2,160 Royalty-Free Audio Tracks for "Generic"

Strange computer beep sound. Automatically generated. Can be used in gui.

Sine boom made by unknown recordings/filterings/generatings in audacity. From a few years ago.

Crunchy leaves and footsteps. Recorded on third generation iphone se's voice memos in oakland, california. M4a file.

Recorded using an iphone at the sea in yokohama.

Light saber idle and extinguish. Made using mic scrape on desk, human voice, and digitally generated/manipulated hum.

Ai generated voice, based on mine saying "clone has been released" sound.

Generic rave lead tuned to ci like this one, it works well with early gabber/terror.

Walking through marrakech back streets towards djemma el fna. General atmos.

File of a crowd booing and hissing, generic yells originally used for a basketball game.

Leaves sounds.

Simple airport ambience/ little mastering/recorder r09/no editing.

Cutting with an angle grinder.

Light cafeteria chatter recorded in the oglethorpe dining hall at the university of georgia using a roland r-09.

The five tones announcing new hour during radio broadcast. Made with audacity generating sin 1000hz tones.

A glitchy computer noise generated in oatmeal vst.

This is just ordinary white noise. . . The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Pai is a thai hippie town. It sounds pretty good too.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

A post-industrial feeling created with a tone generator, layering and reverb.

Traffic sounds with wind and birds.

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Vcv-rack and a machine composition patch - or generative patch. Minimal but some of the voices are constantly "doing things". . . I tried to add some sort of steady beat to this one. Wanted to make it less wild/wierd. Quantizer? what is that. Let the virtual synth decide.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

I have generated a sound ( sinusoidal, 300hz) and i have altered it with the level tool. Then, i have added a pluck ( pitch 114) and reversed it. I have created a “white noise” which i have stuck after the pluck. Finally, i have generated a sound ( sinusoidal, 1000hz). I have put it at the end and altered it with the level tool. I used audacity.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

This sound was generated with a tilted gba cartridge, with a bit of noise-reduction applied afterwards.

Simple-fm with artifactsaudio rate and control rate comparison of a unit generator compiled in faust for supercollider.

Generated from fractal image, changing set of square waves at different frequencies. 10 sec long, 50hz pitch.

A complex mono electronic sound/beat generated using granular synthesis.

Broken piperecorded with me66procesed with live ableton.

Ventillation ambience from lillehammer norway.

A simple graphic created in a graphics program. Sound generated and edited in coagula program. Post-processed in audacity.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

A crowd cheering, generic shouts though originally recorded for a basketball game.

Recorder edirol r09, little eq, strong almost static waterfall.

A dehumidifier and fan running in a basement.

This is a generated explosion sound effect. Lots of echo, lots of crunch, as of metal being ripped apart.

Recorded at 7pm in a calm countryside.

Recorded at 7pm in a calm countryside.

Inside a chicken restaurant in new york city at night.

2 voices from a 5 quantussy cell vcv-rack patch.

Includes : seagulls, wind, rain, wavesall generated, footsteps are recorded.

Stationary engine used to drive machinery typically on a farm. Also suitable as general open-air industrial sound.

A field recording of an air conditioner unit in a hotel in pisa.

Simplified quantussy cell x 3 playing.

Recording of my fan at a low setting, edited to remove background sounds.