330 Royalty-Free Audio Tracks for "Mixing"

The muffled sound of a street. Imagine hearing car traffic when you're waiting in an office. Made by mixing a few cc0 sounds. Made for a visual novel: https://cybergnose-cafe. Itch. Io/artl.

A sound i made to put a soft but strong emphasis on something on screen. Made by mixing a few cc0 sounds. Made for a visual novel: https://cybergnose-cafe. Itch. Io/artl.

A flesh slice sound. Something sharp slices somebody, it's bloody. Made by mixing a few cc0 sounds. Made for a visual novel: https://cybergnose-cafe. Itch. Io/artl.

Scary night ambience i made by mixing cricket sounds and some scary noises. Recommend to use it for games or for video background ambience. You can use it, but please give me credit for it!thanks!.

Was in a pile of older stuff about to be deleted! can be applied to various styles. Slight mixing applied. An untouched download is should also be available, still learning to mix!.

8 seconds from this soundhttps://freesound. Org/people/gis_sweden/sounds/483638/mixed with thishttps://freesound. Org/people/gis_sweden/sounds/415237/and you get some thing else.

Short, heavy sound of a glass object being shattered. Created by mixing and editing, in audacity, some recordings of a glass object being thrown on the ground.

Then god made a human being, mixing mud and water. He made him male and female. Recording made near a river. Equipment used: sony icd-sx800d, external microphone rode ntg-2.

I crushed some minced meat and played with it between my fingers. This is the asmr sound of mushy food, or mixing a potato salad, etc. This was recorded at the open window institute sound booth in centurion, south africa.

My first upload. Remix of sounds found here on freesound. Includes samples: 619138__spartalien__soundscape-1-60bpm588533__felix-blume__bee-recorded-individually-johanna619074__mrrap4food__jack-hammer-sound618810__johnlavine333__sunrise-050918-louder-birds-2399794__samarobryn__superb-lyrebird448374__lunafarrowe__heavy-wall-poundingprocessing/mixing/editing with: ardour, audacity, supercollider, qtractor, polyphone.

A sort of low-pitch breathing-like sound of some big thing lurking in the deep, useful for background ambient on some kind of scary place. All components of this were made from mixing various effects together in fl studio.

A bit of anti-police for you. . . Source audio was recorded with a phone at a demonstration and it was heavily changed with audacity to sound interesting for podcast and audio mixing purposes.

A highly processed fx loop made from a freesound of bolts in a toolbox processed with reverb and distortion. I will update the description when i find the original sample name and author.

Field recording duet of nightingale and wren. Recording to zoom h4n with sennheiser mke600 + sennheiser mk62 (with paired tritionaudio fethead phantom). Both microphones clamped in blimp mounted. Multitrack mixing converts to 320 kbps mp3. Raw- 96hz 24 bit wave.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Big room drums, tone: e speed: 128bpm length: 32 bars. Made in fl studio by mixing various samples and loops. Recorded in edison. Starts with one kick, then adds rides, then claps and a riser.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

A lot of eq-ing, layering, and saturation was done on this snare, thought it sounded nicer than snare 1, but snare 1 is more malleable than this snare when it comes to mixing it, since snare 1 is way less filtered.

A loop-able horror ambience piece, inspired by films such as the blair witch project. This piece synth based and was created in presonus studio one using ni massive and ni fm8. All other effects are the stock mixing tools provided by studio one.

A simple sound of an egg shell cracking. It was actually made by taking an index card and smashing it twice between my palms, putting them together, mixing and editing in audacity. Not very super realistic, but sounds good if it's flying and hits something.

A mixture of heavy and light bursts of machine gun fire created through compiling, mixing and processing multiple audio files to create the desired result of rapid bursts. Mixdown is in stereo, making use of spatial panning and volume adjustments.

A balloon burst at the front of the stage in bristol colston hall, recorded from the front of house mixing position. A useful impulse response even though the acoustics are notoriously troublesome in that hall. Thought i'd capture it before it's rebuilt and lost forever. .

This is two seperate oberheim samples, played through a sampler and strangely resonating at the end. The resonation at the end is completely absent when either sample is played by itself. The worble at the end is a product of the two sounds mixing in my sampler. Cool, eh?.

An atmos recording of rain falling onto a porch roof at night outside a house in volcano on the big island of hawaii. Recorded with a zoom h2n mixing xy and ms. Sounds of creaking of the house faintly in the background.

O2 shepherd's bush empire. Balloon burst from front of stage, recorded from front of house mixing position. . . And if you've ever been there that's not very far at all. A venue with a very long history and an ir worth having in any collection, even if you never use it. :-). .

A day at work, mixing and pouring concrete. I sliced it all up just for u <3. 140 one hitters including bonks, scrapes, crunchies and more10 textures, loopables and regular field recordings. Enjoy!creditsreleased march 1, 2022. All noises recorded by jaeki. Free to use in any wayno credits necessary.

A ruger 10/22 rifle being reloaded while empty. Sound was created by mixing multiple different takes of a real ruger 10/22 being reloaded. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

An ak-47 being cocked. Includes 3 takes. This sound was made (surprisingly!) by mixing multiple different takes of an airsoft ak replica i own. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

I know this isn't much yet but its the base for my chorus of my song "chrissy said. . . " i hope you can follow my page to watch the evolution of me mixing it and integrating aspects until completion. Thanks for visiting! : ). -ryan kunkel.

Ian dury used something like this in "what a waste". . . It's the gurgling noise made when the last of the water runs down a bathroom sink plughole. Conveys almost as much meaning as a cistern flushing, but in a shorter time (smaller file size). As ever (with my stuff) no "noises off" and so ready for mixing!.

The mixing together of putting a cup on a steel table next to an ipod 5 microphone and a distant firework sound amplified using audacity. Location: the castle, neutral bay, close to the wharf, sydney, australia, 15/04/2017, 16:56 - 21:11.

Made by slowing down the speed of "nature ambiance",editing the pitch, and mixing it with a recording of aair conditioner, which was also edited. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.

An uzi sub machine gun being reloaded while empty. Sound was created by mixing together multiple different takes of multiple different airsoft guns being reloaded. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

A browning hi-power pistol being reloaded while empty. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.

This is a sample of a metal kitchen mixing bowl. The first note (b, not perfect b) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale b to b.

Old guitar multitrack recording with some effects from the pod x3. Some post-processing, not much. There's some minor clipping issues since i never got around properly mixing this and the original project file is long lost. Maybe someone can find use for this :-).

Sad war music made in fl studio using samples and mixing the sounds + rain atmosphere. No copyright, free to use everywhere. Would be thankful if sent the link of the project you used the sound in. (sorry for bad audio quality freesound messed it up).

A browning hi-power pistol having its magazine removed and replaced. Includes 3 takes. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Created using my own original foley recordings and processed using multiple sound-design and mixing techniques. Free for any use including commercial works but not for resale as it's own product. Enjoy!.

A browning hi-power handgun being cocked. Includes 5 takes, 3 mid-tempo ones and 2 fast ones at the end. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

This track was developed in 2018 via apple's logic pro x on a macbook pro 2017. The home studio employed the usage of the presonus eris e4. 5 near field monitors in east harlem new york city. The project used sample files already included in apple's logic pro x. The mixing process employed only logic pro x plugins (e. G. Compression, equalization). You may find the developer at twitter: @harlemdaw.

An ak-47 assault rifle having its magazine be taken out and put back in again. This sound was made by mixing various recordings of me reloading multiple different airsoft weapons i have. I think it actually came out pretty well imho. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Some stuff i added to my playing drums to 'rich woman' and i added some claves, drumsticks, cowbell, tambourine and maracas all on separate tracks recorded with my yamaha pocketrak and edited with sony vegas. It stutters slightly near the end. My computer? i'm not a pro by any means when it comes to mixing, but please comment on what you may use it for. Thanks. :^).

This year has been a clumsy one, so i now am the "proud" owner of a giant bucket of broken glass. Here's what it sounds like when i take a hammer to it. Recorded to 32bit floating point format with my very nice h4n field mic. Yours to cut up and enjoy for all your re-mixing needs, professional or otherwise. Do as you like with it, no credit required.

Grudge movie croak sound interpretation. The sound was created using my own voice drawing in air while croaking. It was recorded using mixcraft 6 and a samson q1u microphone. The only effects used were a delay set to long repeat, a touch of reverb while mixing and some compression while recording. But the sound is my voice, in fact all the sounds i upload here are self made. :o).

A mixer truck, freshly loaded is mixing (extremely dry) concrete in the drum as it spins on the frame of the truck! i held the mic to the exterior of the steel drum as it spun. So there are underlying cat engine noises in the background. The concrete is so dry, its load enough to over power the majority of engine sounds.

For those who like a vintage sound, this impulse response tries to be the most faithful in the type of spring reverb used in the 60s, on vocals, on guitars, and mainly as a mixing reverb as an alternative to plate reverb if do you want the sound of a garage rock or dub. Depending on the context, you can leave the reverb in mono which reinforces the vintage character.

I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.