648 Royalty-Free Audio Tracks for "Level"

A pedestrian crossing in the inner city of stockholm/sweden, on the intersection of the mäster samuelsgatan and the drottinggatan. It is a rainy afternoon and there is a fair amount of pedestrian and automobile traffic underway. The recorder is on street level, pedestrians can be heard speaking swedish, german, russian and a variety of other languages. Near the end of the recording, a can rolls across the pavement near the crossing. Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.

This is an aif (garage band) file of just good ol' tape hiss recorded from a jvc tape machine (cassette). It's just tape hiss. You can change the freq to help blend it in your recordings. I have the volume on this at a higher level. When i blend this with my digital recordings i turn it down just enough to hear it without it being too analog sounding. Hope you can use it. It's great for soft passes and solo instruments, much like white noise of a studio perhaps.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

Sound of a small hummingbird recorded by the NPS. Public domain sound so have fun with it.

Recorded on the shortest day of the year at the edge of a lake where the wind was gusting from the south at 15 to 20 miles an hour. At the beginning you hear some geese in the distance. This recording was made using my sony pcm m-10 with it's internal microphones set to level 5 input volume. I actually placed the recorder, carefully, in a crook of some branches in an oak tree about 5 feet above the ground---very near a big clump of dead and brown oak leaves. . . . This gives you that wonderful sound of the wind hissing through the leaves.

[flamethrower_shot. Wav]. Electric shot, or death sound effect!. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording is about 16 fps. Microphone was facing the roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 4. 05 and becomes free of the last roller at 4. 09, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

A high-quality recording of a quiet day on the steps in front of the st. Ursen cathedral in solothurn, switzerland. You can hear the two fountains which build the background sound. Also, there are tourists and swiss people walking nearby and talking. The sound was recorded in 24bit on a professional zoom recorder with the xyh-5 stereo microphone. For postprocessing, only unwanted noises were cut from the recording and the overall sound level was raised.

The morning after christmas 2022 on hood canal. There was a king tide that came up over the stone wall. A king tide occurs when the sun, moon, and earth are in alignment and the combined gravitational pull causes water levels to rise dramatically. I took this recording right next to the pilings where the dock is connected. You can hear the water hitting the metal and wood as it knocks it around. The water eventually washed over the road.

Create chirp 0 use audacity:. • file→new. • generate→chirp. . . - waveform: sine- startfrequency: 500amplitude: 1- endfrequency: 1100amplitude: 1- interpolation: linear- duration 00h 00m 02. 000s. • effect→fade out. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 10. 0. • effect→change speed…- speed muliplier: 2. 000. Create silence sound• file→new• generate→silence…. -duration: 0. 02s. • edit→copy (all). Return to chirp sound. Between every sin shape, paste 0. 02s silence.

Bird song of the Hermit Thrush. The Hermit Thrush is the state bird of Virginia, and has often been attributed to poetry.

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording begins at about 12 fps. Microphone was facing the non-roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the gate at 4. 37 and becomes free of the last roller at 4. 40, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was about 9 fps. Microphone was facing the gate of the projector, 10 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 7. 10, exits the gate at 7. 22, and becomes free of the last roller at 7. 30, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

[high_score_01. Wav]. High score!. This sound can for example be used in games, for example triggered when the player has reached a new high score - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Here you can listen to a bike, then a car, by night, on the same straight desert wet road. Note the differences of the sound duration and the sound volume. The night is quite silent, only some discreet water drops. The road is wet. Same mic position (10m high in a metelilic structure 10m from the road), same record level. Recorded with 2 clippy em172 in an ab setuprecorded on zoom f3, originaly recorded at 32bits floatwave stereo, 24bits, 48khz. France, nov2022.

Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).

Stereo recording of a steam train leaving moor street station in birmingham in the direction of snow hill station, going into a short tunnel as soon as the engine leaves the platform. 4-6-0 hall class locomotive pulling a train of vintage carriages. Steam hiss, guard's whistle clearing the driver to leave the platform, coal being shovelled into furnace, piston starts to move, speeds up, train whistle (brief), sound of the steam locomotive fades and carriage bogey noise. Recorded on a zoom h2 with built in microphones, in 'mid' sensitivity level, hand held.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

[high_score_02. Wav]. High score!. This sound can for example be used in games, for example triggered when the player has reached a new high score - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.

A sample from a quick flight that i took with a friend on september 8th, 2015. Audio was recorded with a zoom h5. You can hear the engine start, then we idle on the runway for a bit, and you'll hear us make a proper takeoff at about 13:30. After that it generally sounds the same. You'll hear when i crank the level down after takeoff, but you'll be able to easily compensate for it if you're serious about needing sustained flight noise for a small plane. The plane was a 1964 cessna 172e and were flying around vancouver, bc.

4ch surround recording of the intersection of the opernring and kärntener straße in vienna/austria. The recording was conducted close range at street level directly at the intersection by a tram line, the rear mics, featured in this file, are pointing onto the sidewalk, away from the street, at a right angle. The close range affords very detailed reproduction of vehicle and tire noises, as well as the tram driving by the mics at the end of the recording. Recording conducted with a zoom h2. These are the rear channels, mics set to 120° dispersion.

Field-recording of the creek found in old ellicot city, md. The creek is located in a suburban town, and is surrounded by a man-made rock moat about a story below street level. Recorded using a sony pcm-m10 at 24bit, 96k. The sound has been gently processed!!- hpf (6db slope) to remove rumble- compressor (ni supercharger gtx) with a minimal 1db gain reduction in m/s mode and a bit of warmth added. - ozone 5 for a little m/s eq to alleviate some of the watery pops on the sides and a little stereo widening to compensate for the pcm-m10's built in omni mics.

A canadian pacific freight train hauling 98 fuel tankers of crude oil traveling eastbound through toronto. Recorded at barlett avenue level crossing in toronto on july 29, 2014 at 11:43am. See video of this sound here: https://youtu. Be/9z7mxdqlpwi. As a courtesy if you download my sounds please subscribe to my youtube channel: https://www. Youtube. Com/user/mycompasstv thanks!. ► support us via paypal: https://www. Paypal. Me/mycompasstv many thanks!.

This is a very clean recording (no voices or words that can be made out) of a 737 in flight from inside the passenger cabin. We were seated directly behind the wing. It's just a great recording of what the sound level actually is inside a 737 at altitude. It's a surprisingly low rumble and a true white noise. Enjoy!. - christopher c. Courter.

Two "line audio" om1 next to our bird feed. 1 microphone on each side. 2 meters between them. 50 cm behind the feed. The level is set to +60 db on zoom f4. Due to the desire to hear how the om1 microphones sound, this sound will be published. It may be more later. No editing of the sound. Equipment usedmikrophones 2 om1(line-audio)wind protect röde ws8recorder zoom f4.

A recording of an eastern phoebe, made near a creek in a typical midwest oak/hickory/sycamore forest. This very unique, two-note call, which you may have heard before, is, in my opinion, very beautiful despite it's short duration. Despite this bird's non-colorful plumage, his song makes up for it!. Recording made on april 10th, 2013 around 6:45 in the morning about 15 feet from a small creek. My recorder, the zoom h4n, was mounted on a tripod in the middle of the creek. I was using the h4n's built-in microphones. Volume level was 80 (on a scale of 100 being the maximum).

An audio translation of statistics on the current covid-19 pandemic. A sound composition that makes the pandemic tangible on an acoustic level, based on data series and curves. The basis for the auditory presentation of the statistics is provided by pixelsynth, a browser-based synthesiser for generating sounds from images. A cursor scrolls over the monochrome image of a statistic and plays notes when it comes into contact with bright pixels. The audio tracks generated by pixelsynth from the statistics were then recorded in logic pro and individually processed using effects, automations and other synths and sounds. Additional information: the audio is complemented by appropriate animations of the statistics, which cannot be shown here, however.

Made back in 2005 for a slasher rap beat on fl4 or 5. . Used strings and a dark pad, also a slap bass. I was really into bone thugs n harmony back then, so i really wanted to take the gangsta feel to a whole different level. . It just turned into a slasher thriller horror type beat. . Ofcourse i took the beat off bc i wanted to share only the score. . If used on anything , i would like to watch or listen. If making for a scene, maybe i can extend it for you , hit me up.

A short soundscape built from the following public domain freesounds. Originally put together for an audio drama for misfit's audio to replicate the sounds of construction taking place beneath ground level, hence the reverb. There is also a version in the same pack without the reverb. Circular saw: http://freesound. Org/people/organicmanpl/sounds/198779/'saw of avalon': http://freesound. Org/people/mauxuam/sounds/216828/drill: http://freesound. Org/people/richerlandtv/sounds/216493/hammer: http://freesound. Org/people/dvideoguy/sounds/207782/general construction: http://freesound. Org/people/abouch/sounds/181184/.

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

Sparrows flying from branch to branch in a bare rose bush. Unintentional capture of sound as i was just out walking testing new equipment. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

I was experimentally, recording the garage door opener, but then this happened: next door neighbor kick-starts motorcycle, idles it, an aircraft passes by, and then the motorcyclist rides away. Recorded sound is indirect except for a brief moment when the motorcycle pulls past the open garage door in the alley outside. Set up with schoeps cmc6-uxt/ mk41+mk8 ms stereo in rycote zeppelin on tripod in small suburban single-car garage that faces an alley between lots. Ms-decoded and recorded as l+r channels on sound devices mixpre-6 @ 24/192. Some light post-processing to adjust levels as well as a little compression on the loudest moment.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity Modifications Levels adjustment - a basic linear tweak, with the lower notes being slightly quieter and the higher notes slightly louder. Also removed a slight tapping noise in the beginning, before the singing starts.

Long recording of an intense new england thunderstorm, recorded through an open window with a portable minidisc recorder and attached sony condenser microphone. The first ~18:45 is relatively quieter (and cleaner), though there are several good thunder rolls at ~1:20, 4:00, and 14:10. After 18:45 the storm picks up and the recording is correspondingly louder, and the storm goes a bit crazy -- there are many very loud thunder rolls, though unfortunately there is also some clipping and distortion. From 24:00 through the end of the recording, the storm winds down and the recording level is just right to pick up a number of very clean but loud thunder rolls, with some nice stereo separation.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

This sound is a mix of analog sound and digitally created sound. I recorded the sound of a coffee machine. Then on audacity, i generated a tone and modified its envelope. I changed the levels, added effects as reverberation and echo. I put melted at opening and closing in purpose to pretend something was taking off and landing. At first i wanted to create the atmosphere of a spaceship. But after that it looked more like a vacuum noise. I tried to modify amplification and added again echo and reverberation to make it sound more like a weird ufo. Code selon la typologie de schaeffer : vprécisions morphologie :masse : son canneléstimbre : ternegrain : rugueuxallure : chevrotementdynamique : l’attaque du son est graduelleprofil mélodique : variations serpentinesprofil de masse : site.

The pretty, soothing, trilling song of the pine warbler. These callings were recorded on sunday march 30th 2014 in a small pine grove, in the middle of a larger forest. On the day i recorded this, the weather was perfectly sunny, and mild -- temps about 60 degrees -- with very little wind. When i first heard this song, i was instantly reminded of a sewing machine. Enjoy. Recording made with my zoom h4-n field recorder, using a rode ntg-2 shotgun microphone placed on a tripod, about 3 feet above the forest floor. To make sure i got a decent level on this soft call, i did have to crank up the recording volume to about 85 on the scale of 100.

For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. I experimented yesterday and got this. Not what i expected at all. Sounds like it's straight from hell. Aggressive. Disturbing. Unsettling. This sound can for example be used in horror games, for example when the player enters a new level - you name it!. /matrixxx.

A short recording of construction work on a ten-storey apartment building in the blackhorse road area of walthamstow, london. General construction noises. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

For a podcast project i needed some coffee related sounds so i recorded our techni-vorm moccamaster, filter coffee machine as it brewed a full pot. Our version has a metallic thermos jug rather than the standard glass jug. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

One of my favorite spots to hike in illinois has this quite long, and beautiful and rock-lined beautiful creek. Now, even though this creek is in heavy forest, which often leads to very low water levels during the summer, this creek is spring fed so it always has a beautiful ribbon of pure water running 12 months out of the year. I've spent many minutes and countless hours beside this living, breathing water-course pondering the beauty of nature, and reflecting back on my childhood. A childhood filled with much love and many creek adventures. This was recorded on march 8 2021, at a time in the midwest woods when the mayapples are popping up-- lime green umbrellas spotting the forest floor. Recorded with sound device mixpe-6 and a sennheiser me66. Enjoy the stream of re-birth in illinois.