140 Royalty-Free Audio Tracks for "Foundation"

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: Geschichten aus dem Wiener Wald Erstveröffentlichung: um 1927

1st release date: 1936 1st recording date: 26 April 1935 Composer: Christoph Willibald Gluck (1714-1787) Lyricist: Ranieri de' Calzabigi (1714-1795) Conductor: Dino Olivieri (1905-1963) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Paride ed Elena Content: O del mio dolce ardor Music genre: Opera terminology

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

This started out as a good idea for one of my projects but began to have a life of it's own as i rolled up my sleeves and fussed over every detail. As you will hear, this sound file/track embraces panning like their is no tomorrow. You should be able to fold your sounds into it. Either snaking through it with your own panning sounds, or laying your sounds straight down the middle. - you should find several looping points within the 2:28 runtime. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

Ambience from 5th floor balcony, sao paulo capital city (consolacao neighborhood) with foundation pile driver machine on background at augusta street building site, downtown, traffic, urban, cars and buses passing, construction, horns, pedestrians, walla. Recorded in november 2012 with zoom h1 stereo internal mics and edited with audacity.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

22-sharavana-sun, tibetan singing bowl the experimental mix-iii with ebc-174 & 396hz. Hello,this is the very real horst from town duisburg in germanyyou will hear an experimental mix of sounds created from energy bar chimes and tibetan singing bowl, mixed and modified with software audacity. This soundpiece includes different versions of stretched sounds from singing bowl with frequency of the sun as well as sounds from energy bar chimes frequencies solfeggio 174, aka foundation and 396 aka "liberation from fear" and binaural beats with frequency of the sun. Hope you'll enjoy listening and that you will find truepeace on your waythe very real horst.

Bells from the church at 12:00 on sunday, recorded from the street. Light wind sometimes. Church kostel sc. Vojtecha, prague 1recorded by an ortf setup schoeps ccm4 x 2 on a cinela suspension + windscreensound devices mixpre6 recorderoriginal recording in wave 96khz 24bitgps: 50. 078476 / 14. 415440sound ref: cz-190303-002. Same sound of soundcloudhttps://soundcloud. Com/felixblume/church-bells-praguerecorded during a residency at agosto foundation in march 2019.

Latest compilation.

Hopping off of the ground.

Fire crackle sound.

A footsteps sound effect.

Recorded with zoom h2n.

Camel groans and moans.

Mountain-bike pedalling grass.

Vehicle's engine idling.

Mountain-bike crash skid.

Mountain-bike gear-change shifter.

Ambient noise of my house creaking and settling in its foundation.

Mountain bike braking on concrete.

Recording of me walking to create footstep sounds for my sound design project.

Created by flicking sheets of paper was recorded off my phone and ha no effects added and has only been trimmed.

The sounds of footsteps on wood. This sound was made as part of a college project, but can be used by anyone.

Sfx for the game "in search of the fallen star". Plays when the player traverses the forest.

Layered sounds recorded outdoors in an ambient setting over time and compressed. Effected and mixed in audacity using a 2013 macbook pro.

Another one of my heavy beat experiments i made with the amen break as the foundation. Mixed with some live drumming done by myself.

A mixed track to simulate the sounds of a building that has been ripped from the foundation and landed upside down on another building and is teetering about to colapse.

A precise electronic synthesizer foundation underneath an analog non-compliant lo-fi electric guitar riff. Gritty, cheeky, free!.

Need a linear spectrogram to render the (circular) logo properly,( freesound's spectrogram scale is logarithmic, so image is distorted here. . . Https://cdn. Freesound. Org/displays/651/651015_1015240_spec_l. Jpg). See. . . Https://blog. Freesound. Org/?p=1438&. . . Https://soundlogo. Wikimedia. Org/. The competition specifies mix of at least 2 sounds. . ". . . Your sound logo should comprise at least two overlapping layers, textures, or sounds. "maybe this [cc0] sonification of the logo could be one of them.

Soundtrack by students from joan d'àustria school for the workshop “caçadors de sons” at the joan miró foundation in barcelona. Composició del alumnes de 3er de l'eso del institut joan d'àustria, per el taller ‘caçadors de sons’ a la fundació joan miró de barcelona.

These loops are a set of slow funk-inspired jazz loops with notes of blues overlaying a foundation of trap drums. Slow, atmospheric and reflective, these atmospheric loops work perfectly for backgrounds or transitions for your next project.

A passing motorcycle on the freeway. Fade-in/out added to reduce wind and traffic noise. Slight low-mid attenuation to compensate for filtering caused by the freeway sound-barrier. Note: slowing this down results in a pretty neat foundation for a large aircraft. Recorder: zoom h1date & time: ?location: fremont, ca (usa).

I recorded hot-water-heating pipes crackling and then looped the sample at progressively faster & harmonically relevant speeds. This is one of twenty-two such samples that i layered together to make a new sample, which became the foundation for this binaural beat meditation track: https://soundcloud. Com/storyofthelie/fractal-heater.

23 april 1920 is the foundation of the grand national assembly and is a public holiday in turkey. Because of pandemic, turkey celebrated 100th anniversary from balcony. Anthems have played, firework shows have watched, lights have turned on and off, sirens have heard, people have applaud. Recorded by zoom h6.

Soundtrack by students from escola santa anna school during sons de barcelona’s workshop “caçadors de sons” at the joan miró foundation in barcelona. A workshop in which we are introduced to some tools and methodologies of sound art from the practice of field recording. The sounds have been recorded with portable recorders, some of them using special microphones such as contact mics and electromagnetic coils; the soundtrack has been edited in audacity.

This piece is a sound-sculpture of a weather effect commonly called the beast from the east in the uk. It is based on a longer piece by me called frozen kaos. This was constructed by me using only copywrite free sources of sounds, musical(ish) pieces and natural sounds. All of these were assembled and processed using the free software package audacity™. Most samples have been filtered, pitched, and manipulated vastly to make the basic foundation. On that base all the rest of the sounds were layer (over 200 different layers -- manipulated, mixed down, rebuilt, remixed, manipulated). I mostly work be happenstance and never take notes -- often what comes about is as much by chance as by design.