17 Royalty-Free Audio Tracks for "Glued"

Adhesive tape.

A fork and a plate.

Crujir de huesos lentamente.

Objects falling into the water.

Golpes de madera crujiendo.

Knife sliding angainst a metallic surface.

Voz de humano al darse de cuenta de algo. Como si se sorprendiera.

Voz de una persona un poco alegre despues de recibir algo [recorded voice of a person giggling beacause he received something like a gift).

Uncoiling tape about 50 cm. Tascsm dr-05 + panasonic wm-61.

A piezo, hot glued inside a biscuit tin and tied onto a kite's string with a carabiner.

Parts of an a cappella cut up and rearranged, duplicated, reveresed some parts, glued and layered everything.

A long metal spring was glued onto a cardboard tube, and when whirled, it makes a very strange but interesting sound. A zoom h6 recorder was used with the shotgun/pistol mic.

These are some freesound works i've glued together. I added a wobbly lfo to it. If you like this sound make sure you check my tunes on sc: http://soundcloud. Com/beverlyhillsboy.

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

A suspenseful riser made from a wet mix of a rate-shifted bed frame being hitted and reversed after it has been "glued" or rendered as is, producing a deep, "mega-marvin" similar sample. A sample that was created from utilizing chromatic tones, stretching, reverb and the use of the wet/dry filtering to get the mix "just right". If you aren't aware of what the mega-marvin is. Mega-marvins are essentially instruments containing extremely heavy string, woodwind and varying density of materials that generate strong noises, trailing ambiances and brass-like sound qualities quite suited to the horror genre, generating a daunting and sorrowful sounds. Very fascinating stuff, look it up if you can - they're big and quite technical.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.