1,008 Royalty-Free Audio Tracks for "Time Signal"

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

10 beats in 2/4 versus 5/4 and 15 beats in 3/4 versus 5/4. Multiples of two divide 2/4 evenly, and multiples of three divide 3/4 evenly (neither depiction requires ties), but neither divides 5/4 evenly (both depictions require ties). At, say, quarter note = 150 bpm and quarter note = 225 bpm, respectively, the first pair and the second pair are identical.

Stop-time in Scott Joplin's "Stoptime Rag" (1910).

Stop-time in Dan Emmett's "Aunt Dinah's Wedding Dance" (1895) second break down strain

Stop-time in Dan Emmett's "Aunt Dinah's Wedding Dance" (1895) first break down strain

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

When The Mockingbirds Are Singing In The Wildwood by Frank C. Stanley

Kochanie by Orkiestra Polska.

author: Wikipit source: self recorded description: This is the "Westminster" and the one o´clock sound of a rod gong from clockwork produced by Kieninger/Germany date: 2005-12-17

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

Basic half time shuffle.

Reggae one drop pattern, half-time variation.

When The Mockingbirds Are Singing In The Wildwood by Frank C. Stanley

This is a precise emulation of the audible time signal broadcast by radio station wwv of the nist in the usa on shortwave. This recording was produced via a program i wrote that emulates the time signal and recreates it from scratch, but it conforms precisely to the specs of the real signal. The only part missing is the voice announcement of the time, which, in the real broadcast, is made during the last fifteen seconds of each minute (which is why the tone changes to just clicks during that time). There are two minutes in the recording, but it should be easy to loop it or otherwise modify it for other durations. Since this audio file was computer-generated from scratch, it contains no noise, but the real broadcast has some static and noise, especially at large distances from the transmitter in colorado. Generated by special software / 48. 1 khz 16-bit stereo.

Bury Me Out on the Prairie by Bradley Kincaid. I'm not quite sure if this is the Gennett cut from 1928 or if it's a later Brunswick recording. Bury Me Out on the Prairie von Bradley Kincaid. Es ist nicht sicher, ob dies die Gennett-Aufnahme von 1928 oder eine spätere Brunswick-Einspielung ist.

Horace Weston's Old Time Jig, March 3 2010 by Lucas Gonze

1909 - It Happened in Nordland by Victor Herbert Orchestra

Talk About Suffering by Lucas Gonze

1913 - Ruy Blas Overture (Mendelssohn) by Victor Herbert Orchestra

Death Valley Waltz by Lucas Gonze

Edison 3497 4-minute cylinder 1918

Emmet's Cuckoo Song by George P. Watson

Ghost Solos by Lucas Gonze

Dodworth's Five Step (October 22, 2010) by Lucas Gonze

Frog In The Well by Lucas Gonze

The traditional bluegrass song Footprints In The Snow, performed by Cliff Carlisle (vocals, steel guitar) and his brother Bill Carlisle (guitar)

Traditional Greek song. Performer: Athanasia Atraidou. Orthophonic record n° S-737 [1]

Traditional song from Iraq performed by Badria Anwar [1]

Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.

Pie Plant Pete performs the song Hand Me Down My Walking Cane, recorded around 1929 probably for Gennett Records.

Palm Leaf Rag' (1903), by Scott Joplin

Palm Leaf Rag' (1903), by Scott Joplin

Čeština: ragtime Scotta Joplina

Čeština: ragtime Scotta Joplina

1909 - Little Nemo selection by Victor Herbert Orchestra

Čeština: Fig Leaf Rag - Scott Joplin, ragtime

Irish music performed by James Morrison. Columbia record n° 33108-F. Matrix n° 106431.

Traditional music from Anatolia played on zurna by Emin Efendi. Polydor record matrix n° 1106 BN. [1]

Traditional song from Argentina sung by Juan Rodríguez. Disco Electra n° 153. Matrix n° 815. [1]

Arrah Wanna by Billy Murray for Victor Records

A record of WNOX's Tennessee Barn Dance airing every saturday night. Emcee was Lowell Blanchard. The first tune to hear on this recording is the theme song "Gonna Raise A Ruckus Tonight", later Larry Mathis plays the "Dixie Breakdown" with the barn dance band. Ein Ausschnitt aus dem WNOX Tennessee Barn Dance, der jedeb Samstanabend gesendet wurde. Moderator war Lowell Blanchard. Der erste Titel in dieser Aufnahme ist "Gonna Raise A Ruckus Tonight". Später spielt Larry Mathis zusammen mit der Hausband den "Dixie Breakdown".

Traditional Basque music performed by Miguel Sagastume and Toribia Narbaiza . Columbia record n° A 5181. Matrix n° C 8156-2. [1]

Traditional gamelan recorded in Bali. Odeon record A20476. Matrix Jab 555 [1]. Jedno z pierwszych nagrań balijskiego gamelanu.. Čeština: Jedna z prvních nahrávek hudby orchestru bicích nástrojů tradiční indonéské hudby gamelan z ostrova Bali z roku 1928. Македонски: Една од првите снимки на балискиот инструмент гамелан, направена во 1928 г. ไทย: หนึ่งในการบันทึกเสียงครั้งแรกของเครื่องดนตรีกาเมลันของชาวบาหลี เมื่อ พ.ศ. ๒๔๗๑

Traditional flamenco performed by Pilar Calvo y Luis Maravilla. La Voz de su Amo record n° GY 762. Matrix n° OKA 1279 [1].

Scott Joplin's "The Entertainer", published in 1902 and performed here by James Brigham in 2018.

Argentina folk music played by Rafael Iriarte and Rosendo Pesoa.Disco Nacional n° 9610. Matrix n° E 1901 [1].

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]