294 Royalty-Free Audio Tracks for "Heavily"

A short, noisy, electronic sound processed heavily from a voice sample. Made in audacity by yours truly.

A fully synthesized snare that was heavily processed and over-sampled.

Heavily edited sounds that sound weird espicially if you are using high stereo quality playback like headphones.

Ambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

Starts to rain heavily, rolling thunder. Neumann kmr82i and roof mounted cs-10em.

Pulsing signal over strings, heavily inspired by the countdown of alan hawkshaw.

A heavily automated and processed bass sound. Lots of phasing and movement.

Studio recording of a male breathing, in/out, grunting, lightly to heavily.

Recorded using a zoom h2. This is my toy fox terrier dog; the file is heavily edited using audacity filters and modifications.

Four rings from a cellphone recorded through the bridge pickup of a fender strat (single coil), then processed heavily.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

A recording of my little indoor-well's pump. Heavily pumped up to sound more like a big pump or even a generator.

A collection of a few explosion sounds that i made, heavily inspired by video game explosions from primarily fps games.

Organic sfx for releasing tension, delayed. Cool for trailer, better than a whoosh. Made with handsaw heavily processed.

Some kind of unkwnown machine heavily lubricated by oil. Very rhythmical. Recorded on a tascam hd-p2. No attribution needed, use it freely.

Noise heavily processed with chorus and delay. Slight lfo to lp filter cutoff. Recorded at 130bpm.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

Abstract wooshes made from sound of stepping onto plastic bottle. Heavily processed in hourglass.

Very heavily processed sounds. The base sounds are overlapping random computer generated notes processed with filters and reverb effects.

Its a field recorded sound during a heavily rainy night at the island of corfu (greece). Zoom h6, xy recording (120 angle).

My first upload. I created this by layering several sounds i recorded and heavily modified, such as blowing into the microphone or shaking plastic bags.

Sound of a dream god using magic. Crickets, a snore, whalesong and piano nocturne heavily manipulated.

Modified rain pitter patter, initial rain drops from the very start of a rain. Edited heavily from several recordings of rain.

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.

Heavily processed kick drums. Source - kick samples from analog drum machines and synthesizer like nord modular, quasimidi technox, acces virus t, roland tr-909.

12 bars of kick drum heavily layered and processed. Sounds louder than it is / distorted. 24 bit 48 khz.

Three crescendo plucked chords on a classical guitar. Heavily treated with delay and modulation treatments. Will add more from this project soon.

Cows, freshly released from a long trip, roams about in a swedish forest, lowing to each other while stepping heavily through the underbrush.

Brown noise heavily filtered and pitched down (not very much happening above 400 hz). Simple chorus/reverb added. Made using adobe audition (previously known as cool edit).

Striking various parts of a heavily rusted and deteriorated piece of metal. A beautiful sound with harmonically-complex resonance.

Striking various parts of a heavily rusted and deteriorated piece of metal. A beautiful sound with harmonically-complex resonance.

Heavily process of a hammering sound, to make a pad. Made with granular synthesis. Sample tune to a.

Heavily time-stretched sample from a micro-korg synthesizer where the wavelength and tempo were being tweaked on the fly. Remember kids: winners don't do drugs.

A heavily processed recording of some wet paper tissues beeing squashed and deformed. Made as a foley for some maggots. Use however you love to.

Heavily processed, strongly compressed, tight and bright punchy tekky snare sound nice for producing technoid-neurofunk drum-n-bass.

Something made in waveform, originally me saying "hello" edited so heavily that i found it sorta catchy, (all traces of "hello" have been lost) so there you go.

A man heavily breathing. If you want to support me then please subscribe to my youtube channel "thadailygamer"it would help a ton. Thanks.

This is me playing a short riff as fast as i can, then quite heavily time-stretched.

This is an old hound dog wiggling on his back on the ground panting heavily. He does that dog shake thing mid way.

Recorded for a university project. Breathing heavily in bed with the sound of moving bed covers in the background.

Waveform recorded from the basic vst wavesimd (an emulator of the ppg wave 2. 2) with a rich harmonic spectrum. This sound is heavily influenced by a bass.

A very hard hitting sub kick drum. A filtered heavily compressed 808 that's been dropped half and octave.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

A heavily processed recording of some wet paper tissues beeing squashed and deformed. Made as a foley for some maggots. Use however you love to. Light version.

A heavily detuned guitar, played noisily, chopped up and reconstituted into the vague shape of a drum solo by a very lazy "machine learning" script.

A heavily processed effect to resemble a spaceship jumping to warp speed or a laser firing, whatever you need it for. Have fun :).