1,768 Royalty-Free Audio Tracks for "Ms"

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): II. Andante cantabile con moto performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Grabación en la quebrada la vieja bogotá -colombiasonidos de un tronco deshaciéndose en el agua y voces de caminantes a las 08:33 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja bogotá - colombiaa trunk falling apart into the water and pedestrians voices at 08:33 a. Mrecorded with zoom h4n at 48khz and 24 bits.

My friend's dog makes these strange and scary sounds, so i had to capture what i could. This is a small selection of up close recordings of a pug grunting, snoring, breathing into a sony m10. Great for mangling into monster sounds. Let me know what you come up with!and if my sounds have been useful, considering making a donation to say thanks and receive a 1. 6gb collection of recordings. Https://gum. Co/jfrzw.

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Fast train passing, approx less than 3m away from track with tascam dr-05. This is a good recording although:i was glad to find a place to record a passing train without any kind of other disturbing noise and people! but i was really p. . . Off when right after the train passed an older guy with his bicycle stopped right beside me (you can hear him braking and stopping) "are you recording?" - "no, i´m just here planning a train robbery. . . ". .

This good boy is not good player. I think he used bad keyed text recorded in keying memory. I heard him more times and always with the same punk keying. "the rl was founded 1937 and we are proud to celebrate our 75th anniversary". . . Says web http://www. Rlx. Lu/lx_awards_files/rl_75. Htmbut operator cannot be proud of his keying. Old good radio luxembourg 208 m use to be much better radio http://www. Offringa. Nl/radioluxembourg. Htmlater i found that lx7rl is station of lx amateur radio society anniversary celebration.

Very strong sounding grasshopper. When i rode home from work at 11 a. M. I heard a strong sounding grasshopper in a neighbor's busch i run into my house and picked up my recorder and mic and run out tried coming closest possible for good sound, but it was a little too close because the hopper become silent. But this is recorded before that :). Eqipment used;recorder zoom h4n promicrophone sennheiser shotgun mke 600rycote classic-softie windscreensoftware wavelab.

Harmonic sinusoidal output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time III. Gavotte-Musette-Gavotte performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): I. Adagio molto, Allegro con brio performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in Jun 2019 (piano sound version; see File:Menuet bwv anh 114 115 Anna Magdalena.wav for synthesiser sound version)

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in May 2019 (synthesiser sound version; see File:Menuet bwv anh 114 115 Anna Magdalena2.wav for piano sound version)

Synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Crude arpeggio and single note taps of the inner strings of an early-20th-century chas m. Stieff upright piano. This particular model was made in baltimore and spent most of its life in the lobby of the willard intercontinental hotel in d. C. , and the last 30 years in our home in fairfax, virginia. We are dismantling part of the piano to repair, clean, and, unfortunately, sell it. The mechanism for one note is the only problem, and, of course, it needs tuning. Anyone willing to give this a good home?.

This is a simple sequence with chords - emaj, d#m and c#maj where i played on my midi keyboard "novation lanchkey mini" with using arturia vintage collection vst plugin - yamaha dx7, type - electronic organ and adding delay effect and reverberation. Sound like synth-wave or retro-wave stile, moderato, quietly and gently. Lounge. You can be using it for your needs, podcasts, samples, different projects, or just like alarm sound on your phone. Enjoy. Temp - 123 bpm.

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Harmonic sinusoidal output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Hi. This soundfile was recorded on 03. 06. 2017 in szczecin, nw poland (gumience district to be precise). The time of this recording is from around 3 a. M. (when the sun was allready rising) till around 7:30 a. M. What's funny about that, is that i turned my recorder on and layed it on the windowsill (display up) on altitude around 5 meters (first floor), (the recorder is facing ne direction) because the birds were allready going crazy!, and after some time i felt asleep, and the recorder was left on. There are many many kinds of birds around, cause there is a big cementery near by, with lots of trees, and some wild fruit orchard too. I had this one moment, when the birds were so active, that let's say they spinned it me around, and worked me up to a beautifull spiritual moment with their sounds, and then i felt asleep. Later through the recording you can hear me snoring, you can hear my alarm clock going on (and that haven't woken me up too;). The bass resonance of cars passing by makes this recording a bit heavy in some places, and the wind made it's mark too, but that shoudn't be a big of an issue here. As i listen to it now, so much things happened while i was asleep. . . [ 3:30 a. M. !: some people are singing and speaking, and you can clearly hear one of them saying: "kurwa, grubo", which means - "f**k, heavy". Later on, the neighbours weren't sloppy too;). Hearing such recordings doesn't give you the liminous feeling of the place where it was recorded. You only get audio here, not the vision, the light, the brightness, the movement, the actions, and the space, the physical elements, only the best can imagine (so if you don't have such an imagination, pm me and i can send you a photo of the place where all this took place). Anyway, i hope that the birds will keep rockin' their solos, and the bees will keep visiting all the flowers around forever! (who knows, i might become one of them sometime;). Thanks and have a good listening session. Szymon.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Grabación en la quebrada la vieja afuera de la entrada del túnel av. Circunvalar bogotá -colombiasonidos acuáticos, vehículos y voces de peatones al interior del túnel a las 07:42 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja outside the entrance of the tunel av. Circunvalar bogotá - colombiaaquatic sounds, vehicles and pedestrians voices inside the tunel at 07:42 a. Mrecorded with zoom h4n at 48khz and 24 bits.

Grabación en la quebrada la vieja bogotá - colombiapersecución a un caminante que reproduce música en altavoz. Voces y pasos de caminantes en un bosque de eucaliptos a las 09:00 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja bogotá - colombiapersuit to a pedestrian that reproduces music outloud. Voices ans steps from pedestrians inside an eucalyptus forest at 09:00 a. Mrecorded with zoom h4n at 48khz and 24 bits.

Recorded on the shortest day of the year at the edge of a lake where the wind was gusting from the south at 15 to 20 miles an hour. At the beginning you hear some geese in the distance. This recording was made using my sony pcm m-10 with it's internal microphones set to level 5 input volume. I actually placed the recorder, carefully, in a crook of some branches in an oak tree about 5 feet above the ground---very near a big clump of dead and brown oak leaves. . . . This gives you that wonderful sound of the wind hissing through the leaves.

Mexico city - street seller screaming to sell their merchandise till the whistling announcing the police, in mexico city historical center (close to zocalo. "correo mayor" street). Sound recorded by a zoom h4n with its internal xy microphonestereo left-rightrecorded in 2010same sound on soundcloud: https://soundcloud. Com/felixblume/mexico-vendeurs-ambulants. Download 100 sounds from mexico city in wave 48k 24b on bandcamp https://felixblume. Bandcamp. Com/album/disco-pirata-ciudad-de-m-xico.

This was recorded inside the blue mosque in istanbul during friday prayer in may 2005. To get in to the blue mosque with recording equipment we had to get a permission from the religious authorities. We also needed a muslim to operate the equipment since the friday prayers were forbidden for non-muslims. We set up the recording equipment and let our turkish guide hit the record button once the prayer started. The sound is recorded using an m/s rig straight to dat and processed afterwards with a hp filter in protools to remove microphone rumble. Recorded by asbjørn blokkum flø, kjetil bjørgan and the anonymous guide.

Català. 11 de març de 2023. La vida és bona si l'aigua sona. Passejada per les fonts de collserola en temps de sequera. Font de mina. Mesura de l'indret amb el sonòmetre a les 11:59 del matí d'un dissabte, persones passejant i fent esport que parlen. Min 25,10 dbmitjana 55,5 dbmax. 72,5 db. English. March 11, 2023. Life is good if the water sounds. Walk through the collserola springs on drought timemine source. Measurement of the place with the sound level meter at 11:59 a. M. On saturday, people walking and playing sports talking. Min 25. 10 dbaverage 55. 5 dbmax. 72. 5 db.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_sus_a2_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: sustainnote: a3midi note: 57midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

Recording from botanical garden at university of caldas in manizales-colombia at 5:00 p m. The sounds of crickets, cicadas and frogs are listened. Also a barking dog at the background. Created with zoom h4n recorder, in stereo with x, y microphones at 120 degrees. Grabación del jardín botánico de la universidad de caldas en manizales colombia, a las cinco de la tarde. Se escuchan insectos como grillos, chicharras y algunos anfibios como ranas. Además se escucha un perro ladrando en el fondo. El registro sonográfico se realizó con una grabadora portátil profesional zoom h4n en estéreo con micrófonos en disposición x, y a 120 grados.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_stac_a#1_v1_rr1. Wavinstrument family: brassinstrument: f hornarticulation: staccatonote: a#2midi note: 46midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_mute_a#1_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: muted sustainnote: a#2midi note: 46midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

Synthesis resulting from the transformation process performed with the harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools) on the male speech sound http://freesound. Org/people/islijepcevic/sounds/329042/. The parameters used in the analysis are:window="hamming", m=1501, n=4096, t=-80, minsinedur=0. 1, nh=200, minf0=80, maxf0=200, f0et=7, hamrdevslope=0. 01, stocf=0. 4freqscaling = [0,1. 3,0. 82,1. 3,0. 825,1. 158,0. 99,1. 158,1. 0,1. 38,1. 1,1. 38,1. 12,1. 7,1. 2,1. 7,1. 21,1. 4592,1. 278,1. 73,1. 28,1. 5,1. 45,1. 8,1. 7,1. 8]freqstretching=[0,1,1,1]timescaling=[0,0,0. 6,0. 001,0. 67,0. 071,0. 83,2. 071,1. 0,2. 4043,1. 12,2. 7377,1. 2,4. 7377,1. 28,5. 4043,1. 45,8. 071,1. 7,8. 2]timbrepreservation=1.

This if a sound i made a while ago. Sort of sloppy, yes, but i like it, and i hope you do, too. I do appologize for the back noise on the background music. And, yes! that is me doing the narration after a bit of vocal processing. (those screaming guys around -00:22:348 are not me. I love that part!) you can download that background song for free by clicking this link: http://www. Incompetech. Com/m/c/royalty-free/index. Html?keywords=truth+of+the+legend. That was a royalty-free song, so you have no cause for worry. If you wish to make a movie out of this, you may. Traintrack bob 1 & 2 don't even exist. Yet. Made with audacity.

I recorded this from a balcony (5th floor) in the middle of a summer day (end of july), using a mid/side set (mkh30 + c480 b-uls/ck62-df omni) into sound devices mixpre3. Not any processing has been added, except a plain m/s to x/y stereo conversion and low-cut filter (30hz). This is a generally quiet atmo, sometimes light wind comes in, some seagulls and other birds are there at times, some construction work happens etc. The traffic noise is present, but in the distant way. Feel free to use it in any of your productions. Not for resale.

Me squeezing a crumpled bag of doritos, recorded with an sm57 going into an m-audio mobilepre usb audio interface. I recorded this because i needed a good rubber stretching sound, but couldn't find one that looped well. When i crumpled the bag up to throw it away, i realized it kind of sounds like what i wanted, and with some eqing and clever layering i could get a sound that's pretty close to what i wanted. I've uploaded the final result under my "processed sounds" pack, but here are the raw sounds for you to use, completely unprocessed. I've left some silence/noise at the beginning/end of these so that you can easily remove the noise if you so choose.

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry