15 Royalty-Free Audio Tracks for "Low Tech"

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00:08
A 4 bars loop of tech house low end without percussions.
Author: Robdanet
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00:11
Computer calculating - technology. Let me know if you find a use for it.
Author: Freedomfightervictor
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00:01
A low-pitched modified 808 kick with short decay.
Author: Dayvonjersen
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00:22
This recording was created using a pda’s recording application.
Author: Remaras
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00:02
Inflated balloon rubbed with moistenedhand,recorded on a compaque persariorunning windows xp.
Author: Captainpugwash
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00:11
A tech loop @ 150 bpm. Done in caustic 3. Layer of 3 loops1) 8 bit synth, glitchy synth break2) beatbox, normal 606 breakbeat low vol3) beatbox, percussion through bit crush & fast delay.
Author: Untitled
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00:01
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Author: Joao Janz
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00:60
This sound was created by using the memo feature of my digital camera. It was recorded while standing under an overpass during a rain storm. If you listen carefully, you will hear traffic overhead and the rain pelting the ground nearby.
Author: Remaras
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00:19
Me clicking on my computer mouse. I used it in my audio-story on my youtube. If you like it, you can use it. Recorded on microphone - media tech sfx pro 2 mt392 (low end)program - adobe audition 2 /win xpdt - 06. 10. 2014.
Author: Querk Sk
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00:16
This file was created by using the memo feature of my digital camera. You will hear mooing cows, and in the background a stock auction being conducted. The poor gals were in such a hue and cry about being sold off to the highest bidder.
Author: Remaras
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00:01
Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Author: Joao Janz
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00:02
Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Author: Joao Janz
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01:01
I've been working on a plugin for unity to allow users to create short loops from arrangements of other loops. Seems to be working pretty well, pretty much like a low-tech version of acid. Anyways, this was a little arrangement i made as a test, and i kinda like it so i thought i'd post it here for feedback and such. Feel free to use this loop for any project in any way, credit is not required.
Author: Blockhd
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02:27
The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.
Author: Stomachache
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00:03
Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.
Author: Kenmix
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