16,740 Royalty-Free Audio Tracks for "Motifs (music)"

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The leitmotif associated with Salome herself in Richard Strauss's opera Salome.
Author: Richard Wagner
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Arbitrary example to quickly show variation in musical dynamics.
Author: Hyacinth
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Hero's theme from photoplays and melodrama.
Author: PD old
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Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.
Author: Untitled
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Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.
Author: . The original uploader was Hyacinth at English Wikipedia.
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Cross motif. Created by Hyacinth (talk) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Tchaikovsky's "Cross"-motive, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.
Author: Created by Hyacinth (talk) 02:44, 18 April 2010 using Sibelius 5.
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Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.
Author: Created by Hyacinth (talk) 06:08, 6 July 2009 using Sibelius 5.
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Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.
Author: Hyacinth
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BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.
Author: Music: Robert SchumannMIDI file: Created by Hyacinth (talk) 22:03, 10 April 2010 using Sibelius 5.
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Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.
Author: Charles IvesImage created by Hyacinth (talk) 23:23, 17 April 2010 using Sibelius 5.
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