45 Royalty-Free Audio Tracks for "Medium Room"

Recording of a room tone in medium sized, circular, carpeted room. A lecture can be distantly heard through a pair of doors. Recorded on an h2n zoom recorder, m/s raw setting.

Short room tone captured from a medium sized house room. Hour: 2am. Very light birds can be heard sometimes. Mono sound, registered with microphone rode ntg-3 on boompole and recorder tascam hd-p2.

Medium room with some light rain outside the window. Minimal eq applied.

17 people in a 20' by 40' room clapping. Recorded with tascam dr-07 mk ii handheld device at 16 bit 44. 1 khz.

City apartment ambiance medium sized room.

Room tone captured from a medium sized apartment room with open window. Traffic and birds can be heard. Hour: 7am. Recorded with tascam hd-p2 and pair of akg c3000 condenser mics in a-b way.

Cat hissingclose perspective, medium sized room.

A clock ticking in a medium sized room. Just basic ambience.

Setting up a metronome and click on cca 60 bmp in medium room.

Medium group of mixed female and male students mocking at something or simply laughing at a small sized room. Gear:. Tascam dr70sennheiser mkh 50.

Steps walking indoor.

Quiet talking in a room with 4 people. Size is about medium and no computers are actually running. (possible conversation between recorders). Stereorecorded with h4n.

Steps walking indoor.

Steps walking indoor.

Sound of a mossberg 500 racking. Recorded with shure sm7b in medium rectangular room.

Medium size street in buenos aires, capital federal, argentina. Sunny day in diaz velez ave. And yatay st. Some traffic and birds. Recorded from a 3rd floor balcony with built-in mic of a zoom h4n.

The atmosphere of an empty, medium-sized office with a clock on the wall.

A brass band rehearsal warm-up before rehearsal in medium sized room.

Room tone of a room with open windows next to medium size street on a sunny day in buenos aires (capital federal), argentina. Recorded with built-in mic on zoom h4n.

A heavy wooden door for a theatre control room being opened and then closing on it's own at a regular pace.

Fingersnaps and claps recorded in a medium room with a bit of reverb. Recorded with pocketrack cx.

A recording of some medium/hard rain from within my room in the netherlands, in 44. 1 khz/24 bit. Mic: rode nt1-a.

A squeaky wooden door being opened und shut in a medium sized room. Its recorded from about 2 meters distance so there's a moderate amount of room ambience on it. The sound has been slightly denoised. Equipment used: akg c214 running through a focusrite saffire pro 24.

Three rowdy american football fans (two men, 1 woman) watch a steelers game in a medium sized living room. Camera microphone, stereo.

A small to medium fire in a fireplace. Room ambiance, slight hiss from wet log, cracks and pops throughout. If you use it, please let me know, i'm curious. Thanks.

A genuine gunshot fired in a medium sized room. First shot 100% speed, second 50%feel free to use it however you want. No cred needed!.

-recorded a medium size room upstairs in my house while it rained. Recorded with zoom h2for youtube videos, short films, etc. Comment and rate.

Playing at the same time water and radio, we can listen how the radio is masked by water and modified by the features of the room (medium bathroom).

A one minute recording of a metal shop, medium sized room, slight echo, grinder, welders, a few voices, some of them female. Recorded with a zoom h1.

Shaking two plastic stringer pompons in a small- to medium-sized room. These are the types of shakers used at sporting events, strips of shredded plastic attached to sticks.

Shopping cart being pushed across wood floor in a medium sized room recorded in stereo using sterling audio st51 condenser mic in right channel and peavey pvm 38i cardioid dynamic mic in left channel.

Knocking on a wooden door, like with a metal door knocker, heard from inside a medium size living room. Recorded in stereo with a rode nt5 matched microphone pair.

A general ambience of 40-50 people talking, just before a talk show recording, in an old berlin mitte house, with wooden floors and bare walls. Language spoken is german.

Sound of a locker latch close on. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees, at the wc of the dining room of the poblenou campus of pompeu fabra university.

A fluorescent lamp or a fluorescent tube is a low pressure mercury-vapor gas-discharge lamp that uses fluorescence to produce visible light.

We had just damp wood and it was a chilly evening. The wood is not burning yet, a lot of cracks, pops and sizzles can be heard. I can smell it, too. Recorded with a zoom h1 in a medium room, mic held at 30 cm ca. From the fireplace.

The sound of a ninja going, “hi-yaa!” along with various other sounds among them. Performed by me while in the bathroom. Short reverb effect, as if it was in a small or medium room. Audio cut up and normalized.

This is the end of a song (just the last crash and the last guitar note). It was recorded inside a medium size room where we were playing. This sound was produced by my friends and i, so it does not belong to any commercial recording. This sound is original content. Este sonido es el final de una canción (el crash de la batería y una nota sostenida por la guitarra). Fue grabado en una sala de tamaño medio por mis amigos y yo, de modo que no pertenece a ninguna grabación comercial. Es contenido original.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

This ambience was recorded during a film shoot in a house in a quiet part of a large city. It was about 3am so no cars. Action sounds have been edited so you get ambience only. Quiet useful i think. No need to credit. Enjoy!.

My friend george playing his mandolin at our party. Check out our other media services at: echocinematics. Com.

This sound have been recorded in mono, on a samsung s8, using the recording app ''audiorec''. I have used izotope rx 6 to remove any unwanted noise. *this sound is completely free to use without any need of giving credits(if desired). *.