204 Royalty-Free Audio Tracks for "Notation"

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*129th harmonic on C = C (Ben Johnston's notation). Just: 129/128 = 13.47 cents. Limit: 43-limit. MIDI pitch bend: 40,68

*Tridecimal neutral sixth (Thirteenth harmonic) on C = A13♭ (Ben Johnston's notation). 13:8 = 840.53 cents. Limit: 13-limit. MIDI pitch bend: 124,76

*9 steps in 15 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 29/15=3/5:1 = 720 cents. MIDI pitch bend: 51,70

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

Shuffle notation in straight eighths (in drum set notation). Created by Hyacinth (talk) 21:48, 28 July 2008 in Sibelius.

First 8 bars of musical notation

[hint_clue_trace_01. Wav]. Someone is giving you a hint/clue in a stressful situation!. This sound can for example be used in games, for example when the npc pops up at the player's television/computer/smartphone/tablet-screen and gives a hint/clue, for example via dialogue which says "hurry up before he escapes!" - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

The 'D-Beat' in musical notation.

Two examples of tone-cluster notation as first used by Henry Cowell.

File:Trattado p.5.JPG translated into full and modern notation with values halved.

File:Trattado p.5.JPG translated into full and modern notation with values halved.

[hint_clue_trace_03. Wav]. Sounds like someone is saying "hello!", like "listen!". This could be a hint/clue!. This sound can for example be used in games, for example when the npc pops up at the player's television/computer/smartphone/tablet-screen and gives a hint/clue, for example via dialogue which says "look behind the giant, sleeping orc!" - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.

Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.

[hint_clue_trace_02. Wav]. You've found something weird at bob's house. . . This sound can for example be used in games, for example when the player has found something of interest, heard something or reacted to something - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Bowed-and-fingered tremolo notation. Midi file doesn't convey real quality of tremolos and their differences on open strings versus stopped notes.

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

* Description: Section of Perotins Alleluya Source: Perotin, in modern notation by Boris Fernbacher Photographer / artist: Boris Fernbacher 09:42, 21 Feb 2006 (UTC)

Sonatina, Op 36, No 1, by Muzio Clementi. This performance was created using a music notation program.

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.