Some people praying into the "abbaye de la cambre" in brussels, belgium. They are praying "je vous salut marie" (in french). Sound recorded by a ms setup schoepsmicrophone ccm41+ccm8sound devices 302 mixerms is encoded in stereo left-rightrecorded in brussels in 2008. More sounds on http://www. Felixblume. Com. The same sound on soundcloud onhttp://soundcloud. Com/felixblume/priere. Please rate the sound or comment it if you like it !.
This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, second take is hanging up. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
This is the stereo file of the 4-ch thunder-file--> https://freesound. Org/s/367222/. The thunder is slow downed to 0,7speed and has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. ;-)the 4 channels are recorded in irt-cross technique so it is a 360° record. Ch1(left) = fl+rlch2(right) = fr+rr. _________________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.
This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.
Recorded during riding by attaching a zoom h4n at my left leg. The xy-microphone pointed vertically direction to the seat/engine, so no spectacular stereo-sound, but different sound timbre on l/r. The exhaust had a rusted hole so it's not the original vespa-sound but more rough. Different styles of driving. Including starter and switching off. No sound editing was made, so maybe you like to filter away low frequencies (some little wind was behind the shield).
A dog groaning, moaning, sniffing, panting and grunting. Close recording of a french bulldog in a house in mexico city. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8sound devices 552 mixer & recorderms is encoded in stereo left-rightrecorded en june 2011 / sound reference: 11y06m20-001. More sounds on http://www. Felixblume. Com. The same sound on sound cloud:http://soundcloud. Com/felixblume/bulldog. Please rate the sound or comment it if you like it !.
Mali, diafarabé - muezzin are calling for the morning prayer in the small village. . . Dogs are the first to answer!. Sound recorded by a ms setup sennheiser microphone mkh50@mkh30sound devices 302 mixer + minidisc recorderms is encoded in stereo left-rightrecorded in 2005. More sounds on http://www. Felixblume. Com. The same sound on soundcloud:http://soundcloud. Com/felixblume/appel-priere. Please rate the sound or comment it if you like it !. .
Switzerland, graubunden - at the surface of the lake, ice is melting and crisping…. Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 552 mixer + sound devices 744t recordermicrophone are into a zephyx windscreen really close to the ice in this casems is encoded in stereo left-rightrecorded in 2011. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
France, minervois - a summer thunderstorm, rain and thunder in the countryside(minervois, south of france, my homeland). Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2011. The same sound on soundcloud: http://soundcloud. Com/felixblume/minervois-orage. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Mexico, puebla. Roosters and dogs wake up in the small village of la preciosita. A morning in mexican countryside. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8cooper mixer + zoom h4n recorderms is encoded in stereo left-rightrecorded en 2009. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Morroco tangier - muezzin call at night in the center of the city. People and cars are moving around. Recorded from the top of a house. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8sound devices 442 mixer + zoom h4n recorderms is encoded in stereo left-rightrecorded en 2009. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Basic sound using reason 10. Modular. Edited and rendered in reaper. Loaded into morphagene. Output (left) into erbeverb to create stereo. This fed into dual lpg from buchla (thomas white eurorack version) voltage controlled by random wogglebug trigger into tempi and maths envelop and thence into mimeoophone and into mixer as stereo. Other stereo from morphagene direct through mixer to element 24 to re-edit and render in reaper. Mixer doepfer a-138bp (dual 4 track version). Please excuse the clicks - caused by the analog handling and slight clipping (i´ll do better next time, i promise :).
X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .
J. S. Bach - bwv 766 - partite diverse sopra: christ, der du bist der helle tagcomposed by j. S. Bach (1685-1750)performed by l franke, organlocality tölö churchdate 2018-08-09recorded with a zoom h1. I was sitting to the left in the church. I placed the recorder at the armrest pointing towards the alter. Like your ears usually are pointing forward when listening to the organ in a church. No post editing of the sound.
A fascinating recording of a warm, humid mid august day in the midwest. This recording was made on sunday august 11th, 2019 near a popular dog park in a small southern illinois town. In addition to the gentle droning of the insects, and occassional birds, you will hear some dogs barking at various times toward the end of the piece. I personally love the tremendous echo on this recording. Equipment used: sounddevices mixpre-6. Microphones: left channel, sennheiser mkh416right channel, rode ntg-2.
I left the recorder locked and unattended in the car whilst we went and did a bit of shopping. It was raining, breezy and the car was parked under a tree in a busy city centre car park next to a main road. You can hear cars passing at different speeds, the rain on the windscreen, doors opening and closing and muffled, distant voices. Zoom h1, internal mics, 50hz high pass at 6db/oct to reduce rumble.
Cars and buses passing by the recorder from left and right sides. Some very near to the recorder in the near lane, some in lanes at a distance. Recorded in brno at udolni street, using tascam recorder, windscreen and tripod. ---in case you use any of my sounds, i will be happy to be informed about it, although it is not necessary. Recording on request of similar sounds with different technical attitude, procedure or format is possible. Just let me know. Recorded in 2018.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.
At a baby shower and there are these awesome paper pom poms that sounded so amazing when you dragged them over your hand, like wind rustling stiff grass or dry leaves. Lots of variants of speed, direction to give you motion options in the stereo track. I'm sorry about all the wind pops, but if you're okay with a mono track, there are clean passes on both right and left. Recorded on a tascam-dr-40 and cleaned up in audacity. Production-now. Com - shout-outs welcome.
Usa california - dogs barking and birds singing in the red wood forest, close to san francisco. Road in the far background. Sound recorded by a ms setup sennheiser mkh50+mkh50sound devices 302 mixer + tascam recorderms is encoded in stereo left-rightrecorded in 2008. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Spain, madrid - voices, guitar and accordion in a street close to sabatini park. Some people passing by at afternoon in a walking area of the town. Sound recorded by a zoom h4n recorder with its internal stereo xy microphonesound is in stereo left-rightrecorded in 2009. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Pretty cool vocal i made for my dubstep track. Maybe someone else might find it useful as well. :)it's loopable, but i left a bit of space at the end for the reverb, so you might want to chop it first, if you're going to loop it. 140 bpm, e minor (probably). Btw i'd be really happy, if you show me what you made with this, but that's fully optional. :d.
This is a sequence of bass notes created using vst instrument alchemy on preset dancetrance/ leads/ higher states. Run through ohm boys lfo delay and sequenced at 102bpm at a#3. Works well with my 'break away 102' breaks. The best way to loop this is to take the last two breaks of the sequence and loop those as the effects roll nicely into each other. I've left the ending part in if you want to let it fade out smoothly into your sequence as the bassline ends.
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.
Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.
Shell casings being dropped onto a tiled floor. I got some shell casings from a local shooting range and recorded the sound of various sized casings bouncing on a tiled floor. I used a usb condenser mic (samson co1u pro) with audacity. The section of floor i dropped the shells onto was surrounded by acoustic panels to dampen the echos. A couple times the casing bounced into the mic stand, but i've left them in because they're still useful. There was some background noise caused by my computer which i removed with audacity.
Left over piano/melody loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.
I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.
- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.
A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.
Front l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the rear l+r channels of this 4 channel recording.
Rear l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the front l+r channels of this 4 channel recording.
Ukraine - slavutich. A car is announcing the circus in the small town of slavutich (close to chernobyl). Sound recorded by a ms setup schoeps microphone ccm41+ccm8sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2010. You can find the same sound in ms (not encoded) and a bit longer on http://www. Freesound. Org/people/felix. Blume/sounds/117268/. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Belgium, brussels - hum of voices in a theater during the intermission of a concert. Around 500 persons in the theater hall. Recorded in the studio4 of flagey theater (brussels). Sound recorded by a xy ortbf setup with schoeps microphone cmc6+mk4sound devices 552 mixer + sound devices 744t recorderms is in stereo left-rightrecorded in dec 2011. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
New years eve in peru: fireworks, fire-crackers and rockets to celebrate the new year (pisco, peru, 2012). Sound recorded by a ms setup schoepsmicrophone ccm41+ccm8sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2012. You can find the 2011 new year eve in venezuela on: http://www. Freesound. Org/people/felix. Blume/sounds/131921. More sounds on http://www. Felixblume. Com. Please rate or comment the sound if you like it!.
Finally, my first contribution to freesound. Org. I'd be interested to know where you use this. There was a single hornet airshow in kuopio harbour today. Recorded the whole seven to eight minutes long show in a relatively secluded location, so there is minimal to none audience in the recording. I left half a minutes of ambient recording to both ends of the recording. Recording device: sony pcm-m10recording format: 24 bit, 48. 0 khz, stereo pcm, wav.
A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.
This is an ambient recording of the late night crowd of kids at 14th street unions square nyc. It's where the market usually is during the day. There is some traffic present but it's mostly about the voices and energy of teens. You can hear the clack and roll of skate boards, voices and gritty near by footsteps. The file contains walla quality voices and up close stuff that you can understand. It is a tad left heavy so you may have to adjust if you are using it for stereo.
