35 Royalty-Free Audio Tracks for "Music Tech"

Creazione base musicale drum and bass per video.

A recording of somewhere on illinois wesleyan campus.

Ancient Heavy Tech Donjon by Komiku

The sound of me hitting a drum pad with a quad drum stick.

First step for your first tech by Anonymous420

Ancient Heavy Tech Donjon by Komiku

124bpm. Pre-mastered.

Listen to techno music, tech house, deep house.

Click of water bottle lid recorded using a shure mobile mic.

This sound is me hitting an enlarged bottle cap that i have hanging in my room. A very interesting sound that i might use as a bass drum.

Recorded on iphone.

Recorded on iphone.

Composizione musicale di musica drum and bass per video. Free copyright.

Recorded on iphone.

Recorded on iphone.

Recorded on iphone.

A futuristic sound effect created in fl studio 11. . Free to use. No credit needed😊. .

A sound made when using noise reduction and amplifying in audacity.

This beat makes me get up and do my thing. Hope it will groove you too!created on magic music maker software.

2-step-sequenced female vocal samples, suitable for 4/4 music. Reason 9.

A sci-fi ambient background made by me using the free synth helm. If you make anything, please share a link. I'd love to hear what you all make:).

This such a crazy beat about huge experience what cowbell make sense such crazy when its fast and much. I use only 4 instruments and it sounds complete. I use program magix music maker.

This beat can be used in a the beginning or in the end of the track, or can last through the whole song. Made on magix music maker software.

An old unfinished loop i made in fl studio (version 6 at the time i believe). I've never made more stuff like this sadly, it's too noisy and hyper for my tastes. . . But i kinda like this one. Perfectly loopable and free to use wherever you want!.

This first loop in series is a simple, beat in 4/4 time run at 140 bpm. It features an extremely thick bass sound with general techno patterns you might hear in normal techno music. The pack is aimed for general use in any type of techno, trance music. The loop was created mainly with reaktor's arobic.

A layered kick i made from 2 analog sources. Enjoy!btw, if u use my sounds, i would love to hear what you do with them! & yes u can use them in any way you like. Royalty free. ;-).

S short piece i made ages ago using harmor in fl studio. I was experimenting without beats and tried to make an electronic landscape; what it would be like living in a piece of wire. Use at your discretion. Let me know if you like the sound. -cb.

I've been working on a plugin for unity to allow users to create short loops from arrangements of other loops. Seems to be working pretty well, pretty much like a low-tech version of acid. Anyways, this was a little arrangement i made as a test, and i kinda like it so i thought i'd post it here for feedback and such. Feel free to use this loop for any project in any way, credit is not required.

The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.