27 Royalty-Free Audio Tracks for "Guide"

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03:51
Lord, Guard, and Guide (The Air Force Hymn) performed by the Concert Band of the United States Air Force Band. Track 12 from Air Force Blue (2013).
Author: Composition: Henry Baker; Mary C. D. Hamilton; Arrangement: Master Sgt. John Bliss; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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02:41
Air Force Hymn (vocal) performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 15 from Ceremonial Music (1993).
Author: Composition: Henry Baker; Lyrics: Mary C.D. Hamilton; Performance: United States Air Force Band, Ceremonial Brass and Concert Band; Recording: United States Air Force
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02:04
Air Force Hymn (instrumental) performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 16 from Ceremonial Music (1993).
Author: Composition: Henry Baker, Jari Villanueva; Performance: United States Air Force Band, Ceremonial Brass and Concert Band; Recording: United States Air Force
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01:49
Air Force Hymn performed by the Singing Sergeants of the United States Air Force Band. Track 14 from the band's 1995 album The Singing Sergeants 50th Anniversary (1945-1995)
Author: Composition: Henry Baker; Lyrics: Mary Christian Dundas Hamilton; Arrangement: Floyd Werle; Performance: United States Air Force Band, Singing Sergeants; Recording: United States Air Force
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04:01
Lord Guard and Guide the Ones Who Fly (the Air Force Hymn) performed by the Concert Band of the United States Air Force Band. Track 34 from Heritage to Horizons (2007).[1][2][3]
Author: Composition: Henry Baker; Lyrics: Mary Hamilton; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force Band
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06:19
O Holy Night (with "Lord, Guard and Guide") performed by the Singing Sergeants and Symphony Orchestra of the United States Air Force Band. Track 6 from Holiday Traditions (2007). Michael J. Willen, Conductor[1][2][3][4][5][6][7][8]
Author: Composition: Adolphe Adam, Henry Baker; Lyrics: Mary C.D. Hamilton, Placide Cappeau, John Sullivan Dwight; Arrangement: TSgt John Bliss; Performance: United States Air Force Band, Singing Sergeants and Symphony Orchestra; Recording: United States Air Force
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12:25
Fantasy on the Air Force Hymn performed by the Concert Band of the United States Air Force Heartland of America Band. Track 8 from America's Shield (1996). Also track 10 from Heartland Sketches (1993).
Author: Composition: Larry MacTaggart; Performance: United States Air Force Heartland of America Band, Concert Band; Recording: United States Air Force
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01:45
Lord Guard and Guide (instrumental) performed by the Concert Band of the United States Air Force Band. Track 49 from Esprit de Corps (1997).
Author: Untitled
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03:07
Lord Guard and Guide (choral) performed by the Concert Band of the United States Air Force Band. Track 50 from Esprit de Corps (1997).
Author: Untitled
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00:24
The sound of a guided barbell. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, studio 21. Date: 2013-12-02, 14:20hrecorded and edited by: julius kockthis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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00:14
The female guide at karosta prison museum talks about discipline and walks off in high heels. An american man on the tour grunts and says "yeah".
Author: Vortichez
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00:06
anyone who reminds you of your past, has no place in your future. it really helps to shut people up, when that needs to happen. I wish i could recall where i heard this; a web search didn't yield anything. Enlightenment as to its source would be appreciated. I asked my partner to express it for me. It has helped me, maybe it will help someone else. Addendum, through argumentation i found that many do not fight fairly. One's "past" does not include something underhanded you pulled last week, or a crappy statement you made five minutes ago. Those may be forgivable but they don't yet qualify as your "past. " these things are called "current. ".
Author: Nuncaconoci
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01:17
Totally yes.
Author: Duisterwho
00:00
00:05
A missile is fired and travels a distance before fading out. Nice for a war or launch sequence.
Author: Kibblesbob
00:00
01:32
John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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01:32
John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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04:12
On March 11, 2018, the Marine Band presented a Living History program titled Marine Corps Women’s Reserve Band Tribute. The program told the story of the talented and adventurous women who served our country in a most unique and unprecedented manner. Author of the book Bands of Sisters: U.S. Women’s Military Bands During World War II, Dr. Jill Sullivan served as a guide through the personal accounts of those very women who blazed a trail for many to follow. The Marine Corps Women’s Reserve Band of Camp Lejeune was established under the watch of 'The President’s Own' to support bond drives and was active during World War II from 1943–45. In 1944, the ensemble even sat in for one of the Marine Band’s popular 'Dream Hour' broadcasts, a program that will be reenacted in its entirety as part of this concert. The performance took place in Schlesinger Concert Hall at Northern Virginia Community College in Alexandria, Va. Conducted by Capt. Michelle A. Rakers.
Author: Composition: Frank W. Meacham; Performance/Recording: United States Marine Band
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00:16
Mini disc recording mossman gorge aboriginal guide.
Author: Visionari
00:00
03:58
Explanations by a guide in a small museum dedicated to birds, followed by silence. Reverb place and quiet roomtone at the end, perfect for backgroud ambiance.
Author: Xkeril
00:00
04:28
Standing @ drugstore cashtray, leaving shop, then listening to german city guide on horse car, lueneburg, am sande (53°24' n, 10°41' e), recorded with diy binaural head (2 x atr-3350) & md-recorder.
Author: Wilkonice
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00:57
More information about terminals, arrivals and departures on the websitehttps://mco-airport. Com.
Author: Goldwallst
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04:32
This was recorded inside the blue mosque in istanbul during friday prayer in may 2005. To get in to the blue mosque with recording equipment we had to get a permission from the religious authorities. We also needed a muslim to operate the equipment since the friday prayers were forbidden for non-muslims. We set up the recording equipment and let our turkish guide hit the record button once the prayer started. The sound is recorded using an m/s rig straight to dat and processed afterwards with a hp filter in protools to remove microphone rumble. Recorded by asbjørn blokkum flø, kjetil bjørgan and the anonymous guide.
Author: Asbjornflo
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00:50
An entire country mansion was covered over with scaffold and sheeting to keep the rain off. Visitors were allowed to climb up the (many) metal stairs to an observation platform. I asked the helpful guide to be quiet whilst i recorded this odd environment! he obliged. Zoom h1 recorder.
Author: Gropkcor
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00:39
This is a nice little study written by guillermo gomez and is from frederick noad's book 'the idiot's guide to the guitar. ' it's a great book and don't let the title fool you. Recorded on my yamaha pocketrak and edited on sony sound forge. Sorry it's not the best recording (too much hiss and bass) and i may do it over. Please comment on what you will use it for. Thanks. :^).
Author: Tubbers
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00:43
This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.
Author: Ecfike
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01:08
From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).
Author: Tubbers
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01:29
Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.
Author: Kbclx
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