1,226 Royalty-Free Audio Tracks for "Large"

Here's a non-realistic sound of a nuclear explosion. I've created this for my presentation at sonoj convention 2018:https://youtu. Be/phot0a2xglw. I've removed elements of the sound that were very specific to my use-case to make it more suitable for general use. The sound was made with only open-source software and linux. Namely:. - ardour 5. 12 (daw)- zynaddsubfx (synthesizer)- lots of sound of trash being thrown around i've recorded- open-source audio plugins: calf, mverb, magigaverb, eq10q, airwindows, wolf shaper and more. . .

A stereo field recording of hundreds of several species of frogs at spring in raleigh, nc. Recorded at a very large concrete stormwater retention pond. The tall concrete walls made a nice effect acoustically. There are a few other faint sounds such as my dog walking around, a bit of wind and a car door as the pond was next to a parking garage. But, the frogs definitely dominate. I recorded this with an olympus ls-11.

A large group of atlantic spotted dolphins (stenella frontalis) recorded during a whale-watching boat trip off the harbour of valle gran rey on the island of la gomera, canary islands, spain, 2017-03-11. The first part was recorded with a zoom2 recorder from the boat, you can hear the dolpins breathing. Then the recording was switched to an underwater hydrophone so you can hear the sounds the animals make.

This is a first in a series of noises from machines. I work at a company that prints and packages things like decals and parts on cars. This is the noise of the printer making some sort of thumping noise, as it was broken at the time and hadn’t gotten to be fixed. If you’re wondering what hat terrible whirring is in the background, that is the combined noise of about a dozen large machines operating as well as the ac and it’s pretty commonplace there. Sorry about that, hope you can still use the recording anyway :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Sgak__lion. Wav.

I had a little job which involved a cat drinking. . But first i had to record the bowl being put down. . . I placed the bowl down a few times - captured with correct room sound required. . To my amazement my cat decided to do somethign useful and actually came up to the bowl and started drinking the water. . . . . . Unfortunately i wasnt close mic'd - but my little booth is pretty quiet. . . . So thankyou oscar! you finally got a job to help pay for all those biscuits! technically he was no where near the large diaphragm cap mic , focusrite pre or motu 2408 :p.

This is a soundscape i made for a large scale art and oral history event for light night in liverpool. It was designed to create the texture of a working docks in liverpool in the 50's & 60's. Some of my sounds from a tascam dr-07 mkii. Plusprops to these sounds to adding to the mix. 98479__juskiddink__flock-of-seagulls72805__lg__steam-whistle-090518106111__thatjeffcarter__clanking-warehouse-combined-stereo145721__rmutt__mooring-rope171376__klankbeeld__container-port-01213600__genghis-attenborough__train222037__sailor55__marinepiledriver-sel244233__ikbenraar__car-ferry-terminal-dover. Cheers. Gav. Http://gavcross. Co. Uk/time-liners-and-light-night-liverpool/. Let me know if you use this - just out of intrigue!.

These recordings were made at the annual "tag der sachsen" (saxony fair) in freiberg. Recordings were done on the main market square (obermarkt), where a local radio station had set up a large stage for concerts and other events. Recording was done with a zoom h2, mics at 90° dispersion. This is the early morning after the event, at about 7. 30, stage hands are taking down the rigging, workers are clearing away trash and loading trucks. During the recording, someone starts working with a leaf blower.

Erm, i rolled a hard boiled egg around in a large ceramic fruit bowl. . . For a project. I used a stereo pair of fel 'clippy' mics and recorded onto a sounddevices mixpre-6. Some light noise reduction and normalizing using izotope. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

An early spring bird-recording trip turned into a surprise, steady rain. (*actually, it should not have been a surprise, i just was too lazy to check the weather before i went out exploring nature!). I set up my zoom h4n recorder partially under a picnic table and recorded this wonderful, peaceful light rain falling in a small field of very large white pines, which were growing on a penninsula of a small lake. Every now and then you will hear a bird singing out. Again, recorded using my handy zoom h4n recorder with the built-in stereo microphones. Enjoy. Kevin.

Moderately flowing stream - jack creek in central oregon's cascade mountains flows out of the ground at the base of three fingered jack mountain. The water comes from a glacier on the mountain a couple of miles from where multiple springs create the large creek bubbling up from the dry ground. This recording was done several hundred feet downstream where the creek was already about 50 wide and only about a foot deep. Here's a picture taken just upstream from the sound location, near where the creek flows from the ground. Https://drive. Google. Com/file/d/0b0qp0_ocueigt1bxchjflw4touk/view?usp=sharing.

While recording birds at the south sutor above cromarty, black isle, highlands, scotland on may 7th 2014 about 3pm a raf sea king came along to practice cliff rescues nearby to my annoyance so recorded it instead. It hovered behind the trees nearby before heading towards the cliff did a lower and lift and then swept round in large circle before heading back over the sea to the base at lossiemouth. Recorded using a zoom h2n recorder and software provided with recorder called wavelab. No alteration or special effects used.

Thunderstorm, late night with rain falling on a quiet urban neighborhood side street of a large u. S. City. 4:30. The rain decreases over the recording. Good bits of distant thunder. Distant sirens in the last half of the recording. Some distant traffic noise, and a couple of cars passing close. I didn't notice until afterwards that i had the recorder set in mp3 format. Given another chance i'd redo as a 48/24 wav, but it doesn't rain all that often here, and the quality on this recording is still very good, 192kbps. Zoom h4n - mp3 - 44. 1/16.

Surround recording of the main square in diocletian's palace in the old center of split in croatia. It is a summer afternoon, flying swallows can be heard and the place is teeming with tourists from all nations sitting and drinking coffee or listening to a group of folk singers which can be heard in the distant background. Part of the square is covered with a large wooden porch, making quite a clatter as the tourists walk over it. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.

I accidentally recorded this sequence when i left my camcorder on while filming some drawing tutorials. My warehouse style studio is in the inner city at street level opening onto a street closure/park so you will hear some faint bird tweeting in the background. Near the beginning and end there is the sound of a large industrial sliding door and the loud clanging is a drop bolt on an external metal security grill gate. Wind blown chimes add to the scene. I only applied a very low level audio clean-up using adobe soundbooth cs3 to reduce hiss.

The very unique call of the cuckoo recording on may 23rd, 2015 in southern illinois. This "singing" sounds like nothing else in the forest. They are not very common in this part of the country, so, i am very very fortunate to have captured this primal call on " tape ". Equipment used: marantz pmd661, with stereo samson co-2 microphones mounted on a tripod about 4 feet from the ground. I was set up on a trail on the edge of a large forested area which eventually leads down to a huge lake. Recorded around 6:30pm on a mild evening--partly cloudy and temp was 74 degrees.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: marimba_hit_outrigger_b2_loud_01. Wavinstrument family: percussioninstrument: marimbanote: b3midi note: 59midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pairperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: timpani1_hit_v1_rr1_sum. Wavinstrument family: percussioninstrument: timpaninote: f2midi note: 42midi velocity (center): 40location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: anvil_hit1_v1_sum. Wavinstrument: percussionnote: f#4midi note: 67midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, at pro 37's overhead, se2200aii closeperformer: justin b. Belanger.

The erhu (chinese: 二胡; pinyin: èrhú; [ɑɻ˥˩xu˧˥]) is a two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a southern fiddle, and sometimes known in the western world as the chinese violin or a chinese two-stringed fiddle. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of china. A very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as in pop, rock, jazz, etc. And makes a calm sound.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_susvib_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: vibrato sustainnote: a#4midi note: 70midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tenortbn_stac_a#0_v1_rr1. Wavinstrument family: brassinstrument: tenor trombonearticulation: staccatonote: a#1midi note: 34midi velocity (center): 15location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tenortbn_vib_c3_v1_1. Wavinstrument family: brassinstrument: tenor trombonearticulation: vibrato sustainnote: c4midi note: 60midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tenortbn_sus_a#1_v1_1. Wavinstrument family: brassinstrument: tenor trombonearticulation: sustainnote: a#2midi note: 46midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_stac_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: staccatonote: a#4midi note: 70midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tuba3_stac_a#0_v1_rr1_sum. Wavinstrument family: brassinstrument: tubaarticulation: staccatonote: a#1midi note: 34midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_sus_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: sustainnote: a#4midi note: 70midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tuba3_sus_a#1_v1_rr1_mid. Wavinstrument family: brassinstrument: tubaarticulation: sustainnote: a#2midi note: 46midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: timpani2_roll_v3_rr1_sum. Wavinstrument family: percussioninstrument: timpaniarticulation: rollsnote: a#2midi note: 46midi velocity (center): 40location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tb_hit_f5_v3_rr1. Wavinstrument family: percussioninstrument: tubular bellsnote: e#5midi note: 77midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: dcclar_stac_a#2_v1_rr1_sum. Wavinstrument family: woodwindsinstrument: clarinetarticulation: staccatonote: a#3midi note: 58midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, 1 royer r-101 close, 2x sdc's xy farperformer: dean coutsouridis.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: dcclar_suslong_a#2_v1_rr1_sum. Wavinstrument family: woodwindsinstrument: clarinetarticulation: long sustainnote: a#3midi note: 58midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, 1 royer r-101 close, 2x sdc's xy farperformer: dean coutsouridis.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_harmonm-sus_a#2_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: harmon mute sustainnote: a#3midi note: 58midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_straightm-sus_a#2_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: straight mute sustainnote: a#3midi note: 58midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

A very typical sound-scape of an open field, bordered by the large shawnee national forest. A warm day in june, with a lot of birds, and, if you listen to the higher frequencies, in the background always there, are the ever-present insects. Recorded in june 2009 around 11:00 in the morning. Tempurature was about 78 degrees and not a cloud in the sky. This is also interesting in that it shows how, early in the summer, the bird vocalizations often are louder than the insects, but, as the summer goes on, this is reversed. . Listen to my insect recording from july and you'll see/hear what i mean. Equipment used: zoom h4n recorder, using the internal built-in microphones.

A soft and subtle, unedited sound recording from my studio in leeds. On the top floor of my terraced house, i have a large window that opens out onto a quiet street in north leeds. A school is nearby, so there are some elements of children screaming, but overall you get a nice wash of bird song, quiet car sounds and mild wind. This recording would be excellent for atmospheric sound for film, tv or whatever else. Feel free to use this sample and contact me if you want some extended recordings as i'm planning on recording a few more field studies from my area, which is lovely and removed from the main city.

Made from taking two large atx (the form factor, the chassis) computer panels (that i havent used in quite some time), rubbing the entirety of them together quite brashly (one is on the ground), keeping the recorder on xy setup in my other hand in unison then dropping them onto each other. Inside of reaper, i begin changing the rate and pitching them down and applied saturation, distortion and reverberation gave them a very clean effect of a decrepit gate shutting down. Good for trapping your enemies in a battle to the death for which the title is inspired from; one of those tension moments a person in a film/game finds themselves in.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. This was recorded in the burbank town center food-court area. I was careful to avoid specific conversation for legal purposes. There was a cranky baby nearby, so you get an occasional frantic cry. This would be perfect for any project taking place in a large, public center with a tile or stone floor and lots of movement. Enjoy,. Christopher c. Courter.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

Chinese restaurant (portugal) about 10 x 10 mts large with 20 people inside. Sunday 9pm. Chatter (portuguese + other), chairs dragging, some noise from the street behind the big glass window in front; noise from the kitchen (cutting vegetables on wood, frying on wok, chatter in chinese). Mic pointing at the center of the room. In front a big avenue (door closed). On my right/behind is the kitchen on an open space. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

A peaceful, drowsy-ish recording of a midwestern usa large field bordered by heavy forest. This was recorded in mid summer, on a very hot day. Temperature was 90 degrees, but, with 45% humidity it was manageable. The good thing about this recording is i was far enough away from humanity's engines to get no cars, no boats, no loud. . . . Anything. Well, except the insect chorus. This is the time of year in illinois that autumn is getting imperceptibly closer. The skies are clearer blue with less humidity. . . A few trees had red leaves. Nature taking a breather. Recorded at 2:30pm on thursday august 26, 2022 using a mixpre 6 recorder. Left channel: rode nt5 cardioid microphone. Right channel: sennheiser mkh 416 microphone.

Electrical server sounds recorded and sampled from field recording. Mastered and edited through daw software, logic pro x. Theme: sci-fi, horror, ambient, scary, dark, drone, metallic and futuristic. Industrial: electric server, noise. Sizzle, machine, machine gear, mechanics, reverb, large room, scary. These sounds were sampled, recorded and mastered through the digital audio workstation (daw), ‘logic pro x’. This pack is a collection of ambient sounds stylised on an industrial soundscape. Sampling equipment is a ‘htc desire’ (phone). For donation purposes, you can buy my other work here ($4) : https://msfx. Bandcamp. Com/. For non-attribution licensing: send me a private message. Made by msfx.

A stark soundscape of the icy wind swooshing through dry oak leaves on the edge of a midwestern lake. Plus, as an added bonus, from out of nowhere two fast-moving canada geese come storming through at only about 25 feet from where i was standing!. I was very lucky because they are so close that at some point during this recording, you can actually hear the sound of the wind being pummeled by the beating of the geese's very large, strong wings. Equipment: sound devices mixpre-6 and sennheiser mkh 416 inside a blimp. Recorded on monday december 28 2020 around 1:30 in the afternoon. Outside temp was 37 degrees and the wind was blowing steady at 10 to 15 miles an hour.

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

I recorded these sounds in three different offices. This is the result of them mixed, because i had an order for a sound like that for a film that was a scene of a noisy office as well, because it had many people working together. The recording was very good, was originally obtained on a machine with 8 channels of 8 large diaphragm microphones positioned to cover all recording environments. -----------------------gravei esses sons em tres escritórios diferentes. Este é o resultado deles mixados , porque eu tinha uma encomenda de um som assim para um filme que a cena era de um escritório bem barulhento, porque nela haviam muitas pessoas trabalhando juntas. A gravação ficou muito boa, originalmente foi obtida em uma maquina de 8 canais com 8 microfones de diafragma grande posicionados de forma a cobrir todo os ambientes a gravar.

A small group of people collected hay on a meadow by means of sweeping the hay into mounds and placing it on hay racks by means of pitchforks. A couple of guys set up hay racks by knocking a sharp, short pole obliquely into the ground to be used as support. Next, they used a crowbar to make holes in the ground for the large poles which were assembled in a row. Finally, a short oblique pole was knocked into the ground on the other side of the high poles and steel wire was attached t one of the oblique poles,then attached to the long poles by one loop on each pole until it was attached to the oblique pole at the other end. Birds were singing and sheep with bells were grazing nearby.

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

This is a precise emulation of the audible time signal broadcast by radio station wwv of the nist in the usa on shortwave. This recording was produced via a program i wrote that emulates the time signal and recreates it from scratch, but it conforms precisely to the specs of the real signal. The only part missing is the voice announcement of the time, which, in the real broadcast, is made during the last fifteen seconds of each minute (which is why the tone changes to just clicks during that time). There are two minutes in the recording, but it should be easy to loop it or otherwise modify it for other durations. Since this audio file was computer-generated from scratch, it contains no noise, but the real broadcast has some static and noise, especially at large distances from the transmitter in colorado. Generated by special software / 48. 1 khz 16-bit stereo.