325 Royalty-Free Audio Tracks for "Master"

I used bdx for the kick, sent through disto-fx and various eq plugins. Cymbalistic was used for the hihats, with further eq and gating placed on it. The snare was from a free sample pack (i can't remember the name of) sent through a resonator, eq plugins and some soft-clippers to give it a bigger sound. Clipmax was used on the master channel.

This is my final assignment for aspma course 2016. It is based on transformations over the file speech-male. Wav (https://www. Freesound. Org/people/xserra/sounds/317744/), used often over the course. A small time-stretching transformation, morphing with piano chromatic scales, and finally arranged by a python script to produce the final audio output. You can find the python code here:https://github. Com/nerkamitilia/aspma16/blob/master/workspace/a10/a10. Py. Format:mono, 16-bit, 44100hz.

Grabación realizada en manizales, caldas, colombia en el sector del cable, parque santander. Se escucha el ambiente. Registro realizado con un celular samsung para el curso de tecnología y creación sonora de la maestría en diseño y creación interactiva. Recording made in manizales, caldas, colombia in the cable sector, santander park. Environment is heard. Recording made with a samsung cell phone for the course technology and sound creation of the master in design and interactive creation.

Grabación realizada en manizales, caldas, colombia en una cocina. Se escucha agua, microondas y licuadora. Registro realizado con un celular samsung para el curso de tecnología y creación sonora de la maestría en diseño y creación interactiva. Recording made in manizales, caldas, colombia. My kitchen. Water coming out of the tap, microwave and blender are heard. Recording made with a samsung cell phone for the course technology and sound creation of the master in design and interactive creation.

Grabación realizada en manizales, caldas, colombia. En espacio abierto se escucha el canto de las aves. Registro realizado con un celular samsung para el curso de tecnología y creación sonora de la maestría en diseño y creación interactiva. Recording made in manizales, caldas, colombia. In open space you can hear the birds singing. Recording made with a samsung cell phone for the course in technology and sound creation of the master in design and interactive creation.

Ejercicio con una hoja de papel rasgado, aplastada y mordida, durante la maestría en teatro y artes vivas de la universidad nacional de pre-colombia, bogotá d. C, para el taller de sonido, con leonel vásquez, en 2012. Grabado con una zoom h4n. _exercise with a sheet of paper. Torn, smash and bitten. During the master in theater and live arts of the national university of pre-colombia, for the sound workshop, with leonel vásquez, en 2012. Recorded with a zoom h4n.

It's a recording of a medium-sized dog's yelping. The dog also repeatedly sneezes from 1:15 on. The dog was longing for it's master, i did not do any harm to it otherwise than mercifully recording funny (in my opinion) sounds it made instead of saying words of support. I don't feel guilty. Recorded with a hand-held zoom h2 in 48khz/24-bit wav, edited, normalized and converted to flac using audacity.

Grabación realizada en manizales, caldas, colombia en el sector de sancancio. Carrera 27a calle 67. Se escucha el tráfico del medio día. Registro realizado con un celular samsung para el curso de tecnología y creación sonora de la maestría en diseño y creación interactiva. Recording made in manizales, caldas, colombia at sancancio. Career 27a street 67. Traffic at noon is heard. Recording made with a samsung cell phone for the course technology and sound creation of the master in design and interactive creation.

Grabación realizada en manizales, caldas, colombia el 22 de abril a las 1:30 pm. Se escucha lluvia y truenos. Grabación realizada con un celular samsung para el curso de tecnología y creación sonora de la maestría en diseño y creación interactiva. Recording made in manizales, caldas, colombia on april 22 at 1:30 pm. Rain and thunder are heard. Recording made with a samsung cell phone for the technology and sound creation course of the master in design and interactive creation.

I took a few one-shot samples from a bunch of free packs i downloaded off the net (legally), i gave the kick some subtle crunchy distortion in the high end whilst trying to retain it's core sound and it's punch, i altered the transients and the pitch of the samples to make them pop more and sound more to the point and i placed a coloring compressor on the master to give it a bit more overal volume raise without causing it to clip in a bad way.

A peculiar local brand of fruit juice sold in small plastic bags with a straw will sometimes vibrate violently when sipped, producing this deep groaning sound. I've yet to discover what exactly causes this to happen. When trying to record it i experimented with straw positioning, sipping strength, holding angle of the pack, and couldn't get it to consistently rumble. This may be a marketing conspiracy to get audio people to stock up on juice to master how to perform the packaging. Recorded with sony pcm-d100, edited and denoised in izotope rx 7.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

Formatted for use in the make noise morphagene by todd barton. Sounds from "music and poetry of the kesh". "all samples have been remastered from the master 8-channel recording sessions of 1984. It has been fun and fascinating "remixing" them in the morphagene. " - todd. Music and poetry of the kesh is the documentation of an invented pacific coast peoples from a far distant time, and the soundtrack of famed science fiction author, ursula k. Le guin’s always coming home. In the novel, the story of stone telling, a young woman of the kesh, is woven within a larger anthropological folklore and fantasy. The ways of the kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet (le guin’s conlang, so she could write non-english lyrics), and with early editions, a cassette of “field recordings” and indigenous song. Le guin wanted to hear the people she’d imagined; she embarked on an elaborate process with her friend todd barton to invoke their spirit and tradition. Full album available here:. Https://ursulakleguintoddbarton. Bandcamp. Com/album/music-and-poetry-of-the-kesh. Todd has also released a remix of the reel on soundcloud. Post yours in the comments!. Https://soundcloud. Com/user7621213/kesh-8th-house-remix.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).