30 Royalty-Free Audio Tracks for "Lowpass"

Made by hitting a microphone, then using audacity's low pass filter, noice reduction and amplification.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

The same bassline like the other one i made, just with a lowpass filter that is triggered everytime a key is played.

Made with roland jd-xi + protools + roland quad-capture.

Experimental breakbeat soundtrack finding micro rhythms when the beat is fed back into mimeophon. Nice compression in there. Including markers, rendered in reaper @48khz 32 bit fp for all you morphagene fans out there. Enjoy the pulse and the microrhythms!.

A loop inspired by the song "techno dread" by 2652. If u like this, check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy/ cheers!.

This is random noise with low pass filter applied.

Drum loop with a super resonant lowpass filter.

Whitenoise with two resonant lowpass filter to create windnoise.

Created windsound with some white noise and two different resonant lowpass filter.

This is a funk drum beat lowpass filtered by a wdf structure filter.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Basic lead-in sound made using a chorused triangle and square wave and reverb, lowpass filter and envelope.

Pickups from unshielded wire put through gate unit and envelop-controlled lowpass, both triggered by noise peaks exceeding a certain threshold.

Rumble on the air conditioning conduction. Recorded with a sennheiser mkh40. Mono track. Lowpass filtered. No speed change. No pitch shift change.

The demonic sounds my dachshund sal makes when we're playing with his favorite toy. Add a lowpass or slow it down and presto, you've got a demon, alien, or goblin.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Moka-pot gurgling as it fills up with freshly-made coffee. Close-up recording as i brought the lid down (perceivable lowpass effect on the coffee noise), using the voice notes app on my smartphone.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

I used a plug-in called harmor on fl studio 11 and i messed around with highpass and lowpass filters with a very wide resonance. Of corse you can use this ''thing'' for whatever you want because it's totally unoriginal and easy to make.

A slight improvement on my inception-sound. Wav , created using lmms, again 2 instances of zynaddsubfx and now also 2 instances of sf2-player with a trumpet type sound. I also used lowpass filter.

While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

Dug up from an old project. Korg monotribe groovebox processed by a doepfer a-189-1 bit modifier, a lowpass- and a highpass-filter. Recorded using ni maschine. 11. 10. 2013. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Dug up from an old project. Korg monotribe groovebox processed by a doepfer a-189-1 bit modifier, a lowpass- and a highpass-filter. Recorded using ni maschine. 11. 10. 2013. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Alternate take of ye 'ole washing machine. It's just a washing machine, but could be a printing press or space ship or what ever else you can come up with !recorded from the bottom. Lowpass filter nothing above 500k. Ran a limiter on it -1 db so your speakers are safe!audio technica pro 37 24bit 44. 1 mono.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

Recorded at night with external microphones using a panasonic lumix gh-2 camera,out of the window from 2nd floor. In this sound file i mixed two sound recordings, the chronologically second record i put first, the first record i put second using a little fade out on the latter. Some night bird interacts. Generalcomplete name : foxy_foxes_ii_and_i. Mp3format : mpeg audiofile size : 10. 00 mibduration : 4mn 22soverall bit rate mode : constantoverall bit rate : 320 kbpswriting library : lame3. 98rsoftware : lavf56. 25. 101. Audioformat : mpeg audioformat version : version 1format profile : layer 3duration : 4mn 22sbit rate mode : constantbit rate : 320 kbpschannel(s) : 2 channelssampling rate : 48. 0 khzcompression mode : lossystream size : 9. 99 mib (100%)writing library : lame3. 98rencoding settings : -m s -v 4 -q 3 -lowpass 20. 5.