10 Royalty-Free Audio Tracks for "Mix Tape"

Three mornings. Well. . . About 7 to 8 a'clock. Somewhere on the island tjörn, sweden. It's quiet mornings, or just bad timing. One of them a little windy. There are more birds earlier and later. Guess they are taking a nap around 8 in the morning. Recorded with a zomm h1. No editing. I just joined the files, well shorted them also. . . April 29april 30maj 1. First real test of my h1.

Rca tape cartridge simulation impulse response: this will bring you back that dark tone found in 60s lo-fi recordings, perfect to use on your mix bus.

The simple words "funk, baby" layered over each other for a slight chorus effect.

Mix-tape.

It's the 80s and i'm about half-way through making a punk/new wave party mix tape when my turntable starts repeating itself. Unwilling to to back and re-record the mix, i batted the needle around on the record for half a second and stopped the tape. This is the part that isn't recognizable as "hey, st. Peter!".

An alternative take of the open-ended question and suggestion, "is your mixtape going to be good enough? perhaps it's time you added some. . . " and then a song can start or another word or phrase be added to the end.

An open-ended question and suggestion, "is your mixtape going to be good enough? perhaps it's time to add. . . " it's a set up for either the start of a strong song or another word or phrase such as bass or funk or whatever.

Created by richard devine and formatted for use in the make noise morphagene. Description:. "this is a pretty crazy mix of different recordings, beat textures, patches, and other strange stuff, that i found really fun to use with the morphagene. Hoping it will be fun for everyone else too".

My 8 year old little brother laughing. . I've always thought he had a pretty cool laugh!! lol. ****these are a series of a few different times, i caught on tape, him laughing. . Use one or more of the three; of the series. . Or use them all. . The thing i love about his laugh is; you can cut and loop very easily lol!! 😂.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.