486 Royalty-Free Audio Tracks for "Numbers"

Creepy effect sounds sfx fx, number 11.

Creepy effect sounds sfx fx, number 8.

Creepy effect sounds sfx fx, number 10.

Creepy effect sounds sfx fx, number 7.

Creepy effect sounds sfx fx, number 6.

Creepy effect sounds sfx fx, number 5.

Creepy effect sounds sfx fx, number 9.

This is a plasma pulse engine for spaceships, hover bikes/ boards, etc. The engine starts up at 00. 000 ms. Then stage one starts at 02. 400 ms. Stage two at 04. 800 ms. Stage three at 07. 200 ms. Stage four 09. 600 ms. Then the engine shuts down starting at 12. 000 ms. To change "gears" set position to the stage start then play. To "run" in each stage loop from start time +. 144 to stage end time(next stage start time) -. 083. You may have to figit the numbers. I haven't actually tested any of this. I don't really program any more. But, in theory it should work.

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Sound created by random tone frequencies and some voice samples.

Thee odd noise of our shower head as the tap is first turned on.

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73

Performed by Arizona Dranes.

Chair sound number 2.

Till number one please. Record by me.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

Dtmf tones spelling the number of openscad, compressed.

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

Yoda saying. Reached you have in a galaxy far, far away, the number you have. . . Leave your name and number and a jedi or galactic council will get back to you, please. . .

A nice ambient recording made on sunday morning may 5th 2013 around 6:30 in the morning in the shawnee national forest in deep southern illinois. I had originally wanted to get good, clear recordings of the tremendous numbers of warblers that are here, but a good, soaking steady light rain decided to stick around. I though, what the heck, that is a part of our natural world also, so let's get it all "on tape". . . . Hope you enjoy this. Recording made with my handy zoom h4n recording utilizing its built-in microphones. To keep as much water off of my h4n as possible, i put one of my big, furry, knitted insulated sock-cap over the recorder, that at least kept my recorder from swimming in water.

Bass with variations made on modular synth. The original wave is a sin-wave. . . I think number six i my favorite. Number ten is quite funky too.

The sound you hear after you dialed a number.

Stereo recording made in the generator hall of tate modern between exhibitions. The end of the hall furthest from the entrance was empty, so i ran the recorder for a couple of minutes just to sample the reverberation. Because it is a school holiday in the uk, there were large numbers of children in the gallery, especially on the upper deck bridge about 25m from the recorder, and their voices are higher pitched and their behaviour extrovert. The space is large, so the echoes give a lot of atmosphere. Recorded on zoom h2. Transferred to audacity and high pass filter with breakpoint of 180hz used (12db/octave) to remove the hum that is prevalent at this site. +6db of amplification used, so peaks at -18dbfs.

A cell phone dials a phone number and hits the send button.

Synthetic and musique-concrete for an experimental demo soundtrack. Used mimeophon, erbe-verb, dpo and qpas to create a "who pushed the button?" soundtrack. Great fun converting the sound of a pencil on paper to one part of the track. Enjoy!.

Other placesrecorder: zoom h2 / other portable devicesoftware: pro tools / audacity / ocenaudio. Your comments are greatly appreciatedcheers, piotr zaczek.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

Uiowa - number one party school -h4n.

Spotted turtle dove outside my window and a number of smaller birds chirping.

Slurping a coffee number 4. 24 bit44,1 khz.

Neapolitan song "Funiculì, funiculà", sung by tenor Francesco Daddi (1864–1945) with piano accompaniment, record released by The Gramophone & Typewriter Ltd., London, United Kingdom in the year 1906 (matrix number: 3569e, face number: 2-52498)

Mellow surf on a beach in the seychelles with local birds, number 2.

Bell like sound for morphagene. 4 splices with increasing number of hits.

Dtmf tones spelling the number of openscad, compressed. A bit lower than openscad dtmf2.

Dialed the wrong number. Have fun with it, make music, make sounds.

Record number: Zonophone 2155 Vocals: none

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413

1967 gpo 706f telephone dialling number and replacing receiver.

Replicated sound of a crow call for introduction to music research. Student number s2793374.

A sampler, with a delay playing standards through a number of live delays, whilst adjusting settings.

Yeah, it is what you think it is... Book 1. Number 1. Doesn't get to the end, though. -

I recorded a crisps bag but it sounds like a number of things.

Dialed the wrong number. Have fun with it, make music, make sounds.