177 Royalty-Free Audio Tracks for "Impulse"

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Bass drum synthesized in chuck programming language. 3 resonance filter, 1 impulse and 2 sin oscillators.

Can be used as a body or any heavy item that is not metel or anything hard.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

Were experiments with algorithmic reverb, trying to create the reverb style used in the 80's.

Synthesized rain drops falling randomly between l and r channels. Done with chuck programming language on windows 7.

Zoom h4. Bouncing ball on laminate floor. Bounced by hand like a basketball in different speeds. Nice resonance between the bounces.

A recording of an air rifle being shot in a valley. Recorded on a zoom h4n pro about 5-10 metres in front of the barrel, facing away from the rifle. Edited in audacity. I love the crackle as the shot breaks the sound barrier. Could be slowed down to make it sound like a larger weapon, or maybe even used as an impulse response. I have also uploaded the unedited version in case you want to apply your own effects: https://freesound. Org/people/fission9/sounds/466311/. Recorded 14/04/19.

Recording of a wet finger on wineglass. Reversed, trimmed, and processed with acoustic mirror, using stretchedir4. Wav by noisecollector as impulse.

A snap with amazing reverb (church like). Have fun.

A recording of a re verb from a british spring put through a convolution re verb loaded with a tunnel impulse made in bristol.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

Impulsional response from the 52. 329 classroom at pompeu fabra university, barcelona. Recorded with behringher ecm800, m-audio soundcard and the soundsystem from the classroom.

Impulse response recorded in a cornish paddock meters from the megalithic portal of the hendraburnick quoits. I can hear the ley lines now. .

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

Impulsional response from tànger underground hall that connects roc boronat building with tànger building. Recorded with behringuer ecm800 and m-audio soundcard.

A very short electronic impulse with a buzz component. Created by making a sine wave sweep in symsynth and edited in soundforge.

Ir recorded a long time ago in the waiting room at hayes and harlington railway station. Another one i'll never use but someone might. .

For those who like a vintage sound, this impulse response tries to be the most faithful in the type of spring reverb used in the 60s, on vocals, on guitars, and mainly as a mixing reverb as an alternative to plate reverb if do you want the sound of a garage rock or dub. Depending on the context, you can leave the reverb in mono which reinforces the vintage character.

Impulsional response recorded with behringuer ecm800 and m-audio soundcard. Hall of the 3r floor of pompeu fabra university (poblenou, barcelona).

Example keys processed with ir dbl ms verb first dry then wet then wet stretched.

Reverbed and reverbed until there was just some kinda sounding rumbles up in the infinite space. Edit:corrected title, kinda, according to gauravnema kind and much appreciated attention.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Shotgun and reload, simulated by the impulse generated by a balloon and fx process. If you like it or it helps you in some ways, please give me stars :).

Jazz guitar sort sample loopi made the score in maestro. Edited: adobe + fxs + mastered.

A recording of an air rifle being shot in a valley. Recorded on a zoom h4n pro about 5-10 metres in front of the barrel, facing away from the rifle. This is the unedited version (albeit slightly trimmed) for those who wish to apply their own effects. You can find the edited version here: https://freesound. Org/people/fission9/sounds/466310/. Recorded 14/04/19.

Nottingham royal concert hall. Balloon burst at front of stage and recorded from the front of house mixing position. Might sound good for orchestras but rubbish for rock bands. .

Balloon burst in trafalgar street underground car park in brighton. A fun but pretty useless reverb. Almost triggered a terror alert recording it. Be careful where you pop balloons!. .

Ir recorded in a uk red telephone box. Originally recorded with a full sine sweep but uploaded as a processed spike. Some nasty stuff around 280/300hz but hey, that's a phone box for ya. .

Made with vst instruments / no attribution required - public domain.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

Electro-acoustic guitare loop in c dorian. 115bpmit doesn't encompasses the effect of the soundboard. You should apply (convolve) a guitar soundboard impulse response to this sound to make it sound more natural.

This is a sum of two units, a digital reverb ams rmx16 and spring reverb fisher k10 with gate, this was an experiment i wanted to do and by the way, it worked well.

A heavy thunderstorm, mid-afternoon, after a long heatwave. The third and last lightening strike was about 100 meters from the microphone. You can just about hear the click (impulse response) of air being ionized just before the thunder.

Este sonido es la respuesta impulsional de una habitación rectangular (no vacía) de 11 metros cuadrados. Está generada a partir de una grabación de un sweep en dicha habitación, convolucionado con la inversa de dicho sweep. Empieza a partir del segundo 10.

A short deep pulse sound that can be used as an effect for a distant weapon discharge. Wide spatial image. Dolby 5. 1 ready; 6 channel wave. Created with audacity 2. 0.

Sci-fi sounds made with vst instruments / no attribution required - public domain.

These are taken from my modded behringer bg412s from 2004. I know this is one of the most hated cabs in the world but i gave it 2 celestion vintage 30s. The top speakers are in an angle to the outside. . . So you get something different. It really is a awesome heavy plywood cab. . . No chipwood crap. The irs are mix ready and should deliver a brutal sound. Even: mix ready universal full sound sm57balls: a bit more whoosh sm57brutal: a bit more scooped sm57bruzl: evil black metal shred pyle pdmic75. Have fun!.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

24-bit wav. Recorded with tascam dr-44wl on a windy day in my backyard. Hiding behind a fence using a hat as a wind shield. Stereo widening using hard pan and 5ms delay (so the first impulse of the sound is a bit weird).

Messing around in logic with some surround impulse responses and delay designs. Ended up with something that sounded a bit like a submarine sonar blip. . So i added the sound of a fridge, time stretched using the flex tool and pitch adjusted and now it sounds almost real :).

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.