373 Royalty-Free Audio Tracks for "Language"

Recorded on the san francisco side of alcatraz island, 08/25/2015. Recorder was placed on the railing on the back side of the yard above the staircase. A clear day, with plenty of water birds and gulls. Some tourists speaking various languages throughout. . . Some asking about the 'microphone'. This recording also catches the sf noon siren and a sea plane flying toward the end. My windjammer wasn't quite enough for the wind, so there's some rumble, but it can be cleaned up. Recorded with a tascam dr-70d, built in mics. Free to use, but let me know where it ends up!.

El Noi de la Mare, a Catalan folk song on guitar. Das katalanische Weihnachtslied "El Noi de la Mare" ("Der Mutter Kind"), auf einer Konzertgitarre vorgetragen. "El Noi de la Mare", villancico catalán del siglo XVI interpretado con guitarra clásica. Македонски: Каталонска божиќна песна El Noi de la Mare („Мајчин син“) во инструментална изведба на класична гитара.

Cachorro Vira-Lata is a samba-choro composed by Alberto Ribeiro and recorded by Carmen Miranda in 1937. Odeon disc11482 A (matrix 5571). Cachorro Vira-Lata – samba-choro skomponowana przez Alberto Ribeirę w wykonaniu Carmen Mirandy z 1937 roku. Македонски: Кашоро Вира-Лата — самба-шоро на Алберто Риберо во изведба на Кармен Миранда, 1937 г. Cachorro Vira-Lata ― самба-шоро композитора Альберто Рибейро в исполнении Кармен Миранда, 1937 год.

A Cuban stereo recording of the Internationale in the Spanish language. El día 3 de noviembre de 1910 se convierte en el himno de todos los trabajadores del mundo, en el Congreso Internacional de Copenhage. En 1919 Lenin la oficializa en la Tercera Internacional y se convierte en el himno nacional de la Unión Soviética hasta el año 1943. Según cuenta Maurice Thorez en 1928, en el VI Congreso de la Internacional Comunista celebrado en Moscú, el propio Pierre Degeyter dirigió personalmente, con lágrimas en los ojos, el coro que interpretó la canción.

This video was taken from a video of an old man philosophizing about what life is, he said (the language he speaks is brazilian portuguese, translation is not good for english). "a irresistível, leve, leveza do ser, sutil tal como uma bolha de sabão que se ve por um momento, no tempo, paira se escorregando para a tentativa de decisão de ir para um dos lados, á sua volta até que "tok" um som inaudível se concebe e apaga, no sumidouro, de nenhuma imagem, que a um segundo atras prometia ser para sempre, a vida é uma bolha de sabão, e dentro de cada bolha, há uma alma".

This is an alternate recording i took on 04/26/2014, on microcassette, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. This was taken at the same time as the cassette recording i uploaded previously; if asked by kelly or katz i will respectfully take both down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

A recording i took on 04/26/2014, presumably on cassette tape, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. To my knowledge, this is the only audio recording that exists of the soundscape, though if asked by kelly or katz i will respectfully take it down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

Short recording of 120 people (no kids) in large hall (church) before a concert. People talk and chat and laugh sometimes. More and more people come in during the recording. At the end the public becomes quiet. Recorded so that it's not clear what language the people talk (high position of the mic, +3. 5m). Useful as general noise track for film and video. Recorded in grote kerk, kerkstraat 20, in 's-hertogenbosch hollandrode nt4 > sony pcm d50 recorded. No editing. Public domain. Long recording (30 minutes): http://www. Freesound. Org/people/klankbeeld/sounds/171317/.

Auswandererlied Das Schiff geht nach Amerika, ohe! In vierzehn Tagen sind wir da, juchhe! Doch Sturm geht fest aus Westnordwest, als ob er nach der Heimat bläst, die unser Glück und Elend sah, oje! Das Schiff geht in die neue Welt, ohe! Auf Freiheit ist der Kurs gestellt, juchhe! Doch in der Brust sind Schmerz und Lust, da brennt das Heimweh, halb bewusst, das uns im Bann des Alten hält, oje! Die grenzenlose Weite lockt, ohe! Ein Knecht bleibt, wer am Ofen hockt, oje! Was trägt und nährt, behält den Wert, egal wohin das Schifflein fährt, da bleibt das Leben angedockt, juchhe!

This is a simple recording of the passing crowd in the heart of the latin quarter of paris, france, on a wednesday evening between christmas and new year's eve. The recording was made at the corner of the pedestrian xavier privas and huchette streets, with the mics aimed diagonally across the street, about 4. 5 feet above ground. By a happy coincidence (i'd like to say that i engineered it, but i didn't), this sound file loops seamlessly. The clip includes the sounds of many people passing by (the area was very crowded), and some snippets of conversation, mostly in french, with a few other languages thrown in. Some faint traffic noise can be heard on the left, from the busy quai saint michel street along the south bank of the seine river, at the north end of the xavier privas street (left of the mics in this recording). Recorded with a hand-held zoom h4n, stereo, 96 khz / 24 bits, built-in mics.

On an even night of april 2018, in a huge temple in bangkok -none of the famous ones-, i went to crash funerals -i truly recommend do this; people is very nice and the spectacle it's just amazing, you have singing, acrobatics, free food. . . This recording came from a taoist funeral -that night they have also some others in that temple -i need to find out which one, but i think it's next to sam sen subway station-, many, buddhist funerals. Just now, i realized the singing it's in mandarin. Over the funeral chatting, you heard the singer voice and the instrument, timbals, erhu. A very oriental ambiance. Not edited. Recorded with my old, and now quite cranky, zoom ii recorder.

You need customize samples?. Please email me here on freesound. Org or. Send me e-mail on: miss_roses@web. De with the subject "vocal samples". I will then read your e-mail and will see what i can do for your project and send you one answer. We can talk about the project also over whatsup. I speak meny languages and can surely speak with you. I will always also do make samples for you which you egasagtly needed or need aktually. I do this on my way and so that it works for your project, i will always give my best. We can try to so something very spezial and great!. So, please feal free to contact me!. Freesound friend roses.

A walk through ridley road market in dalston, east london. Lots of people chatting and music playing. As with many markets in london there are lots of languages being spoken. You can hear traders calling out what they're selling. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

A list of the 100 most commonly spoken words in the english language, according to wikipedia. Generated in audition using apple's plaintalk "zarvox" voice. Spoken in order of below:. The, be, to, of, and, a, in, that, have, i, it, for, not, on, with, he, as, you, do, at, this, but, his, by, from, they, we, say, her, she, or, an, will, my, one, all, would, there, their, what, so, up, out, if, about, who, get, which, go, me, when, make, can, like, time, no, just, him, know, take, people, into, year, your, good, some, could, them, see, other, than, then, now, look, only, come, its, over, think, also, back, after, use, two, how, our, work, first, well, way, even, new, want, because, any, these, give, day, most, us.

[Kde domov muj?] (The Czech National Anthem) [Where is my home?] Duration: 1 minute, 5 seconds PERFORMER(S) Jakubcin, Julia Name also documented as: Jacubcin, Julia NOTES The first stanza to this song, preceding the first stanza to the Slovak National Anthem, constituted the national anthem of the Czechoslovak Republic beginning in 1918. Since 1993, the first two stanzas of this song have served as the national anthem of the independent Czech Republic. The Slavia colony in Florida was established by Slovaks who had first settled in Cleveland in 1912. ETHNIC GROUP(S) Slovak Americans LANGUAGE(S) Czech INSTRUMENTATION vocals GENRE(S) Czech songs National anthems SPEAKER(S) Morris, Alton C. COLLECTED BY Morris, Alton C. CREATED/PUBLISHED 1939/09/01 LOCATION [St. Luke's Lutheran Church] Slavia, Florida Seminole County

I don't often go for fast food, but my bf thinks it's great. So; the counter girl looks exceedingly odd, as in pink hair, hook nose, wild eyes, no boobs, etc, and he orders what he wants with something at least close to this sound. She smiles and nods. He claims he got what he wanted. . . A big mac, no pickle. I asked him to repeat his order for my recorder. Three times. He did. All three were identical. It's possible he knew her and it's an inside joke. Or, maybe what he got was the default when they can't understand you. He is a linguist, which does not prove he spoke a real language. He also looks a little strange which does not add up to proof he's a venusian. That's what he said it was, and i couldn't stop laughing. It does prove he's entertaining, and he's pretty weird.

Stereo ambience of people passing by at the kulturforum in berlin. This is a large open concrete space next to the berlin philharmonic hall. It's a warm summer evening and the berlin philharmonics have just finished an open air concert. The recording starts about 15 minutes after the end of the concert while everyone is leaving the place, maybe about 1000-1500 people. The crowd is generally in a happy and talkative mood. There are lots of international folks and tourists, so you'll not only hear german, but also english and lots of other languages. After six minutes or so there is also a police siren in the background. Recorded with a zoom h6 (xy mics). In the same pack there is also a second recording starting directly at the end of the concert with people applauding. It is can be found here.

Another bahai prayer in farsi recorded at home on a minidisc of a friend of mine singing the following prayer: (translation)o thou art turning thy face towards god! close thine eyes to all else, and open them to the realm of the all glorious. Ask whatsoever thou wishest of him alone; seek whatsoever thou seekest from him alone. With a look he granteth a hundred thousand hopes. He healeth a hundred thousand incurable ills, with a nod he layeth balm on every wound, with a glimpse. He freeth the hearts from the shackles of grif. He doeth as he doeth, and what recourse have we? he carrieth out his will, he ordaineth what he pleaseth. Then better for thee to bow down thy head in submission, and put thy trust in the all mercifull lord. The language is old fashioned because the bahai have special requirements about maintaining the integrity of their texts. It is a verbatim quote from an english prayer book. In farsi, for instance, i believe that the masculine gender of god is absent and is really non-specific.

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains. Tradycyjna kongijska piosenka w języku lingala nagrana w 1931 roku podczas międzynarodowej wystawy kolonialnej (fr. exposition coloniale internationale) w Paryżu. Čeština: Tradiční píseň z Konga v jazyce ngalština předváděná v roce 1931 na výstavě Paris Colonial Exposition v Paříži. Traditional Congolese song in Lingala recorded in 1931 at the Paris Colonial Exposition. Македонски: Конгоанска народна песна на јазикот лингала. Снимка од Париската колонијална изложба, 1931 г. Традиционная конголезская песня на лингала, записанная в 1931 году на Парижской колониальной выставке.

March of the Chamber of Deputies of the Ottoman Empire; the original Turkish lyrics are below (only verses 1 and 3 are in this recording): Türkçe: Osmanlı Meclis-i Mebusan'ın marşı; orijinal Türkçe marş sözleri aşağıdadır (sadece 1. ve 3. mısra bu kayıtda vardır): Lyrics Osmanlılar bugün oldu muzaffer, Fethetti yeniden vatanı asker, Açtı mebuslara yolu süngüler, Yaşasın Niyazi, yaşasın Enver! Gökyüzünde şühedanın hayali, Alkışlıyor sanki ruhi Kemali Ah, ölmeden görmeliydi bu hali, Kıymetli, muhterem vatanperver, Al bayraklar bulutları sarıyor, Şenliğimiz asumana varıyor, Mazlumlara, zalimler yalvarıyor, Hey Allah'ım bu nasıl ruzi mahşer? Uyan Midhat, uyan geldi zamanın, Tutsun dünyaları şöhret ve şanın, Sen bulun önünde şu Mebusanın, Artık yaşa evladınla beraber.

Latina: O gloriosa Domina excelsa supra sidera qui te creavit provide lactasti sacrato ubere. Quod Eva tristis abstulit, tu reddis almo germine, intrent ut astra flebiles, sternis benigna semitam. Tu regis alti ianua et aula lucis fulgida, vitam datam per Virginem, gentes redemptae, plaudite. Patri sit et Paraclito tuoque Nato gloria, qui veste te mirabili circumdederunt gratiae. Du große Herrin, schönste Frau, Gotteslob (2013) 648Reimübertragung (R.F.): O Herrin in der Herrlichkeit, erhoben über Raum und Zeit, der dich zum Heil erschaffen hat, er wurd’ an deinen Brüsten satt. Die Sünde, die durch Eva kam, du trugst ihn, der sie von uns nahm. So bahnst du uns durchs Endgericht den Weg zum Himmel und zum Licht. Du bist die Tür, da Einzug hält der Friedenskönig in die Welt. Vom Leben, das die Jungfrau bringt, erlöste Völker, sagt und singt! Ruhm sei dem Vater und dem Geist und Gott dem Sohn, der dein Sohn heißt. Dem einen Gott, der dich erhob und krönte, ihm sei ewig Lob.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.