a black hole - and the emptiness overwhelms. The track is rooted in me slowly exhaling across the microphone. A flanger and low-pass filter is responsible for the rest!. Created on 04/17/2021 with an h4n and sennheiser shotgun mic.

I got a weird story for this one! i took a machine sound from my grandpa's workshop, overloaded it with flanger so it didn't even sound like a machine anymore, got a little snippet of the sound, pitch shifted it up, and repeated it, eqed it, and added some reverb. (the machine didn't have anything do do with it btw. You can do this with any sound. ) hope you guys enjoy this sound. Feel free to use this anywhere you want. :).

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

A suspenseful sting with a lot of bass. Gave it a scifi feel with the flanger. Made for the audience to feel foreboding or suspense during the scene. Can be paired with an object or character to give the audience negative feelings towards who or what's on screen. Please let me know if you like the sound and what would improve it, so i can share better sounds in the future. If you like what you hear, check out my boyfriend and i on youtube. We do a channel based on florida, usa: https://www. Youtube. Com/channel/uc-vcld4dce154hcigmpidha.

I made a saw wave and put some flanger and paulstretch effects to it on audacity and made this synth-like saw wave inspired by the saw wave sample from the ps1 startup sound. If you want to put a loop to this sound, it's 67109 to 84907 on openmpt. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "honestly, it sounds like a overdriven/distorted guitar to me. ".

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.