144 Royalty-Free Audio Tracks for "Grain"

Foley grainy movement to use for whatever you need. (new zealand).

128bpm minimal/microhouse glitchy drumloop.

/////description de base ////////. Vapor train which is passing. //////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse : son « cannelés ». - timbre harmonique : terne, étouffé. - grain : grain d’itération. - allure : allure mécanique qui ne comporte pas de vibrato. - dynamique : l’attaque est abrupte. - profil mélodique : les variations sont en forme d’escalier. - profil de masse : impression qu'il n'y a pas d'aigu.

Sound of the button on the tv with an increase of the sound. V' : impulsion variée. Morphologie :- masse : son seul complexe- timbre harmonique : terne et claquant- grain : un peu de grain, son rugueux- allure : un léger vibrato- dynamique : attaque abrupte et graduelle. - profil mélodique : variation scalaire- profil de masse : bruit seul hauteur son augmenté.

Bells echoing in the dark recesses of a sticky ear cavern.

Daw: ableton live 10. Used: grain scanner, post processing.

An old sample created with a tool i developed with max/msp called "smooth otter".

Creado con : telharmonic lxd , o_c piqued env , zdsp grain de folie , clouds oliverb and resonestor. Grabado directamente en el makenoise morphagene.

Sorry vocal radio interference loopyellofieredited: adobe + fxs + mastered.

Loop-saw wave in chord-with grain shifter-modulation on voicing-filter delay-drum machine with software.

Description de base:. First try in audacity, sound 1. 3 seconds. Typologie:. Itération tonique. Masse: groupe tonique. Timbre harmonique: clair. Grain: lisse. Allure: pas de vibrato.

Rattles sounds, made with a shaker!. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

Recording of a stone mill wheel grinding dry corn for flour. It's in a little stone outhouse, a generator outside powers a belt driven stone wheel. The recording changes in perspective and cycles from the lower part (a wooden crate to receive the milled flour) to the upper element (a large plastic funnel in which the dried corn grains are tipped) and then back down again. 48k/16 bitrecorded in 2010.

Description de base:. First try in audacity, sound 1. 3 seconds. Typologie:. Continu tonique. Masse: son seul tonique. Timbre harmonique: clair. Grain: lisse. Allure: pas de vibrato.

This is a sampling of my washing machine when the spin cycle end. Processed thru grain sample manipulator in reason with reverb and delay.

I don't know how this happened. This sound is in the open domain, use it freely without the need for retribution or credit.

Couverts s'entrechoquant contre du métal. Typologie:x'' (iteratif complexe). Morphologie:*masse: son unique (répété neuf fois). *timbre harmonique: métallique. *grain: strident. *dynamique:entrée du son franche et agressive.

Description de base:. First try in audacity, sound 1. 3 seconds. Typologie:. Impulsion tonique. Masse: son seul tonique. Attaque: violente, courte. Timbre harmonique: clair. Grain: lisse. Allure: pas de vibrato.

See title &. . . Https://freesound. Org/people/strangehorizon/sounds/654635/.

I'm back, with a fresh loop of watery percussion one shots. Hope you enjoy it. Daw: ableton live 10. Used: grainscanner.

Gravação em estúdio feito em uma embalagem de alumínio contendo alguns grãos de milho fechada com papel. Recording in studio made with a packing of aluminium containing corn grain closed with paper. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Gravado em estúdio feito em garrafa de água contendo alguns grãos de arroz. Recording in studio made with a bottle of water containing some grain of rice. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Robotic transforming sfx for motion, tranformation scenes in your logo video or movie.

/////description de base ////////. Son de l'ordinateur en marche. //////////typologie (p. Schaeffer)///. X : continu complexe. /// morphologie ///masse : son seul complexe. Grain : son rugueux. Dynamique : attaque du son abrupte. Profil de masse : calibre : amplification du son.

I used a midi loop of a guitar sound and an effect to create a weird down-shifting trailing short melody sample. I used ableton live and its grain delay plugin.

Some outside sounds recorded with r-09, water running, small stones being scrambled with broom, ironfence played with little metaldevice. Processed with grain granular in pd. Add. Reverbeastjutland, holme, århus, denmark.

Machine - sound design176bpm. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Machine - sound design176bpm. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

I needed the sound of pouring / falling sand so i heavily edited this recording of gravel http://freesound. Org/people/lolamadeus/sounds/179341/ to make it sound a bit more like sand. Edited with audacity.

This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).

Some outside sounds recorded with r-09, water running, small stones being scrambled with broom, ironfence played with little metaldevice. Processed with grain granular in pd. Add. Reverbeastjutland, holme, århus, denmark.

/////description de base ////////. Crackling fire sound. //////////typologie (p. Schaeffer)///. X : continu complexe. ////////morphologie////////////. - masse:groupes de sons : nodal. - timbre harmonique:clair, éclatant. - grain:pas de grain. - allure:pas de vibrato. - dynamique:attaque abrupte et redondante (multitude d'attaque). - profil mélodique:variation scalaire. - profil de masse:étouffement des sons graves.

/////description de base ////////. A galloping horse//////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse:groupes de sons / nodal. - timbre harmonique:terne. - grain:présence de grain. - allure:vibrato dans l'allure. - dynamique:attaque graduelle. Le son est de plus en plus fort. - profil mélodique:variation en escalier. - profil de masse:filtrage des aigus.

I recorded an 18 wheeler idling at a grain elevator in rural oregon. Then it pulled away and crossed from left to right and drove away. Recorded with: fostex fr2le, at bp 4025 stereo mic.

/////description////////. Risset drum created with audacity, edited with amplification, echo, opening fade and closing fade. //////////typologie (p. Schaeffer)///. V : continu varié. ////////morphologie////////////. - masse:son cannelés. - timre harmonique:lourd et vibrant. - grain:son avec un peu de grain. - allure:léger vibrato. - dynamique:attaque graduelle mais rapide. - profil mélodique:variation serpentine.

Canon 8-2 super 8 camera at 24fps. Recorded with a zoom h1 field recorder (internal microphones). No effects applied. I use it in combination with various film grain software to make the experience more believable.

Description de base : sound created with audacityajout de 3 sinusoides correspondant aux notes : do, mi, sol. Ajout ensuite de trois silences de 0. 5 sec pendant les notes. Typologie de schaeffer : itération tonique (n''). Morphologiemasse : groupe de sons tonique (accord)grain : lissedynamique : abrupteprofil mélodique : variation scalaire.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

I make a lot of my own samples for my music. They are often for use in granular synthesis or manipulated so that they become unrecognizable. I like to make them available for everyone. Enjoy!.

/////description de base ////////. A sound of a futurist guitar. //////////typologie (p. Schaeffer)///. V : variée continu. ////////morphologie////////////. - masse : groupe nodal. - timbre harmonique : acide. - grain : lisse. - allure : allure naturelle qui necomporte pas de vibrato. - dynamique : l’attaque est douce et graduelle. - profil mélodique : les variations sont glissantes. - profil de masse : calibre.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Blues harp guitar amp distorted sfx loop soundplayed my blues harprecorded tascam dr-05xedited: adobe + fxs + mastered.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.