27 Royalty-Free Audio Tracks for "Ie"

Sound of a fridge compressor in situ (ie in the kitchen).

Sound of a washing machine spin cycle miked from lid level (ie standing)in the laundry.

Famous orchestra hit. Play the sample in different keys and you hear what i mean.

Old german black telephone, called w48 by siemens. Build from 1948 to the sixties. Recorded with tascam dr100 mk3 and rode nt3. Some optimizing in cubase.

High resonance experiment with ts-404. This is a somewhat average techno-ish loop. Pretty simple. Only minor editing in audacity (ie. Normalize, remove noise, compress).

Moderate rain on a metal roof (some variation) with drops into puddles and rolling thunder. Water on roof recorded from the outside rather than the inside (ie no echo or reverb).

Paper flutter. Natural sound for paper movement ie falling, blowing in the wind, turning the page, shaking the newspaper. 24bit 48khz. Wav please comment if you use this sound.

Group kmm-ambient college campus recording of a distant fire-truck siren. Siren is long and sustained. Other ambient sounds (ie. Birds, leaves, etc. ) can be heard in the sample. Recorded with a zoom h4 handheld recorder, on medium gain. Normalized in peak pro 6.

The Entertainer by Scott Joplin recorded live by User:IE in September 2007, without a metronome. Keyboard used: Casio WK-3300 electronic keyboard Conversion to Ogg Vorbis format: Amadeus software

A poot recorded with relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Podem escoltar un pardal. (recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1). .

En aquest audio escoltem al jilguero. (recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

En aquest audio s'escolta l'aigua de l'estany del parc de la solidaritat(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Hemos cogido el sonido del agua de una fuente(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

La cadernera estava en el parc d'en fondo d'en peixo,estava dalt d'un arbre(pi pinyoner)(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Hemos saltado sobre un trozo de madera y hemos grabado el sonido(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Hemos cogido una grabacion en la cual se puede escuchar el viento mientras nos columpiabamos(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Sound recorded by the participants of the workshop "sons de la barcelona intercultural". Phonos, pla bcn interculturalitat, sons de barcelona, casal dels infants del raval. Zoom h1. Sonidos que escucho habitualmente desde mi balcóntaladro mecánico, arreglo de la calle reina amàliadesmontaje de un andamio. Sonidos del patio del ies folch i torres a las 11 de la mañana. Viernes 17 de abril.

Un audio de diverses aus passeriformes i psitaciformes: com gafarrons, pardals i cotorretes de pit gris. Al parc del fondo d'en peixo a el prat de llobregat, barcelona. (recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Al parc d' en fondo d' en peixo, de tots els sorolls hem decidit fer el de la font i l' aigua sortint a pressiò, ya que es un soroll bonic i relaxant. (recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).

Es un ocell anomenat cotorra argentina, es verda, te el pit gris, te el pic taronja, i el seu nom científic es: myiopsitta monachus. No la vam trobar, perquè estaba a la cima d' un àrbre amb moltes fulles i rames, estaba oculta darrere elles. (recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).