2,211 Royalty-Free Audio Tracks for "Ins"

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03:14
Choro "Magoado", composed and recorded (in 1930) by João Pernambuco (guitar).
Author: João Pernambuco
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04:03
Recording of David Roitman singing "Uvdivrei Kodshecho (Uvdivrei Kodsh’cha)", digitized by Florida Atlantic University.
Author: David Roitman
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04:20
Ashamnu Mikol Am by David Roitman Українська: Музична композиція «Ashamnu Mikol Am» Девіда Ройтмана, запис 1922 року.
Author: David Roitman
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00:22
C major bebop scale.
Author: Created by Hyacinth (talk) 06:42, 29 March 2010 using Sibelius 5.
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01:10
Wohlauf in Gottes schöne Welt
Author: Melodie: volkstümlich; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:05
Brown Girl in the Ring
Author: Melody: from Jamaica; setting & sound file: Rabanus Flavus (Peter Gerloff)
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02:51
Song recorded by Rudy Vallée & Yale Collegians (later Connecticut Yankees). This recording was never issued.
Author: Rudy Vallée
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03:29
Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.
Author: Irving Berlin (1888-1989) Arthur Fields (1888-1953)
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03:16
The Glory of the Yankee Navy performed by the USMC Band. March, “The Glory of the Yankee Navy" (1909) - The musical comedy The Yankee Girl was in need of a spirited march, so Sousa was prevailed upon to provide one. The march, one of Sousa’s most interesting musically, was dedicated to the star of the show, Blanche Ring. Lyrics were provided by Kenneth S. Clark. The title underwent a process of evolution. The earliest known manuscript was labeled “Uncle Sam’s Navy.” Prior to the opening, newspapers referred to the march as “The Honor of the Yankee Navy.”
Author: Untitled
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03:37
Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: Johann Sebastian Bach (1685-1750) (see Musopen for performance author information)
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05:08
w:Sharon Isbin performs w:Enrique Granados' Danza No. 5 (1890) at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 7:42-12:50.
Author: Enrique Granados
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04:09
O Souverain, O Juge, O Pere! from Jules Massenet's Le Cid (1885) sung by Enrico Caruso on 5 February 1916 for the Victor Talking Machine Company.
Author: Composer: Jules Massenet [French] (1842–1912) Performer: Enrico Caruso [Italian] (1873-1921)
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03:59
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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00:50
Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.
Author: Dmitri Shostakovich, radiobroadcast from sieged Leningrad
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03:31
This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.
Author: Mamie Smith & Her Jazz Hounds, Perry Bradford (1893–1970)
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03:16
Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039
Author: Enrico Caruso (1873–1921)), Nellie Melba (1861–1931) Giacomo Puccini (1858-1924)
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01:08
National anthem of South Vietnam, also known as the "Republic of Vietnam". 中文:越南共和国国歌 Tiếng Việt: Tiếng gọi Công dân (Thanh niên hành khúc)
Author: Untitled
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03:39
K-K-K-Katy by Geoffrey O'Hara. Singer is Billy Murray.
Author: Singer Billy Murray, lyrics and music by Geoffrey O'Hara.
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03:01
Dal esi ukrashenie cerkvi Tvoej Gospodi (Oh Lord, You give the decoration to Your Church)
Author: Moscow Patriarchal Choir of the Russian Orthodox Church
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01:13
The Czech anthem, instrumental version. The Prague National Theatre Orchestra
Author: Františdk Škroup
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03:31
Traditional music of Egypt. Disc 22 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]
Author: Unknown authorUnknown author
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00:09
*41 steps in 72-et on C = ?. Equal-tempered: 241/72:1 = 683.33 cents. MIDI pitch bend: 85,58
Author: Hyacinth
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01:57
When the saints go marching in
Author: Melody: trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
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00:09
*9 steps in 13-et on C = ??. Equal-tempered: 29/13:1 = 830.77 cents. MIDI pitch bend: 108,73
Author: Hyacinth
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00:23
MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.
Author: Future Perfect at Sunrise
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00:09
*6 steps in 41 equal temperament on C. Equal-tempered: 26/41:1 = 175.61 cents. MIDI pitch bend: 25,56
Author: Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~25,56 for 175.61 cents.
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00:10
*7 steps in 34-et on C. Just: 27/34. Equal-tempered: 27/34:1 = 247.0588235294117647 cents. MIDI pitch bend: 7,79
Author: Hyacinth
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00:41
Melchior Franck: Da pacem, Domine, in diebus nostris, vierstimmiger Kanon, in Tonika- und Dominantlage kombiniert
Author: Music: Melchior Franck (1580-1639); sound file: Rabanus Flavus
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00:11
*7 steps in 23-et on C = ??. Equal-tempered: 27/23:1 = 365.22 cents. MIDI pitch bend: 111,52
Author: Hyacinth
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00:12
Scale of harmonics on C for the Vietnamese Đàn bầu.
Author: Hyacinth
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00:09
*29 steps in 48-et on C = ?. Equal-tempered: 229/48:1 = 725 cents. MIDI pitch bend: 0,72
Author: Hyacinth
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00:09
*31 steps in 48-et on C = ?. Equal-tempered: 231/48:1 = 775 cents. MIDI pitch bend: 0,56
Author: Hyacinth
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00:09
*7 steps in 72 equal temperament on C. Equal-tempered: 27/72:1 = 116.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 115.625 cents rather than 116.669. New version a m2 on 42,69 for 116.650390625 cents rather than 116.669.
Author: User:Hyacinth
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00:11
*33 steps in 41 equal temperament on C = ?. Equal-tempered: 233/41:1 = 965.85 cents. MIDI pitch bend: 9,53
Author: Hyacinth
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00:09
*43 steps in 72-et on C = ??. Equal-tempered: 243/72:1 = 716.67 cents. MIDI pitch bend: 42,69
Author: Hyacinth
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00:09
*4 steps in 31 equal temperament on C. Equal-tempered: 24/31:1 = 154.84 cents. MIDI pitch bend: 70,49
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~70,49 for 154.84 cents.
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00:09
*7 steps in 13-et on C = ??. Equal-tempered: 27/13:1 = 646.15 cents. MIDI pitch bend: 98,78
Author: Hyacinth
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00:09
*31 steps in 72-et on C = ?. Equal-tempered: 231/72:1 = 516.67 cents. MIDI pitch bend: 42,69
Author: Hyacinth
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00:09
*41 steps in 48-et on C = ?. Equal-tempered: 241/48:1 = 1025 cents. MIDI pitch bend: 0,72
Author: Hyacinth
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00:09
*9 steps in 14-et on C = ?. Equal-tempered: 29/14:1 = 771.43 cents. MIDI pitch bend: 109,54
Author: Hyacinth
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01:53
Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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00:24
Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!
Author: traditional (19th century); setting & sound file: Rabanus Flavus (Peter Gerloff)
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00:09
*47 steps in 48-et on C = ?. Equal-tempered: 247/48:1 = 1175 cents. MIDI pitch bend: 0,56
Author: Hyacinth
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03:56
Willow Echoes performed by the Concert Band of the United States Air Force Band. Track 6 from Heritage to Horizons (2007).[1][2][3]
Author: Composition: Frank Simon; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force Band
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