767 Royalty-Free Audio Tracks for "Khz"

Sound from walking lightly with sandals on a wooden floor. Recording settings:48 [khz]24-bitsmonopresonus m7 microphone.

Birds singing, some wind in the trees. Recorded with zoom h1 @ 44 khz 16 bit stereo wav.

Sound effect created using percussion and strings session. It has reverb and lfo. Recording settings:24-bit48 [khz].

Inside an airplane, landing in berlin, english announcementsrecorded with zoom h1 in 44 khz 32 bit stereo wav format.

Waves on a beach with pebblesrecorded with zoom h1 in 44 khz 32 bit stereo wav format.

There was a heavy rain in my area so what better to do right?.

Created using glitchmachine fracture free plug in with reaper daw 24 bit 44. 1 khz.

24 bit 96 khzmany small frogs 'chirping'. Recorded in stereo x/y, with matching nt5's, direct to digi002.

Recorded in cala jóncols (catalonia) with zoom h4n - 48000 khz - 24bits.

An old clock ticking. Recorded with zoom h1 @ 44 khz 16 bit stereo wav.

Cars passing by at night in tampere recorded with samsung s21 fe with 256kbps & 48100 khz mode.

Big knife and sharpening steel. Manipulated and pitch to sound like a drawn sword. Zoom h1. 48 khz 16 bit.

Heavy door groan and creaking in reverberant space. (zoom h4n, 48 khz, 24 bit. Processed with izotope rx7. ).

Wooden floor making squeaky noises as someone walks on it. Recorded with zoom h1 @ 44 khz 16 bit stereo wav.

Wooden door making squeaky noises as someone opens and closes it. Recorded with zoom h1 @ 44 khz 16 bit stereo wav.

Varous sounds on pillows (grabbing, leaning back, etc. ), stereo, 24 bit/48 khz, -6 db, recorded 2020, with zoom h5.

Mic inside the refrigerator. Can easily be looped. 24bit 48 khz.

This sound file is only 10 microseconds long! one sample of audio. Created in audacity at 100 khz.

Tram passing by/ stopping/ leaving at night in tampere recorded with samsung s21 fe with 256kbps & 48100 khz mode.

Sound of a closing cellar door made of thick metal. 24 bit / 48 khz, sony pcm-d100.

Recorded with tascam dr-44wl, 48 khz, transformed to aif due to limited audio software capacities. Rough.

A stretched out sample of a big wobbling metal board, good for spooky ambiences. 48 khz 16 bit.

Heavy rain in brussels. Recorded with a sure mv88, stereo 60 °, 24 bit / 44. 1 khz. Https://soundcloud. Com/lisbonstory/sets.

A metal door in my street in lyon france, which produces a strange grating sound. Mono, 16 bits, 48 khz.

Recorded on a bridge crossing a highway (autobahn) with a zoom h2n (x/y + m/s). 44. 1 khz / 24 bit.

This is a test, for testing. Only 8khz by the way. Why waste the space with quality i ask!?.

This is a recording of cars going over a bridge, recorded in berlin with a zoom h4n microphone at 24 bit 48 khz.

Recorded in child park that between apartments using focusrite cm25 condenser and focusrite 2i2 sound card at 44. 1 khz.

Los angeles suburban neighborhood tone. Recorded on a zoom h4n. 24-bits / 96 khz.

Wind chime recorded in the studio, nice chime relaxing sounds.

Recorded in a cinema in brussels with a sure mv88, stereo 60 °, 24 bit / 48 khz.

Heavy rain, changing intensity, loud thunder and distant thunderrecorded with zoom h1 in 44 khz 32 bit stereo wav format.

Howling wind recorded close to a window inside of an empty church in winter.

A metal door in my street in lyon france, which produces a strange grating sound. Mono, 16 bits, 48 khz.

Maestro rhythm king analog drum machine loop 1 - 16-bit, mono, 44. 100 khz.

Sounds of pacheco games recorded in nagoya with nagra ares bb - stereo 44. 1 khz 16 bits with shoeps stereo system.

A recording of some medium/hard rain from within my room in the netherlands, in 44. 1 khz/24 bit. Mic: rode nt1-a.

An example of truly modern contemporary qso (6. 2. 2012 on 3766,55 khz at about 10 cet). Ok1ff is probably fake call sign.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Recording settings:. 48[khz]24-bit.

Sound of a campfire in a very quiet setting late at night. 24 bit / 48 khz, sony pcm-d100light compression.

Sound of a campfire in a very quiet setting late at night. 24 bit / 48 khz, sony pcm-d100light compression.

This is a test, for testing. Only 8khz by the way. Why waste the space with quality i ask!?.

I had normal two-way radio contact in morse code on 8om band. Suddenly a flock of jays flew, they sat on boughs near open window of my bungalow and their acoustic noise terribly interferred my contact. So i must say that not only electronic interference and noise are possible. Record: nokia 6230i in location jn79nd near jindrichuv hradec.

This is the stereo file of the 4-ch thunder-file--> https://freesound. Org/s/367222/. The thunder is slow downed to 0,7speed and has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. ;-)the 4 channels are recorded in irt-cross technique so it is a 360° record. Ch1(left) = fl+rlch2(right) = fr+rr. _________________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

Ham radio amateurs. Weak signal with much statics. From july 26th 2017, 5. 15 pm utc, 14. 237 mhz usb 20m. Call signs;ok2bld czech republicf4eih franceoh2hi oh2fi finlandux3un ukraneoe1cga austiadl1bsh germany close to luxembourgsp3ms polandm0bec englanddl2r germany (saying he is in florida :-)f8fhi farnceom2ad slovak republic. Recorded in the netherlands.

Foley of hand hitting a wooden wall. Recorded with xy mic on zoom h5. Sound is processed with compressor, multi band compressor, hpf eq and a limiter.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

I made this as a strange wake-up alarm. I was wondering at what point i will wake-up? what frequency will break my dream and bring me back on earth?. Created using audacity.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

An 8 bar loop done in fl studio 7 using silverbox 303 clone vst. No effects used just automted cuttoff/env mod/decay. Got a few of these. Done in 32 bit 96000khz so you might want to resample for your project.