53 Royalty-Free Audio Tracks for "Music Fragment"

Background arpeggiator e-music experimental fragment.

Ambient background music fragment.

Fragment experimental/chill style music.

Minimal cosmic electronic music short sample.

Minimal background electronic music fragment.

Lucky dip of miscellaneous musical or noise fragment from various projects by zzz beats / zzztefanos.

Minimal e-music.

Hmmm.

A fragment of music. You can use if you want.

Synth/arpeggiator minimal animation music. Retro(ish) like chip tune.

Ethereal e-music. Intro, link or edit. Vsts in daw - zebra2.

Rhythmic plucking. Good for sample synth music.

A 14 second fragment of scary music. It could be used to do a soundtrack.

A music fragment in f sharp pentatonic with a dramatic sound improvised at the piano.

Für elise fragment that sounds like it was played with some sort of music box. Made with fl studio.

fragment of Sederunt principes

A fragment of the work that survived from Nannerl's music book.

Фрагмент соло из симфонической сюиты Н.В. Римского-Корсакова в исполнении С.Калиновского (1956)

A 50 second fragment of epic music created by me. It can be used for a soundtrack.

Short fragment of chopin's b minor waltz recorded on yamaha digital piano.

A 120-bpm song fragment created in fl studio. Simple strings and synth with a beat.

Loop created in april 2018, in coimbra, portugal, using garage band. I played some instruments through a roland midi keyboard.

Opus one is arguably the first fragment of professional contemporary classical music ever composed by a computer in its own style.

Short fragment of chopin's c minor prelude recorded on yamaha digital piano.

Low-gain raw excerpt from an ambient patch on an early roland rp unit. This fragment was recorded to include mechanical and room noise.

This sound is a small fragment of "one man rumba" binaural musical recording example uploaded by karl binaural audio (http://www. Kallbinauralaudio. Com) binaural recording - wikipedia page (https://en. Wikipedia. Org/wiki/binaural_recording). I convert the original sound to mono using audacity application. Furthermore, i take the small portion (exactly 5 second length) from the original sound (from 26. 5s to 31. 5s) and give fade-out effect from 31. 1s to 31. 5s.

Retrobem la Nostra Música CD nº 21

Fragment from BWV565 as used in Paratrooper video game intro. Exported from the original game running in DOSBox 0.70, and converted to OGG format (22050 Hz, Average Bit Rate: 112 kbps).

Retrobem la nostra música CD nº 20

This is a fragment from the actual kandimpu gamaka sound by vignesh ishwar uploaded by gopala krishna koduri. This is used for asssigment 7 and 8 of theaudio signal processing for music applications course by professor xavier serra.

Orchestral jingle, loopable. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.

The hunt was successfull!. Orchestral jingle, loopable,composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.

The bard is entertaining the guests at the inn. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.

This is a fragment of a landscape scene in the karst mountain region, and can be used as background music for videos. It uses guzheng instrument and some plugins. The sample is free for use, but as always i'm happy to see the results in your artworks, and my freesound page to be referenced there.

Walking along an unknown path, careful but upbeat. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. Although i'm always interested in hearing new projects using this loop!.

This is a short fragment of one of the experiments done by the music and machine learning lab at mtg (upf). The aim is to develop an automatic violin teacher using ml techniques. Mtg is a research group specialized in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about world music and computation. Learn more at: https://www. Upf. Edu/web/mtg. Sound kindly provided by music and machine learning lab from music technology group.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:59:5

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:4:9

Monastery groove: a solemn place. . . Update: i made a longer version, which you can find herehttps://freesound. Org/people/code_box/sounds/610664/. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. Although i'm always interested in hearing new projects using this loop!.

This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.

This is a fragment from the aria ah mes amis at a lower pitch and badly performed. Iintend to use it for a coursera homework (audio signal processing for music applications). The intention is to transpose it and simulate a morfing like a falseto to the true key where the tenor hits high c, which i obviously cannot hit, otherwise i wouldn't be taking coursera courses and uploading to freesound. . .

Created with steinberg's cubase and custom halion. Processing a voice sample of mine and some coil pickup recordings. It should be an a fifth chord. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

Made in korg gadget.

Short piece of music to set an uncomfortable mood to what is watched on screen.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.

The third piece of the surviving fragments of Nannerl's music book.

The fourth piece surviving from the fragments of the Nannerl Notenbuch

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

Fragments/samples/loops /beat repeaters, sweeps cutting, skipping, repeating, chopping and bit crush reduction.