2,862 Royalty-Free Audio Tracks for "Notes"

Exhaust sound of a triumph rocket 3 motorcycle. Recorded using the xy capsule of a zoom h6 recorder and an akg p3s dynamic microphone.

Captured during an overnight storm in london, using a zoom h1 through an open window facing a garden. Please send me a note if you find this useful.

A middle-frequency note that sounds like a swiss alpenhorn or person blowing into a conch shell. Made by blowing into a short section of pvc pipe.

Made with fl studio 20 by pressing a bunch of keys randomly with a short-lasting note time. Recorded in audacity.

A sound i made with a synthesizer, some delay and a wah effect. The note is a, and the wah and delay fit 130 bpm. (i used it reversed).

I have played this and drive mannually on juno di. . . Note that works well with rhodes i have uploaded. Feel free to use. U can message me with your final result.

A distorted bass sound. Made from playing with an elastic band really close to an xy mic, recorded fairly hot then distorted. Suprisingly sounds like a note from a bass guitar.

Single guitar note reversed and reverberated, resembling some kind of cinematic sound. Original sound recorded with an sm57 in front of a fender blues junior.

This is a windchime recorded very quietly struck with a triangle beater with a fairly cheap microphone, noise removed, and normalized to max volume without distortion. Lower note of two.

Earlier, i could just make a very weak bass that doesn't sound good at all in some songs. I hope this "f" note bass was useful, or not too distorted.

Repetitive bird chirping in an urban backyard, distant cars. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recorded with tetramic. Exterior ambiance recorded in santa fe, new mexico. Light birds, distant car-bys, general city rumble. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recording recorded with the coresound tetramic. Roadside picnic area ambience, santa fe, new mexico. Birds. Car-bys. Note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

A bass note created with the free version of the "dronos" vstturned down to 10 bpm. Effects: reverb, compressor.

Water running in the hills of montsegur, france. Note there is some descriptive vo in the middle of the file. Good pieces on either end.

An ad hock recording of a helicopter taking off. Good luck i had my rig with me ;). Tech note: sennheiser mkh8040 in ortf into sounddevices 702.

This is simply a synth playing a c note with the pitch automated. Typically used in modern electronic music to signify a build and create an euphoric feeling.

This was recorded @ a private party. . . . It is simply the ambience of the room with adults talking, predominantly in english. . . Note there is background music. . .

A powerfull super saw that you can use for your songs. Note :the key of this sound is actually f# min not f# maj my apologies :(.

A short loop, at about 54 bpm. Starting note is a b. Minor-ey, dusky, but clean sound. Finished it 10+ years ago and never did anything with it.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

Harley benton b-550fl fretless bass with sadowsky sbf40b flatwound 40-125 strings. Recorded directly, no effects. Open e string, both pickups.

Actually made from a note played on a trombone. I left out panning as these are great sounds to play and experiment acoustic space with.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Made in fl studio with harmor. Takes advantage of the 'shephard tone' auditory illusion to make the rise in pitch go on seamlessly forever on the same note.

Afternoon in an urban backyard. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Song bird chirping in an urban backyard, distant cars bus passes. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

Broadmoor hospital siren test. The broadmoor siren. Every monday morning at ten o'clock the deafening sound of an air-raid siren disturbs the peace over a large area of the leafy commuter belt that is berkshire, uk. The signal sounds the familiar alternating high-low note, followed by a constant all-clear note five minutes later. It's not a re-enactment of the blitz; it's a test of the escape alarm at the local mental hospital, broadmoor.

A moderately-sized bell of crystal glass. The tongue rolls inside the bell. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

A moderately-sized bell of crystal glass. The tongue rolls inside the bell. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

Short clip of 1969 mustang with a 302 revving. Recorded on samsung note 8 and cleaned up in audition. Feel free to use in whatever you like.

Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.

I generated a "pluck" with audacity at note 45, gradual decay, and reversed it. Maybe you could add this at the end of a song as a strange ending, to be cool or something.

Stereo recording by pond with loud frogs and audible birds. Some wind noise. Note i've now uploaded a "noise reduced" version. Search my sounds (the ones by "maphill").

A cat's annoyed meow. (note: i didn't harm the cat in any way to get her to produce this sound. She just gets annoyed when people are around. ).

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

One note from an antique wind-up toy. Recorded with a relatively low-quality mic at a close distance; you can hear the machine of the music box churning and some faint ambient humming.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413

*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055

Fear of the dark. A short industrial and creepy theme [cc zero] ***note the original is attribution lisc***.

Knocking tree times on a metalic door, close up, several takes. Note that a small electric rumble should be removed. France, 2018. Recorded with schoeps ab ortfrecorded on nagra ares bbwave stereo, 48khz, 24bits.

Sounds of thunder and rain in turku, finland on 3rd july 2011. Recorded on a zoom h4n. Note: although the flac is stereo, the actual recording is mono.

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

Aria from the Goldberg Variations. Converted form the FLAC file at https://archive.org/details/MusopenCollectionAsFlac. Note that this recording is not the one from Open Goldberg Variations, but commissioned by Musopen itself.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Tripe osc soundshapeevery bass note cames with his higher pitched brother. Effects: echo, reverb and maybe my usual asio soundcard bugs.