376 Royalty-Free Audio Tracks for "Medieval Modes"

Lesung, Karsamstag, Buch Jeremia 5,1-11, Tonus peregrinus

Douce Dame Jolie, 1-part Virelai by 14th-century composer and poet Guillame de Machaut. After an edition in Timothy Roden, Craig Wright, Bryan Simms, Anthology for Music in Western Civilization, vol. 1, p.103.

Fumeux fume par fumée

Moteto O Padua, sidus praeclarum

Si dolce non sono

Balada Ecco la primavera

Riches d'amour et mandians d'amie

Gratissima Virginis

Moteto Vos qui admiramini

Symmetrical four-semitone tritone scale on C

Four-semitone tritone scale on C

Modes of limited transposition scale 7 first mode

Kyrie da Missa Notre-Dame

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

fragment of Sederunt principes

Balada Fuions de ci

Breves dies hominis by either Léonin or Pérotin. Performed live by self. .mw-parser-output .tpl-hidden{clear:both}.mw-parser-output .tpl-hidden>.mw-collapsible-toggle{float:none}.mw-parser-output .tpl-hidden::before{display:none}html.client-js .mw-parser-output .tpl-hidden-headertext{padding-left:18px}.mw-parser-output .tpl-hidden.mw-made-collapsible>.mw-collapsible-toggle>.tpl-hidden-headertext{background-image:url("//upload.wikimedia.org/wikipedia/commons/1/10/MediaWiki_Vector_skin_action_arrow.png");background-position:left 50%;background-repeat:no-repeat}.mw-parser-output .tpl-hidden.mw-made-collapsible.mw-collapsed>.mw-collapsible-toggle>.tpl-hidden-headertext{background-image:url("//upload.wikimedia.org/wikipedia/commons/4/41/MediaWiki_Vector_skin_right_arrow.png")} Text: Breves dies hominis mundi vita humane propaginis que sit vita, cogita! Nitimur in vetitum caro contra spiritum. Pelle moram propera mora non est libera. Mundo nil immundius que facis, fac citius! Corpus, quod corrumpitur animam persequitur. Et bonum propositum revocat in irritum. Alios quod doceo ipse docens impleo. Christum ne exasperem pauper sequor pauperem. Corpus meum corrigo et in servum redigo. Українська: «Дні людини короткі» від Леоніна або Перотіна. Виконує наживо та записує Макемі.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Ave regina

Motet O rosa bella

Organum Quid tu vides

Antífona Terra Tremuit modo IV; Autor:Wyllian Byrd; Genero:Sacro; Lenguaje:Latín.

Johannes Ockeghem: Ma bouche rit.

Hugo de Lantins: Jo sum tuo servo.

Jacob Senleches: Ballade Fuions de ci.

Pierre Solage: rondeau Fumeux fume par fumee.

Introit of Chrismas Eve, Gregorian ChantFrançais : Introit d'un chant grégorien soulignant le réveillon de Noël.

Sequence of Easter, Gregorian ChantOstersequenz Victimae paschali laudes, Gotteslob (2013) 320; Gotteslob (1975) 215

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Trebor: Se Alixandre et Hector fussent en vie.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Dorian mode on C.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Dorian tetrachord. Created by Hyacinth (talk) using Sibelius 5.

Cantiga 100, "Santa Maria, Strela do Dia" from Cantigas de Santa MariaCantiga 100, "Santa Maria, Strela do Dia" from Cantigas de Santa Maria Santa Maria, strela do Dia – jedna z 420 pieśni ze zbioru Cantigas de Santa María powstałego za panowania Alfonsa X Mądrego.

An oboe playing the D dorian scale Norsk bokmål: En obo som spiller dorisk skala med tonika på D

Recording of the Dorian mode in A, acoustic guitar

Aeolian scale of C

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

The song "Windham" by Daniel Read; piano reduction, altered to Dorian mode as an illustration of the use of this mode in Sacred Harp singing Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain.

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Lydian dominant scale on C.

Medieval bell set built by nemky & metzler in germany. In the middle ages the bells played with a hammer were called a cymbala. Recorded with zoom h2. Www. Glockenladen. De.

A short song i made up for a game i am making. Generally meant to sound medieval. I did not record this as exported from an app. I didn’t end up using it, instead i used teller of the tales by kevin macleod. Play my game on scratch. Mit. Edu: (not released yet but is on my homepage, mad2-) chop! simulator.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.