719 Royalty-Free Audio Tracks for "Left"

I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.

Left over piano/melody loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

Left over drum loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

Left over melody loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Johann Sebastian Bach  (1685–1750)      

Prayer calls for the evening prayer "maghrib", around 20h45. Recorded in the city of istanbul (turkey), close to the pera street. Sound recorded by a ms setup schoeps microphone ccm41+ccm8sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in june 2012sound reference: @vea120617t42. The same sound is available on soundcloud:http://soundcloud. Com/felixblume/istanbul-appel-priere. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

Recording of some new year's celebrations in vienna. Captured using a clippy stereo em172 microphone and a zoom h5 handheld recorder. I positioned the microphone capsules outside the window on the left and right and then gently (almost) closed it. I setup the recorder and rolled the whole evening. This bit was around the apex of the celebrations in that part of town. Sadly some clipping occured, but i chose to upload the unaltered file. So no post-processing has been applied. Cut in ocenaudio. Enjoy!. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

Recording of a passenger train approaching from the right side and then stopping. It was taken on may 30th 2017. Captured from the platform using a zoom h5 handheld recorder and the corresponding stereo xy-capsule. Cuts and minor fades at the beginning and end have been applied using ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

A high quality recording with a solid collection of various snow footstep sounds. There's sounds of slow walking, fast walking, running, jumping and kicking the snow. You should be able to get pretty much all you need for a game or a film in this recording regarding feet and snow. Recorded with a zoom h2 at 96 khz / 24-bit, truncated and saved to flac using audacity. I left some silence n the start if you want to denoise it yourself, but i think it shouldn't be necessary. It was really quiet.

A recording in the midwestern forest made on sunday september 27th, 2015 around 3:00pm in early autumn. At this time of the year a lot of the summer neo-tropical migrant songbirds either have left for their winter home, or, are quieting down and preparing to leave. During this transition period in early fall the woods are not as loud as, say, three weeks ago. Even the insects seem subdued. At around 12 seconds into this recording you hear the squeaky call of a tree-frog. Recording made with marantz pmd661 and two sennheiser me-66 microphones mounted on a tripod about 4 feet above the ground.

I accidentally recorded this sequence when i left my camcorder on while filming some drawing tutorials. My warehouse style studio is in the inner city at street level opening onto a street closure/park so you will hear some faint bird tweeting in the background. Near the beginning and end there is the sound of a large industrial sliding door and the loud clanging is a drop bolt on an external metal security grill gate. Wind blown chimes add to the scene. I only applied a very low level audio clean-up using adobe soundbooth cs3 to reduce hiss.

Mexico city - street seller screaming to sell their merchandise till the whistling announcing the police, in mexico city historical center (close to zocalo. "correo mayor" street). Sound recorded by a zoom h4n with its internal xy microphonestereo left-rightrecorded in 2010same sound on soundcloud: https://soundcloud. Com/felixblume/mexico-vendeurs-ambulants. Download 100 sounds from mexico city in wave 48k 24b on bandcamp https://felixblume. Bandcamp. Com/album/disco-pirata-ciudad-de-m-xico.

This is a remix of: http://www. Freesound. Org/people/kyster/sounds/147984/made for continuum-2. I added the following samples:. Http://www. Freesound. Org/people/philippe%20b/sounds/27070/http://www. Freesound. Org/people/dobroide/sounds/29610/http://www. Freesound. Org/people/lex1975/sounds/123925/http://www. Freesound. Org/people/djgriffin/sounds/21215/http://www. Freesound. Org/people/djgriffin/sounds/21212/http://www. Freesound. Org/people/djgriffin/sounds/15488/. I cleaned sample 123925 from all the subway noise and added some reverb, added some chorus on djgriffin samples. I left some space to play for someone else and added a little something on the end. .

This is a recording made in italy in the province of rieti while i filmed everything, as i was returning home, then i left my apartment, then i took the elevator and went to the top floor where i then went up to the roof of my palace, then i took the elevator again and went downstairs out the door and then got into the car. This recording was done with the shure mv88 plus digital stereo microphone connected to my new iphone 12 pro.

A recording made, midday, on thursday december 8 2022 of a light, but very cold rain hitting the bare trees and the wet, brown leaves on the ground in a midwestern usa forest. Towards the end you'll be treated to a group of blue jays making a huge racket!other than that, no animal sounds at all. Just the slow, steady tip tip tap smack of raindrops falling from a cold-steel and gray sky. Recording made with sound devices mixpre-3 series ii, in 32 bit float mode. Left microphone- deity s mic 2sright microphone- sennheiser mkh 8020.

On the mountain chacaltaya, thunderstorm begin : lightning, thunderclap, snow and hail. . . Sound recorded by a ms setup schoeps ccm41+ccm8 with a cinela zephyx rain protectionsound devices 788t recorder with cl8ms is encoded in stereo left-rightrecorded in february 2014 in chacaltaya mountain, above la paz, bolivia. Sound reference: @sam140207016same sound on souncloud http://soundcloud. Com/felixblume/chacaltaya. More sounds on http://www. Felixblume. Com/. Please rate or comment the sound if you like it!.

Pacific tree frogs at night during mating season in british columbia. Slight wind sounds and occasional noises made by a black lab readjusting her feet on the concrete :-). Recording is mostly to the left but sometimes shifts a few degrees to the right, and the frog's build from only a few to dozens over the duration. Captured across the street from a water filled culvert in the southern gulf islands on an olympus ls7 portable digital recorder.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

One of autumn's most signature sounds is that of dry leaves skittering and tumbling as they ride along on a hard surface. In this case, the hard surface is asphalt. Hardly any other sound, just the strong autumn wind, and bunches of dried out sweet gum, maple and oak leaves racing across an asphalt parking lot. Think of it, also, as the sound from our youth, our careful youth when everything was achievable. At least for me, this brings me back to my happy place. Recorded on saturday october 17 2020 in an asphalt parking lot buffeted by gusts between 20 and 30 mph. Sound devices 702. Sennheiser mkh416 left channel, beyerdynamic m58 right channel.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Downloaded from the university of iowa electronic music studio. All samples are free. The uoi electronic music studio people ask you to consider a donation to the university's studio for their great recordings or to send them an email to inform them about what you've created with their work!http://theremin. Music. Uiowa. Edu/mispiano. Html. 84 notes. Unfortunately, gb7 is missing. . . Instrument pianomodel steinway & sons model bperformer evan mazunikdate november 5 & 27, 2001location 2017 voxman music buildingtechnician michael cashdistance left mic 8" above center bass strings right mic 8" above center treble stringsmicrophone neumann km 84mixer mackie 1402-vlzrecorder panasonic sv-3800 datformat 16-bit, 44. 1 khz, stereocomments stereo, non-anechoic recording.

Quiet urban residential area in tokyo at about 2 am in the late summer (october, i think). You can hear far off traffic, some night insects and a drunk guy who came to close to my hidden mics to take a whiz. Excluding the peeing guy, quiet parts are perfect for looping (for ambient background sounds in video or audio works). The peeing guy might actually be useful, so i didn't cut it out. Faithfully recorded with a stereo mic pair placed at a 90 degree angle. The left-right balance was adjusted and the stereo field was expanded later to fix the lopsided sided flatness of the original recording. Other than that, the recording is unprocessed.

A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.

Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.

Afternoon traffic ambiance hum on the street - field-recording taken from the yard/balcony in front of my door, in the distance you can hear the warning buzz from the tram and later its starting off from the tram stop nearby. Tram continues then to go from left to right channel, accompanied by some random people noise from the yard. Brno city center, czech republic, central europe. Recorded by huawei prime phone, which unfortunately makes some noise filtering itself. Recording date: 11. 04. 2019.

Two contact microphones recording an engine from a mini cooper s in sport mode. Surprisingly aggressive-sounding. Intended to use for a race car asset. Contact microphones are stethoscope-like mics that you place onto a surface to record vibrations. This way, i was able to record the raw engine without wind or perspective. The left channel is the chassis and the right is the engine block. . . Blending the two together produces a great sound. Free to use.

Potable hoover (vacuum as known in the states) powered-on. Portable vacuum cleaner turned on. Short sample which can be looped. Two samples are included, the first is about 30cm away from the microphone and the second is a close-up to the microphone. I would advice using the end of the audio file to apply noise removal however have left this upload of the sound unedited so you can tweak this yourself to find what fits your project best. Noise removal may not be necessary at all depending on how you incorporate the sound. Also to be fair, how do you add noise removal to what is essentially glorified white noise?.

My keurig coffee maker has been sounding a little rough so i decided to record it with my zoom h1n this morning as it made me a cup of coffee. It's the entire cycle with the general noise of a kitchen. Mainly you can hear my 20 year old fridge humming in the background during the quit parts of the keurig cycle. Don't plan on using it for anything, so have fun with it. The audio from when the coffee starts to pour into my cup is on the left side, so that was pretty cool to listen too on the headphones when i played it back.

My dog eating lefts of a pizza.

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 4th Movement (Part 2): Allegro Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 2nd Movement (Conclusion): Andante con moto Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 3rd Movement (Jolly Gathering of Country Folk): Allegro (Conclusion)and 4th Movement (Thunderstorm): Allegro Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 2nd Movement (Scene by the Brookside): Andante molto mosso (Part 2) Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 2nd Movement (Scene by the Brookside): Andante molto mosso (Conclusion) Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 3rd Movement (Jolly Gathering of Country Folk): Allegro (Part 1) Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Conclusion): Allegro con brio Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 2nd Movement (Part 2): Andante con moto Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 2nd Movement (Part 1): Andante con moto Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd movement (Conclusion): Allegro and 4th Movement (Part 1): Allegro Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Sound file of passage from "Adelaide" by Beethoven, the first bars of the allegro molto section. Digital recording made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Sound file of opening bars of "Adelaide" by Beethoven (piano reduction). Digital recording made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Description of collection :dji mavic mini 2 sounds. Recorded on a zoom h5 stock xy mic. No editing not even normalizing, just chopped up segments in audacity. I apologise some recordings may have footsteps sounds, and remote blips (maybe the latter is good and more authentic). Mic may have been places either pointing left-right, or up-down, or both pointing up. Microphone wasn't on the floor, but set on a bench. Recorded indoor. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).

I wanted to record the sound of a keyring - or rather the keys strapped to it - make while in mid-air. There are the keys audible, recorded hitting the stack of hay (soft landing) and air blowign into the mics while the recordied has high velocity. I was throwing my recorer with my left hand, while simultaneously throwing my keyring with my right hand. The throw was vertical and the landing zone was a pile of hay. I thing there are some interesting sound here, i'm uploading it unedited to make it possible to cut out whatever you like. Recorded with a flying zoom h2 at 48khz/24-bit, edited, nomalized and converted to flac using audacity.

Warning: careful when listening, it gets loud!. July 4th. Recorded in the midwest usa, where we adore our explosives. The omnis on my humble dr-05 did a pretty good job capturing the sheer depth of zillions of people blowing stuff up together :-). You’ll hear: people having a party in the distance, a bonfire crackling on the right, a distant train blowing its whistle, and of course a lot of explosions. A couple of the big bangs clipped, but unsurprisingly, it made no audible difference. I reduced to 48khz, 24 bit and normalized to -3. 0 db. It really wakes up when you apply some eq to your liking. But i left it as is for everybody.

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.