122 Royalty-Free Audio Tracks for "Hole"

I captured this sound on my canon powershot a460 digital camera. It was a horrible night, with strong winds and heavy rain. I went to my garden shed and positioned my camera at the small window inside my shed as there is a small hole in the right hand corner of the window, and through this small hole the wind blows through it making this whistle sound, almost like a flute. This sound of mine is for anyone to use, no credit needed, but it would be nice if you could tell me what your going to use it for, if possible, that would be fun. :) http://creativecommons. Org/publicdomain/zero/1. 0/.

This is a recording of a giant steamship running from woods hole, ma to the island of martha's vineyard, arriving at the vineyard haven port. The sound is of the big engine, and a few other ambient sounds like pa announcements, etc.

This is a recording of a giant steamship running from woods hole, ma to the island of martha's vineyard, arriving at the vineyard haven port. The sound is of the big engine, and a few other ambient sounds like pa announcements, etc.

This is the dirty tony's kick drum. He recorded it at johnny's studio, the only studio with a hole in the wall!. It has been recorded with four mics, and this is the mix of all!.

This is the dirty tony's tom 16''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.

Digging into mud: using a shovel to dig into muddy ground, flattening the ground with the shovel. Recorded with a zoom h6 (rode ntg-2). Recorded in a room with good acoustic. It can be used for a scenario where someone is digging a hole, working in the garden.

It has a main hole through which it was blown, producing a deep trumpet-like sound. . . . Certain traditions point out that when blowing in one of its holes, there was a loud audible sound to the region of poike (3 km far away) that attracted the fish to the coast.

A simple guitar gesture played on a blueridge br-63 with old strings, recorded with a zoom h4n about 8 inches away from and pointed at the sound hole, reduced to mono with audacity. This sound was recorded for the purposes of harmonic + stochastic analysis in xavier serra's coursera class, audio signal processing for music applications.

This is a line i'm going to use in a future animation. You see, if you've played silent hill 4, you'll know henry says "what the hell" a lot. Well, in my animation, a hole appears in my bathroom just like in the game, so of course i'm gonna say that signature line :p.

I hold a carbonated can to my microphone and open it in two motions, one to release the pressure, and the other to open the hole the rest of the way. This was a 12oz (355ml) standard soda can (specifically moxie) held in my hand a few inches from the mic, with some slight ambient humming removed in audacity afterward.

The final boss of 2020. Brand new content after years of not bringing brand new content! this one is entirely done on software. Plugins used for creation:ni kontakt 5 with stigma by sampletraxx, pain piano by silence+other sounds, chillerscapes free library by resomonics, ni massive, etc. Effects: izotope mastering plugins, berzerk distortion, defacer, guitar rig 5, raum, eventide black hole, xctr, stock fl studio reverbs and eq's, etc.

You can buy the longer version of this soundtrack for only 4 dollar:pond5. Com/royalty-free-music/item/205512545-suspense-dark-scifi-theme. If you like please support my works. Youtube. Com/@phobos212. You find me on fiverr and upwork if you need soundtrack for your projects. Fiverr. Com/share/op8rd8upwork. Com/freelancers/~01170005364ec4bd67. Music by misterbates.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

Recorded during riding by attaching a zoom h4n at my left leg. The xy-microphone pointed vertically direction to the seat/engine, so no spectacular stereo-sound, but different sound timbre on l/r. The exhaust had a rusted hole so it's not the original vespa-sound but more rough. Different styles of driving. Including starter and switching off. No sound editing was made, so maybe you like to filter away low frequencies (some little wind was behind the shield).

A plastic water pipe in the forest with a hole on top, sending a 2 meter high jet of water into the air. The water came pouring back down onto the plastic pipe. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

This is the sound of a rat gnawing its way down through our wooden ceiling (and 2 days after this recording there was a hole about an inch wide in the ceiling!). Recorded july 15th 2015 around 10 o'clock in the evening in the livingroom of my house in fredensborg, denmark, with a portable recorder zoom h2n. The soundfile was then exported from the recorder to a windows pc through usb, and normalized (i. E. Amplitude brought up to 0 decibel) using steinberg's wavelab software before uploading to freesound.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

A vaporizer whistle, when you remove the finger from the hole to inhale the last bit of smoke. The person smoking was so nice to let me record this. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/d/d1/vaporizer_01. Jpg/407px-vaporizer_01. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Retro, death! doesn't necessarily have to be death though!. This gives a retro-feeling, for example when the player character has been swallowed by the depths of the ocean, or has been dragged by a black hole, or fallen somewhere, or spiraled generally! in other words - gone and/or dead!. This sound can for example be used in games, for example in nostalgic/retro fantasy/adventure games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I believe this to be a weasel, but it could have been a river otter, asthe only part of the animal i saw was the snout down a dark hole. Theanimal was amidst the riprap at the end of our garden, and beingtormented by two neighbourhood dogs. I shooed the dogs away, but theanimal continued to shriek for some time. I have this in wav format if anyone requires it, but i'm sending the mp3 because the original is 26mb long and i'm on dialup. ===fyi - i saw an animal swimming in the river a few days later, and am 98. 5% certain it was a river otter. =====2007-09-07ok. My biologist wife and i have come to the conclusion that it's an american mink (mustela vison). Poor little guy.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).